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Title: Shakuntala  
Author: World Heritage Encyclopedia
Language: English
Subject: Glossary of Hinduism terms, Dushyanta, Bharata (emperor), Vishvamitra, Abhijñānaśākuntalam
Collection: Characters in the Mahabharata, People in Hindu Mythology
Publisher: World Heritage Encyclopedia


"Śakuntalā Looking Back to Glimpse Dushyanta". Scene from Kālidāsa's The Recognition of Śakuntalā as painted by Raja Ravi Varma.

In Hinduism Shakuntala (Sanskrit: शकुन्तला, Śakuntalā) is the wife of Dushyanta and the mother of Emperor Bharata. Her story is told in the Mahabharata and dramatized by Kalidasa in his play Abhijñānaśākuntala (The Sign of Shakuntala).


  • Etymology 1
  • Films and TV shows 2
  • Musical adaptations 3
  • Other adaptations 4
  • See also 5
  • Notes 6
  • References 7


Rishi Kanva found her in forest as a baby surrounded by Shakunta birds (Sanskrit: शकुन्त, śakunta). Therefore he named her Shakuntala (Sanskrit: शकुन्तला), meaning Shakunta-protected.[1][2]

In the Adi Parva of Mahabharata, Kanva says:

She was surrounded in the solitude of the wilderness by śakuntas,
therefore, hath she been named by me Shakuntala (Shakunta-protected).

Shakuntalā was born of the sage Vishwamitra and the Apsara Menaka. Menakā had come at the behest of the King of the Heaven, Indra, to distract the sage Vishwāmitra from his deep meditations. She succeeded, and bore a child by him. Thus making her a legitimate daughter of sage Vishwamitra and Menaka. Vishwāmitra, angered by the loss of the virtue gained through his many hard years of strict ascetism, distanced himself from the child and mother to return to his work. Realizing that she could not leave the child with him, and having to return to the heavenly realms, Menakā left the newborn Shakuntalā in the forest. It was here that the new born child was found by Kanva Rishi surrounded by Shakunta birds . He thus named her Shakuntalā. Kanva Rishi took the child to his ashram, on the banks of the Mālini River which rises in the Shivālik hills of Himālayas and lies about 10 km from the town of Kotdwāra in the state of Uttarākhand, India. This is corroborated by Kālidāsa in his play Abhijñānaśākuntalam in which he has described the ashram of the Kanva Rishi on the banks of river Mālini.

King Dushyanta first encountered Shakuntala while travelling through the forest with his army. He was pursuing a male deer wounded by his weapon. Shakuntala and Dushyanta fell in love with each other and got married as per Gandharva marriage system. Dushyanta, offered his personal royal ring to the girl as a token of his love, and left for his kingdom, promising to come back soon and take Shakuntala with him.

Shakuntala spent much time dreaming of her new husband and was often distracted by her daydreams. One day, a powerful rishi,


  1. ^ Mahabharata, Adi Parva, Sambhava Parva
  2. ^ Mahabharata, Adi Parva, Sambhava Parva (in Sanskrit)
  3. ^


See also

Other adaptations

  • Ernest Reyer (1823–1909) composed a ballet Sacountala on an argument by Théophile Gautier in 1838.
  • Károly Goldmark, the Hungarian composer (1830–1915) wrote the Sakuntala Overture Op.13 in (1865)
  • Italian Franco Alfano composed an opera named La leggenda di Sakùntala (The legend of Shakuntala) in its first version (1921) and simply Sakùntala in its second version (1952).
  • The Norwegian musician, Amethystium, wrote a song called "Garden of Sakuntala" and it can be found in the CD Aphelion.
  • The Soviet composer Sergey Balasanyan composed a ballet named Shakuntala.
  • Franz Schubert: Sakontala: Opera in two acts, D701 (c. 1820, incomplete); completed by Fritz Racek; first performance in Vienna, June 12, 1971, by the Rumanian Staatsoper Timisoara, conducted by Cornelia Voina
  • Franz Schubert: Sakontala: Opera in two acts, D701 (c. 1820, incomplete); completed by Karl Aage Rasmussen by commission of Antti Sairanen, published by Edition Wilhelm Hansen, Copenhagen (recorded live, October 4, 2006) (CARUS 83218)
  • Franz Schubert: Sakontala: Opera in two acts, D701 (c. 1820, incomplete); completed by Karl Aage Rasmussen by commission of Antti Sairanen, published by Edition Wilhelm Hansen, Copenhagen; scenic world premiere in Saarbrücken Opera (Saarländisches Staatstheater) March 27, 2010

Musical adaptations

The earliest adaptation into a film was when Bhupen Hazarika made the Assamese film Shakuntala in 1961. It won the President's Silver Medal and was critically acclaimed. Shakuntala was also made into a Malayalam movie by the same name in 1965. It starred K. R. Vijaya and Prem Nazeer as Shakuntala and Dushyanta respectively. Rajyam Pictures of C. Lakshmi Rajyam and K. Sridhar Rao produced a Shakuntala film in 1966 starring N. T. Rama Rao as Dushyanta and B. Saroja Devi as Shakuntala. It is directed by Kamalakara Kameswara Rao.[3] V. Shantaram also made a Hindi film titled 'STREE' on this story. On Marathi stage there was a musical drama titled 'Shakuntal' on the same story.

Films and TV shows

An alternate narrative is that after Dushyanta failed to recognize Shakuntala, her mother Menaka took Shakuntala to Heaven where she gave birth to Bharata. Dushyanta was required to fight with the devas, from which he emerged victorious; his reward was to be reunited with his wife and son. He had a vision in which he saw a young boy counting the teeth of a lion. His kavach (arm band/armour) had fallen off his arm. Dushyanta was informed by the devas that only Bharata's mother or father could tie it back on his arm. Dushyanta successfully tied it on his arm. The confused Bharata took the king to his mother Shakuntala and told her that this man claimed to be his father. Upon which Shakuntala told Bharata that the king was indeed his father. Thus the family was reunited in Heaven, and they returned to earth to rule for many years before the birth of the Pandava.

Meanwhile, a fisherman was surprised to find a royal ring in the belly of a fish he had caught. Recognizing the royal seal, he took the ring to the palace and, upon seeing his ring, Dushyanta's memories of his lovely bride came rushing back to him. He immediately set out to find her and, arriving at her father's ashram, discovered that she was no longer there. He continued deeper into the forest to find his wife and came upon a surprising scene in the forest: a young boy had pried open the mouth of a lion and was busy counting its teeth. The king greeted the boy, amazed by his boldness and strength, and asked his name. He was surprised when the boy answered that he was Bharata, the son of King Dushyanta. The boy took him to Shakuntala, and thus the family was reunited.

Crying of Shakuntala
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