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Escalología, Op. 34. : Escalas mayores., Volume 1 de mi "Enciclopedia del Perfeccionamiento de la Técnica Pianística".: Escalas mayores.

By Parodi Ortega, Luis Félix

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Book Id: WPLBN0100304430
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Reproduction Date: 1/2/2020

Title: Escalología, Op. 34. : Escalas mayores., Volume 1 de mi "Enciclopedia del Perfeccionamiento de la Técnica Pianística".: Escalas mayores.  
Author: Parodi Ortega, Luis Félix
Volume: Volume 1 de mi "Enciclopedia del Perfeccionamiento de la Técnica Pianística".
Language: Spanish
Subject: Non Fiction, Music, Piano Encyclopedia.
Collections: Authors Community, Music
Historic
Publication Date:
2020
Publisher: Luis Félix Parodi Ortega.
Member Page: Luis Félix Parodi Ortega

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Félix Parodi Ortega, B. L. (2020). Escalología, Op. 34. : Escalas mayores., Volume 1 de mi Enciclopedia del Perfeccionamiento de la Técnica Pianística.. Retrieved from http://www.gutenberg.us/


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https://mipianotecnicaenciclopediaingles.blogspot.com/

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https://mipianotecnicaenciclopediaingles.blogspot.com/

Table of Contents
1. Preparatory exercises for the study of scales. (pg. 9) 1.1. The groups of consecutive fingers on the scales. (pg. 9) 1.1.1. Groups of three consecutive fingers. (pg. 9) 1.1.1.1. First series. (pg. 9) 1.1.1.2. Second series. (pg. 11 1.1.2. Groups of four consecutive fingers. (pg. 13) 1.1.2.1. First series. (pg. 13) 1.1.2.2. Second series. (pg. 17) 1.2. The thumb-under on the scales. (pg. 21) 1.2.1. Previous stimulation of the fingers that intervene in the thumb-under on the scales. (pg. 21) 1.2.1.1. Distance of major third between the thumb and the 3rd or 4th finger. (pg. 21) 1.2.1.1.1. First series. (pg. 21) 1.2.1.1.2. Second series. (pg. 22) 1.2.1.1.3. Third series. (pg. 22) 1.2.1.2. Minor third distance between thumb and 3rd or 4th finger. (pg. 23) 1.2.1.2.1. First series. (pg. 23) 1.2.1.2.2. Second series. (pg. 23) 1.2.1.2.3. Third series. (pg. 24) 1.2.1.3. Distance of major second between the thumb and the 3rd or 4th finger. (pg. 24) 1.2.1.3.1. First series. (pg. 24) 1.2.1.3.2. Second series. (pg. 25) 1.2.1.4. Distance of a minor second between the thumb and the 3rd or 4th finger. (pg. 25) 1.2.1.4.1. First series. (pg. 25) 1.2.1.4.2. Second series. (pg. 26) 1.2.1.4.3. Third series. (pg. 26) 1.2.1.4.4. Fourth series. (pg. 27) 1.2.1.4.5. Fifth series. (pg. 27) 1.2.2. Thumb-under exercises. (pg. 28) 1.2.2.1. Minor second distance between the 3rd or 4th finger and the thumb-under. (pg. 28) 1.2.2.1.1. First series. (pg. 28) 1.2.2.1.2. Second series. (pg. 29) 1.2.2.1.3. Third series. (pg. 29) 1.2.2.1.4. Fourth series. (pg. 30) 1.2.2.1.5. Fifth series. (pg. 30) 1.2.2.2. Distance of major second between the 3rd or 4th finger and the thumb-under. (pg. 31) 1.2.2.2.1. First series. (pg. 31) 1.2.2.2.2. Second series. (pg. 31) 1.3. Connection of the groups of three and four consecutive fingers through the thumb-under. (pg. 32) 1.3.1. First part. (pg. 32) 1.3.1.1. First