This article will be permanently flagged as inappropriate and made unaccessible to everyone. Are you certain this article is inappropriate? Excessive Violence Sexual Content Political / Social
Email Address:
Article Id: WHEBN0000016861 Reproduction Date:
World War II
Purple Heart
Kurt Vonnegut, Jr. (; November 11, 1922 – April 11, 2007) was an American writer.[1] His works, such as Cat's Cradle (1963), Slaughterhouse-Five (1969), and Breakfast of Champions (1973), blend satire, gallows humor, and science fiction. As a citizen, he was a lifelong supporter of the American Civil Liberties Union and a pacifist intellectual, who often was critical of the society that he lived in.[2] He was known for his humanist beliefs and was honorary president of the American Humanist Association.[3]
The New York Times headline at the time of his death called him "the counterculture's novelist."[4][5]
Kurt Vonnegut, Jr., was born in Indianapolis, Indiana, to third-generation German-American parents, Edith (Lieber) Vonnegut and Kurt Vonnegut, Sr..[6] Both his father and his grandfather Bernard Vonnegut attended the Massachusetts Institute of Technology and were architects in the Indianapolis firm of Vonnegut & Bohn. His great-grandfather, Clemens Vonnegut, Sr., was the founder of the Vonnegut Hardware Company, an Indianapolis firm.[7] Vonnegut had an older brother, Bernard and a sister, Alice.[8] Vonnegut graduated from Shortridge High School in Indianapolis in May 1940 and went to Cornell University later that year. He majored in chemistry, and was assistant managing editor and associate editor of The Cornell Daily Sun.[9] He was a member of the Delta Upsilon Fraternity, as was his father.
While at Cornell, Vonnegut enlisted in the United States Army.[10] The Army transferred him to the Carnegie Institute of Technology and later, to the University of Tennessee to study mechanical engineering.[1] On Mother's Day 1944, while on leave during World War II, he discovered that his mother had committed suicide with sleeping pills.[11]
His older brother, Bernard Vonnegut, was an atmospheric scientist at the University at Albany, who discovered that silver iodide could be used for cloud seeding, the process of artificially stimulating precipitation.[12]
Reassigned to a combat unit due to the manpower needs of the Allied invasion of France, Vonnegut was captured while a private with the 423rd Infantry Regiment, 106th Infantry Division during the Battle of the Bulge. On December 19, 1944, the 106th Division was cut off from the rest of Courtney Hodges's First Army. "The other American divisions on our flanks managed to pull out; we were obliged to stay and fight. Bayonets aren't much good against tanks."[13] Imprisoned in Dresden, he was chosen as a leader of the POWs because he spoke some German. After telling some German guards "what [he] was going to do to them when the Russians came," he was beaten and had his position as leader revoked.[14] He witnessed the Allied firebombing of Dresden in February 1945, which destroyed most of the historic city.[15]
Vonnegut was part of a group of American prisoners of war who survived the bombing in an underground slaughterhouse meat locker used as an ad hoc detention facility. The German guards called the building Schlachthof Fünf ("Slaughterhouse Five"), and the POWs adopted that name. Vonnegut said that the aftermath of the attack on the defenseless city was "utter destruction" and "carnage unfathomable." The experience was the inspiration for his famous novel, Slaughterhouse-Five, and is a central theme in at least six of his other books. In Slaughterhouse-Five—which is nominally a fictional work—he described the ruined city as resembling the surface of the moon and he said the German guards put the surviving POWs to work, breaking into basements and bomb shelters to gather bodies for mass burial, while German civilians cursed and threw rocks at them.[14] Vonnegut remarked, "There were too many corpses to bury. So instead the Germans sent in troops with flamethrowers. All these civilians' remains were burned to ashes."[16]
Vonnegut was liberated by Red Army soldiers in May 1945 at the Saxony-Czechoslovakian border.[14] On his return to the U.S., on May 22, he was awarded a Purple Heart for what he called a "ludicrously negligible wound."[17][18] Later, writing facetiously in Timequake, he said that he was given the decoration after suffering a case of "frostbite."[19] His other decorations included the Army Good Conduct Medal, the European-African-Middle Eastern Campaign Medal (which is shown mounted with three bronze service stars in the Kurt Vonnegut Memorial Library), the World War II Victory Medal and the Combat Infantryman Badge. He was discharged with the rank of Corporal.
