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Designed for the discriminating reader who expects a good story, good characters, and above all an aesthetic experience. It's in the language, you know? Contact me at R1234J@hotmail.com...

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There goes Le Roi de Soliel rolling down the hill. Like Roy always says: the first thing you do when you open one of these gallon jugs is toss the cap away. Now, he’s tumbling down a dirt path in the Presidio with the lights of The City winking behind and the GGB, a waterfront hack’s “golden”, glistening through the light fog and beckoning dead ahead. Michigan Bob gets to Roy first to make sure the wine is intact, both of them laughing and coughing, a couple of lunatics in the darkness. Just like them to howl at a new moon as now here comes Tex plummeting down the hill to meet them, hoping he can arrest his momentum before he bowls them over like a couple of tenpins needed for a spare. ...

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THERE GOES LE ROI DE SOLIEL... AN OLD SCORE THE GOOD PROFESSOR A VISIT TO THE LIBRARY WASHINGTON SQUARE CHANCE ENCOUNTER RELAY THE NATURE OF WORLDS THE EDUCATION OF HENRY APPEL, A NOVELLA...

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Be advised: work contains very strong language and scenes of a sexually explicit and violent content. Recommended minimum age of 18 years

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Poems original written (but not submitted) for the Waitrose Year of Poetry competition.

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Poems written between 2013 and 2015 all of which have between 4 and 14 lines.

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An e-edition of Paradise Lost based on the 1674 and 1667 editions, and Paradise Regained based on its original 1671 edition, both meticulously edited for faithfulness to the originals. Volume 4 in The Reader's Library Series. ISBN: 978-1-932023-46-6. https://www.facebook.com/williamralpheditions...

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from Book I of Paradise Lost “Infernal world, and thou profoundest Hell Receive thy new Possessor: One who brings A mind not to be chang’d by Place or Time. The mind is its own place, and in it self Can make a Heav’n of Hell, a Hell of Heav’n. What matter where, if I be still the same, And what I should be, all but less then he Whom Thunder hath made greater? Here at least We shall be free; th’ Almighty hath not built Here for his envy, will not drive us hence: (260) Here we may reign secure, and in my choyce To reign is worth ambition though in Hell: Better to reign in Hell, then serve in Heav’n. But wherefore let we then our faithful friends, Th’ associates and copartners of our loss Lye thus astonisht on th’ oblivious Pool, And call them not to share with us their part In this unhappy Mansion, or once more With rallied Arms to try what may be yet Regaind in Heav’n, or what more lost in Hell? ”...

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Contents Introduction PARADISE LOST Book I Book II Book III Book IV Book V Book VI Book VII Book VIII Book IX Book X Book XI Book XII PARADISE REGAIN'D Book I Book II Book III Book IV About the Editor Also from William Ralph Press...

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This is a booklet of poems in three languages: English, Urdu and French

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Contemporary poetry in three languages: English, Italian and Spanish

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Description : this book describe ton per trillion $

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Excerpt : Synthesis per this one year of 50000 tons of this Diamonds with quality per one ton from this One Trillion $ USA .

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Table of Contents : pocket poetry at poem-a-day' TRILLION $ with V.Grzhibovskiy'

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A collection of short stories inspired by Kathlamet myths, along with the original myths (sometimes explicated. The tales, as retold myths, are akin to legend and fairy tales, if perhaps rendered from the subconscious of our Wisconsin pioneer legacy....

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From: "The Bird-Headed Woman" On an isolated farm near the Black River lived a farmer and his wife who had recently given birth to a child. She quarreled with him because he raged at her in his religion, accusing her of wrongs she had not done to him, and so she left him and took her child to live in the woods where she had found a shack abandoned by loggers. Her husband, alienated by her, began to preach a profound and compelling gospel of sin and the everlasting hell due to sinners, and people from many farms and towns came around to listen to him. She could hear their clamor from the woods where she lived. Like the sound of a train flagged to a sudden halt in the wilderness. Crashing its clashing cars. Seething with hissing steam. At night through the trees she could see the glaring lights of kerosene lamps moving like aural globules upon the lawn and on the porch of the house where men and women gathered to listen to her husband. She went out in the night to listen, leaving her child in the shack, but feared that her child might cry and so went back. The next night she thought: “I will bathe my child in warm wa...