series. (pg. 32) 1.3.1.2. Second series. (pg. 33) 1.3.1.3. Third series. (pg. 33) 1.3.1.4. Fourth series. (pg.34) 1.3.2. Second part. (pg. 35) 1.3.2.1. First series. (pg. 35) 1.3.2.2. Second series. (pg. 37) 1.3.2.3. Third series. (pg. 39) 1.3.2.4. Fourth series. (pg. 41) 1.3.2.5. Fifth series. (pg. 43) 1.3.2.6. Sixth series. (pg. 45) 1.3.2.7. Seventh series. (pg. 47) 1.3.2.8. Eighth series. (pg. 49) 2. Study of the major scales. (pg. 51) 2.1. Major scales in the right hand with their corresponding symmetrical ones in the left hand, in descending order in number of black keys used, at an octave length. (pg. 51) 2.1.1. B MAJOR. (pg. 51) 2.1.2. G FLAT MAJOR. (pg. 51) 2.1.3. D FLAT MAJOR. (pg. 52) 2.1.4. A FLAT MAJOR. (pg. 52) 2.1.5. E MAJOR. (pg. 52) 2.1.6. A MAJOR. (pg. 52) 2.1.7. E FLAT MAJOR. (pg. 52) 2.1.8. D MAJOR. (pg. 53) 2.1.9. B FLAT MAJOR. (pg. 53) 2.1.10. G MAJOR. (pg. 53) 2.1.11. F MAJOR. (pg. 53) 2.1.12. C MAJOR. (pg. 53) 2.2. Major scales in the left hand with their corresponding symmetrical ones in the right hand, in descending order in number of black keys used, at one octave extension. (pg. 54) 2.2.1. B MAJOR. (pg. 54) 2.2.2. G FLAT MAJOR. (pg. 54) 2.2.3. D FLAT MAJOR. (pg. 54) 2.2.4. A FLAT MAJOR. (pg. 55) 2.2.5. E MAJOR. (pg. 55) 2.2.6. A MAJOR. (pg. 55) 2.2.7. E FLAT MAJOR. (pg. 55) 2.2.8. D MAJOR. (pg. 55) 2.2.9. B FLAT MAJOR. (pg. 56) 2.2.10. G MAJOR. (pg. 56) 2.2.11. F MAJOR. (pg. 56) 2.2.12. C MAJOR. (pg. 56) 23. Major scales in descending order in number of black keys used, to an octave extension. (pg. 57) 2.3.1. B MAJOR. (pg. 57) 2.3.2. G FLAT MAJOR. (pg. 57) 2.3.3. D FLAT MAJOR. (pg. 57) 2.3.4. A FLAT MAJOR. (pg. 58) 2.3.5. E MAJOR. (pg. 58) 2.3.6. A MAJOR. (pg. 58) 2.3.7. E FLAT MAJOR. (pg. 58) 2.3.8. D MAJOR. (pg. 58) 2.3.9. B FLAT MAJOR. (pg. 59) 2.3.10. G MAJOR. (pg. 59) 2.3.11. F MAJOR. (pg. 59) 2.3.12. C MAJOR. (pg. 59) 2.4. Major scales in decreasing order in number of black keys used, to two octaves extension. (pg. 60) 2.4.1. B MAJOR. (pg. 60) 2.4.2. G FLAT MAJOR. (pg. 60) 2.4.3. D FLAT MAJOR. (pg. 61) 2.4.4. A FLAT MAJOR. (pg. 61) 2.4.5. E MAJOR. (pg. 62) 2.4.6. A MAJOR. (pg. 62) 2.4.7. E FLAT MAJOR. (pg. 63) 2.4.8. D MAJOR. (pg. 63) 2.4.9. B FLAT MAJOR. (pg. 64) 2.4.10. G MAJOR. (pg. 64) 2.4.11. F MAJOR. (pg. 65) 2.4.12. C MAJOR. (pg. 65) 2.5. Major scales in ascending chromatic order of tonalities, to two octaves extension. (pg. 66) 2.5.1. C MAJOR. (pg. 66) 2.5.2. D FLAT MAJOR. (pg. 66) 2.5.3. D MAJOR. (pg. 67) 2.5.4. E FLAT MAJOR. (pg. 67) 2.5.5. E MAJOR. (pg. 68) 2.5.6. F MAJOR. (pg. 68) 2.5.7. G FLAT MAJOR. (pg. 69) 2.5.8. G MAJOR. (pg. 69) 2.5.9. A FLAT MAJOR. (pg. 70) 2.5.10. A MAJOR. (pg. 70) 2.5.11. B FLAT MAJOR. (pg. 71) 2.5.12. B MAJOR. (pg. 71) 2.6. Major scales by contrary movement, ascending chromatic order of tonalities and to one octave extension. (pg. 72) 2.6.1. C MAJOR. (pg. 72) 2.6.2. D FLAT MAJOR. (pg. 72) 2.6.3. D MAJOR. (pg. 72) 2.6.4. E FLAT MAJOR. (pg. 73) 2.6.5. E MAJOR. (pg. 73) 2.6.6. F MAJOR. (pg. 73) 2.6.7. G FLAT MAJOR. (pg. 73) 2.6.8. G MAJOR. (pg. 73) 2.6.9. A FLAT MAJOR. (pg. 74) 2.6.10. A MAJOR. (pg. 74) 2.6.11. B FLAT MAJOR. (pg. 74) 2.6.12. B MAJOR. (pg. 74)

 
 



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