Vonnegut's experience as a soldier and prisoner of war had a profound influence on his later work.
After the war, Vonnegut attended the University of Chicago as a graduate student in anthropology and he also worked at the City News Bureau of Chicago. He described his work there: "Well, the Chicago City News Bureau was a tripwire for all the newspapers in town when I was there, and there were five papers, I think. We were out all the time around the clock and every time we came across a really juicy murder or scandal or whatever, they'd send the big time reporters and photographers, otherwise they'd run our stories. So that's what I was doing, and I was going to university at the same time".[20] Vonnegut admitted that he was a poor anthropology student, with one professor remarking that some of the students were going to be professional anthropologists, but he was not one of them. According to Vonnegut in Bagombo Snuff Box, the university rejected his first thesis on the necessity of accounting for the similarities between Cubist painters and the leaders of late nineteenth century Native American uprisings, saying it was "unprofessional".
He left Chicago to work in Schenectady, New York, in public relations for General Electric, where his brother Bernard worked in the research department. Vonnegut was a technical writer, but also was known for writing well past his typical work hours. While in Schenectady, Vonnegut lived in the tiny hamlet of Alplaus, located within the town of Glenville, just across the Mohawk River from the city of Schenectady. Vonnegut rented an upstairs apartment located along Alplaus Creek across the street from the Alplaus Volunteer Fire Department, where he was an active volunteer fire-fighter for a few years. To this day, the apartment where Vonnegut lived for a brief time still has a desk at which he wrote many of his short stories. Vonnegut carved his name on its underside. The University of Chicago later accepted his novel Cat's Cradle as his thesis, citing its anthropological content, and awarded him a master of arts degree in 1971.[21][22]
In the mid-1950s, Vonnegut worked very briefly for Sports Illustrated magazine, where he was assigned to write a piece on a racehorse who had jumped a fence and attempted to run away. After staring at the blank piece of paper on his typewriter all morning, he typed, "The horse jumped over the fucking fence", and left.[23] On the verge of abandoning writing, Vonnegut was offered a teaching job at the University of Iowa Writers' Workshop. While he was there, Cat's Cradle became a best-seller, and he began Slaughterhouse-Five, now considered by some to be one of the best American novels of the twentieth century, appearing on the 100 best lists of Time magazine,[24] and the Modern Library.[25]
Early in his adult life he moved to Barnstable, Massachusetts, a town on Cape Cod[26] where, in 1957, he established one of the first Saab dealerships in the U.S. The business failed within a year.[27][28]
The author's name appears in print as "Kurt Vonnegut, Jr.", throughout the first half of his published writing career; beginning with the 1976 publication of Slapstick, he dropped the "Jr." and was billed simply as Kurt Vonnegut.
After returning from World War II, Kurt Vonnegut married his childhood sweetheart, Jane Marie Cox, writing about their courtship in several of his short stories. In the 1960s they lived in Barnstable, Massachusetts, where for a while Vonnegut worked at his Saab dealership. The couple separated in 1970. That same year, Vonnegut began living with the woman who later would become his second wife, photographer Jill Krementz.[1] He did not divorce Cox until 1979. Krementz and Vonnegut were married after the divorce from Cox was finalized.
He raised seven children: three from his first marriage; three of his sister Alice's four children, adopted by Vonnegut after her death from cancer;[29] and a seventh, Lily, adopted with Krementz. His son, Mark Vonnegut, a pediatrician, has written two books: one about his experiences in the late 1960s and his major psychotic breakdown and recovery; the other includes anecdotes of growing up when his father was a struggling writer, his subsequent illness and a more recent breakdown in 1985, as well as what life has been like since then. Mark was named after Mark Twain, whom Vonnegut considered an American saint.[30]
His daughter Edith ("Edie"), an artist, was named after Kurt Vonnegut's mother, Edith Lieber. She has had her work published in a book entitled Domestic Goddesses and was once married to Geraldo Rivera.
His youngest biological daughter, Nanette ("Nanny"), was named after Nanette Schnull, Vonnegut's paternal grandmother. She is married to realist painter Scott Prior and is the subject of several of his paintings, notably "Nanny and Rose".