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Foreword Introduction to Kathlamet Texts (Franz Boas) Esther: Her Story Myth of Nikciamtca’c (told 1890) The Myth of Perpetual Motion Sun Myth (told 1891) The Story of the Bride Myth of the Swan (told 1894) Catching Sky The Copper is Speared (told 1894) The Fabulous Masked Man and his Faithful Companion: a Tale also Told as “Richard and Beau” or “Dick and Dumb” The Raccoon (told 1891) How to Make a Buck (1) Myth of the Coyote (told 1891) How to Make a Buck (2) Myth of the Salmon (told 1891) Myth of the Salmon (Variant B) (told 1894) Monsters Today (or All the World is Paper) Myth of the Elk (told 1894) The Southwest Wind: Being the True Account & Compilation of the Actual Events of October 8, 1871 Myth of the Southwest Wind (told 1894) The Bird-Headed Woman Myth of Aq!asXe’nasXena (told 1890) Jack and Beulah Rabbit and Deer (told 1894) Topping the Bill Coyote and Badger (told 1891) Blind Granny Goody’s Hairy Lips Panther and Lynx (told 1891) Cecelia and Crab Seal and Crab (told 1891) Adventures in a Wobbling World Myth of the Mink (told 1891) The Berry Girls and their Cookie Kid...

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This series is arranged in levels of reading difficulty ranging from 1 to 5. The easiest is level 1, the hardest level 5. All these books are royalty free and can be copied used printed and distributed, scrawled on walls, acted out in plays and told (very slowly) to your pet dog, if you don’t have a dog a cat will do, but hamsters do not listen as they only speak Spanish. They are designed to be easily read on a computer and can be printed on standard A4 size paper There is no bad language or offensive words anywhere in these books....

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" I fear ." said Wabbit, pouring the contents of the clock onto his plate. " That all is not well." Pack took a slice of toast and began to butter it. " Was that the clock with the mouse in it." Pack looked at the contents of the clock scattered on the table. " Repaired it yesterday." complained Wabbit. " I did not know you could repair mice." Pack looked at Wabbit....

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This series is arranged in levels of reading difficulty ranging from 1 to 5. The easiest is level 1, the hardest level 5. All these books are royalty free and can be copied used printed and distributed, scrawled on walls, acted out in plays and told (very slowly) to your pet dog, if you don’t have a dog a cat will do, but hamsters do not listen as they only speak Spanish. They are designed to be easily read on a computer and can be printed on standard A4 size paper (landscape format) There is no bad language or offensive words anywhere in these books....

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Joe went for a walk in the garden. It was Autumn and all the leaves had fallen from the trees. Leaves were laying all over the ground.

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Dear Lover—a poetry collection about hope and heartbreak, about love in its short, long, and temporary forms, about how love can be cloaked in abuse, how love can build us or break us, the hard and soft of it, the good, the bad, and the completely atrocious. The collection is a poetic story of different relationships which are organized into the stages of a relationship; that initial attraction, the circling dance around each other, the honey-moon stage, the souring, the fighting, the breaking up, and the recovering. This work is deeply personal, but relatable all the same. Autobiographical at its core, it aims for love's failures and triumphs, its disappointments and celebrations, the bad, the good, and the downright ugly. It is a poetry collection that reaches for the hearts of anyone who has ever fallen in love, thought of falling in love, fallen out of love, or is in love with the idea of love. Written in letter format, the collection includes a few sonnets, a couple villanelles, and a pantoum among the formal verse poetry, but mostly it is an experimentation with prose poetry and free verse that hardly seems free at times...

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Dear Lover, If you are empty I am open a lock is nothing without a key to close it, a saucer needs tea like sugar needs a spoon a model does not both pose and paint think of dissolving sugar, sweetened teas Matcha whisks and sheltering saucers ceramic teapots and crochet coasters a heat that creeps from tea to saucer a warmth spread by a sweetening spoon what is a journey without someone who wanders if sometimes a pair is made of two...

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Search & Discovery Something About Sleeping Sweet Something(s) Appearances Musing(s) Fear Shame Casual Happenings Promises, Promises Taking Advantage Suffering Compromise and Comparison Apology Penance Recovery The End ...

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Booklet. Ten Prose Poems about Asia.

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"...as humanity's blazing orb propels itself..."

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1. Edge of the Sky 2. South China Sea 3. Phom Rak Khun 4.The Meh Khong River 5. Mahogany Shadows 6. Heart of Java 7. Sudharmi 8. Ode to Dati 9. Devil Moon 10. Dukun...

