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Mykola Khvylovy

Mykola Khvylovy
Mykola Fitilov
Born December 1, 1893
Trostyanets, Russian Empire
Died May 13, 1933 (age 39)
Kharkiv, Soviet Union
Pen name Khvylovy
Occupation writer, poet, security officer
Nationality Ukrainian
Period 1921-1933
Genre novel
Literary movement impressionism, socialist realism

Mykola Khvylovy (Ukrainian: Микола Хвильовий, Ukrainian pronunciation: ) (December 13 [O.S. December 1] 1893 – May 13, 1933) was a Ukrainian writer and poet of the early Communist era Ukrainian Renaissance (1920–1930).

Born as Mykola Fitilyov in Trostyanets, Kharkov Governorate to a Russian laborer father and Ukrainian schoolteacher mother, Khvylovy joined the Communist Party in 1919. In the same year he became the chief of local Cheka in Bohodukhiv povit. He moved to Kharkiv in 1921 and involved himself with writers connected to Vasyl Blakytny and the paper Visti VUTsVK (news from All-Ukrainian Central Executive Committee). In 1921, he also published his first poetry collection.

In 1922, he began to focus more on prose writing. His initial collections Syni etiudy (Blue Etudes, 1923) and Osin’ (Autumn, 1924) generated approval from critics like Serhiy Yefremov, Oleksander Biletsky, Volodymyr Koriak, Yevhen Malaniuk and Dmytro Dontsov. His impressions of the work as a CheKa officer are reflected in his 1924 novel "I (Romance)", the hero of which - the head of the local Cheka - sentenced his mother to death in the name of the ideals of the revolution.

A brief member of the literary organization

After his death, his works were banned in the Soviet Union and because of his symbolic potency were mostly not permitted until near the end or after the collapse of the Soviet Union.

Works

Khvylovy wrote both poetry and short stories. His short stories are best known for their difficult narrative forms and complicated imagery.

A novel, titled Valdshnepy (The Woodsnipes), remained unfinished and unpublished when he died. Its second part — the first published in Vaplite in 1927 — had been confiscated.

He wrote a number of pamphlets presenting his views of the connection between politics and art. He advocated an orientation toward cultural trends in Western Europe in order in loosen Ukraine's dependence on Russian forms and

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