Of Vonnegut's four adopted children, three are his nephews: James, Steven, and Kurt Adams. The fourth is Lily, a girl he adopted as an infant in 1982. James, Steven, and Kurt were adopted after a traumatic week in 1958, during which their father James Carmalt Adams was killed in the Newark Bay rail crash on September 15, when his commuter train went off the open Newark Bay bridge in New Jersey, and their mother—Kurt's sister Alice—died of cancer. In Slapstick, Vonnegut recounts that Alice's husband died two days before Alice did. Her family had tried to hide the knowledge from her, but she found out when an ambulatory patient gave her a copy of the New York Daily News a day before she died. The fourth and youngest of his sister's boys, Peter Nice, was an infant and went to live with a first cousin of their father in Birmingham, Alabama.
Adopted as an infant while Vonnegut was married to Jill Krementz, his daughter, Lily, became a singer, actress, and the producer of the YouTube series, "The Most Popular Girls in School".
Vonnegut's first wife Jane Marie Cox later married Adam Yarmolinsky[31] and she wrote an account of the Vonneguts' life with the Adams children. It was published after her death as the book, Angels Without Wings: A Courageous Family's Triumph Over Tragedy.[32]
On November 11, 1999, an asteroid was named in Vonnegut's honor: 25399 Vonnegut.[33]
A lifelong smoker, Vonnegut smoked unfiltered Pall Mall cigarettes, a habit he sardonically referred to as a "classy way to commit suicide".[34]
Vonnegut taught at Harvard University, where he was a lecturer in English, and the City College of New York, where he was a distinguished professor.[35]
Vonnegut died at the age of 84 on April 11, 2007, from massive head trauma suffered while falling down a flight of stairs in his home.[1][36][37]
Vonnegut's first published short story, "Report on the Barnhouse Effect",[38] appeared in the February 11, 1950, edition of Collier's (it has since been reprinted in his short story collection, Welcome to the Monkey House). His first novel was the dystopian work Player Piano (1952), in which human workers have been largely replaced by machines. He continued to write short stories before his second novel, The Sirens of Titan, was published in 1959.[39]
Through the 1960s, the form of his work changed, from the relatively orthodox structure of Cat's Cradle to the acclaimed, semi-autobiographical Slaughterhouse-Five, given a more experimental structure by using time travel as a plot device. These structural experiments were continued in Breakfast of Champions (1973), which includes many rough illustrations, lengthy non-sequiturs, and an appearance by the author as a deus ex machina.
Breakfast of Champions became one of his best-selling novels. It includes, in addition to the author, several of Vonnegut's recurring characters. One of them, science fiction author Kilgore Trout, plays a major role and interacts with the author's character.
In 1974, Venus on the Half-Shell, a book by Philip José Farmer in a style similar to that of Vonnegut, was published that was attributed to Kilgore Trout. This caused some confusion among readers, as for some time many assumed that Vonnegut wrote it. When the truth of its authorship was revealed, Vonnegut was reportedly "not amused". In an issue of The Alien Critic/Science Fiction Review, published by Richard E. Geis, Farmer claimed to have received a very angry telephone call from Vonnegut about it.
Although many of his novels involved science fiction themes, they were read widely and reviewed outside the field, due in no small part to their anti-authoritarianism. For example, in his seminal short story, "Harrison Bergeron", egalitarianism is rigidly enforced by overbearing state authority, engendering horrific repression.
In much of his work, Vonnegut's own voice is apparent, often filtered through his character, the science fiction author Kilgore Trout (whose name is based on that of real-life science fiction writer Theodore Sturgeon). His works are characterized by wild leaps of imagination and a deep cynicism, tempered by humanism. In the foreword to Breakfast of Champions, Vonnegut wrote that as a child, he saw men with locomotor ataxia, and it struck him that these men walked as if they were broken machines; it followed that healthy people were working machines, suggesting that humans are helpless prisoners of determinism. Vonnegut also explored this theme in Slaughterhouse-Five, in which protagonist Billy Pilgrim "has come unstuck in time" and has so little control over his own life that he cannot even predict which part of it he will be living through from minute to minute.