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Speculative, Contemplative, Confessional, and Surreal poetry accessible for all readers.

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Spring Squall The storm was dead airwaves Hissing, cracking, A dialed down transistor Trademark of the asshole Down the street Who boils health in a bag (and grows conceit in his garden) ...

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Greetings from Nazareth…………3 The Next Morning………………..5 Our Towns………………………..6 A Senseless Game………………..7 Spring Squall……………………..9 The Thinking Man Had Lost…….10 Life of the Living Dead………….12 A Summer Scene………………...13 Parked………………………...….14 Ad Copy…………………………15 Secret Admirer…………………..17 Barn-Cat………………………….18 ...

Description Details
This series is arranged in levels of reading difficulty ranging from 1 to 5. The easiest is level 1, the hardest level 5. All these books are royalty free and can be copied used printed and distributed, scrawled on walls, acted out in plays and told (very slowly) to your pet dog, if you don’t have a dog a cat will do, but hamsters do not listen as they only speak Spanish. They are designed to be easily read on a computer and can be printed on standard A4 size paper There is no bad language or offensive words anywhere in these books....

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Terry Turnvale has a bunk bed. Terry sleeps on the top bed of the bunk bed and Terry thinks his bunk bed is just magic. Terry has small brother called Little Tim. Little Tim sleeps on the bottom of the bunk bed and he is definitely not magic....

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All these books are royalty free and can be copied, used, printed and distributed, acted out in plays etc, etc without any restriction. They are designed to be easily read on a computer and can be printed on standard A4 size paper. There is no bad language or offensive words anywhere in these books. ...

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Half past two in the morning cold and wet, the railway station was empty, even the ticket collector had gone home. Only the dim glow of the platform lights gave any indication that once, life had existed here....

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This series is arranged in levels of reading difficulty ranging from 1 to 5. The easiest is level 1, the hardest level 5. All these books are royalty free and can be copied used printed and distributed, scrawled on walls, acted out in plays and told (very slowly) to your pet dog, if you don’t have a dog a cat will do, but hamsters do not listen as they only speak Spanish. They are designed to be easily read on a computer and can be printed on standard A4 size paper (landscape format) There is no bad language or offensive words anywhere in these books....

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Mrs O'Flaherty's cat Was strolling around, Looking at this Looking at that,

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Ruin is a tale that is not a tale. It is a microscopic peering into the unpleasant fabric of human sustainability. It is a real person wrought by sabotaging the very nature of storytelling. It is a description of love, that is, the deliberate perversion of it in order to fulfill one's needs, which is to say it is the banal record of everyday life. It is a collection of details that follow the details that preceded it in A Book of Nightmares. It is not a happy book. It is full of elegiac contemplation on suffering, helplessness, holiness and unrelenting sexual isolation. It is blunt and graphic and painfully beautiful. It has little plot, and no punctuation, and might, just might, be the poetry for which America has been unconsciously waiting....

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there is only love in its various forms and manifestations and by it we either see or we do not see it has been eight years since my last report I am home again if this house can be said to have been a home to me or rather if it can still so be called many years have scampered in and eaten away at what I remember was a modest structure with a mild economical luster ......

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Epigraph Ruin About the Author About William Ralph Press

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This series is arranged in levels of reading difficulty ranging from 1 to 5. The easiest is level 1, the hardest level 5. All these books are royalty free and can be copied used printed and distributed, scrawled on walls, acted out in plays and told (very slowly) to your pet dog, if you don’t have a dog a cat will do, but hamsters do not listen as they only speak Spanish. They are designed to be easily read on a computer and can be printed on standard A4 size paper (landscape format) There is no bad language or offensive words anywhere in these books....

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It was too early for a telephone calls. “Hello Bodget speaking.” said Bodget pulling the telephone receiver under the bed covers. “Constable Nowthen here.”said the caller on the telephone....

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...A cycle of poems of yes and no, rumors of life dancing on this islet sphere riding the blind career of outward motion. These rhymes are threnodies and hosannas among nurseries and crypts, hummings to fright hants habiting dingy trails through a wilderness, attempts to stay awhile this side the lichgate by becoming a gossip for the ineffable. They are a literary aesthetic concerning the quicksilver bric-a-brac on the shelves of this what-not of becoming, a naming of smoke, a grasping at echoes, that I might hide in posterity's pocket another day, another night, beyond the terrible hunger of the past's insatiable forgetting. They are wild habits of reluctance. ...