Vonnegut's well-known phrase "so it goes", used ironically in reference to death, also originated in Slaughterhouse-Five. "Its combination of simplicity, irony, and rue is very much in the Vonnegut vein".[36]
With the publication of his novel Timequake in 1997, Vonnegut announced his retirement from writing fiction. He was in his seventies. He continued to write for the magazine In These Times, where he was a senior editor,[40] until his death in 2007. In that work he focused on subjects ranging from contemporary U.S. politics to simple observational pieces on topics such as a trip to the post office. In 2005, many of his essays were collected in a new bestselling book entitled A Man Without a Country, which he insisted would be his last contribution to letters.[41]
An August 2006 article reported:
He has stalled finishing his highly anticipated novel If God Were Alive Today —or so he claims. "I've given up on it... It won't happen... The Army kept me on because I could type, so I was typing other people's discharges and stuff. And my feeling was, 'Please, I've done everything I was supposed to do. Can I go home now?' That's what I feel right now. I've written books. Lots of them. Please, I've done everything I'm supposed to do. Can I go home now?"[16]
At the age of eighty-four, Vonnegut died the next year, on April 11, 2007.
The April 2008 issue of Playboy featured the first published excerpt from Armageddon in Retrospect, the initial posthumous collection of Vonnegut's work. The book was published in the same month. It included never before published short stories and a letter that was written to his family during World War II when Vonnegut was captured as a prisoner of war. The book also contains drawings by Vonnegut and a speech he wrote shortly before his death. Its introduction was written by his son, Mark Vonnegut. The second posthumous collection Look at the Birdie was published in 2009.
Vonnegut's work as a graphic artist began with his illustrations for Slaughterhouse-Five and developed with Breakfast of Champions, which included numerous felt-tip pen illustrations. Many Vonnegut works of art may be found in his novels and short story collections such as, [43] According to his daughter Nanette, Vonnegut also was influenced by illustrators, Al Hirschfeld and Edward Gorey.[44]
In October 1980, Vonnegut exhibited his drawings in pen, pencil, and colored felt-tipped markers at the Margo Feiden Galleries Ltd. in New York.[45][46][47] Fellow writers Norman Mailer and George Plimpton attended the opening of the Vonnegut exhibition,[48] as did television personality and fellow artist, Morley Safer.[49] Later, Vonnegut would remark, "I actually had a one-person show of drawings a few years back... in Greenwich Village, not because my pictures were any good but because people had heard of me".[50] On the occasion of the show's opening, Vonnegut expressed his preference for using colored felt-tipped markers rather than oil paints or watercolor. "Oil is such a commitment", Vonnegut explained, whereas he found watercolors "too bland, too weak". He said, however, "they make such extraordinary Magic Markers, such brilliant colors. It makes things very easy". He also compared the creative process of drawing with that involved in writing. "If you make a mistake on a picture it's satisfying to wad it up and toss it out" he said. "When you have to do that with a written page, it's a more depressing failure."[51] Whereas the writer is only satisfied upon the work's completion, Vonnegut said, "the act [of painting] itself is enjoyable".[52] He further explained that "in a picture there may be 10 or 12 significant details. On a printed page there are 2,500".[51] As to his art's significance, Vonnegut declared, "My drawings are as rare as exotic postage stamps."[49]
In 2004, Vonnegut participated in the project The Greatest Album Covers That Never Were, for which he created an album cover for Phish called Hook, Line and Sinker, which has been included in a traveling exhibition for the Rock and Roll Hall of Fame.
In May 2014, Vonnegut's daughter, Nanette Vonnegut, published a book of her father's drawings entitled Kurt Vonnegut Drawings through Monacelli Press, a division of Journal that "she was struck by Mr. Vonnegut after he told her that he thought of himself as a visual artist but had to work as an author to make a living." [55]
Vonnegut was deeply influenced by early Socialist labor leaders, especially Indiana natives, Powers Hapgood and Eugene V. Debs, and he frequently quoted them in his work. He named characters after both Debs, (Eugene Debs Hartke in Hocus Pocus and Eugene Debs Metzger in Deadeye Dick), as well as Russian Communist leader Leon Trotsky (Leon Trotsky Trout in Galápagos).
Vonnegut was a lifetime member of the American Civil Liberties Union. He was featured in a print advertisement for them.
In 1968, he signed the "Writers and Editors War Tax Protest" pledge, vowing to refuse tax payments in protest against the Vietnam War.[56]
Vonnegut frequently addressed moral and political issues, but rarely dealt with specific political figures until after his retirement from fiction. Although the downfall of Walter Starbuck, a minor Nixon administration bureaucrat, who is the narrator and main character in Jailbird (1979), would not have occurred but for the Watergate scandal, the focus is not on the administration. His collection God Bless You, Dr. Kevorkian referred to the controversial assisted suicide proponent, Jack Kevorkian.
With his columns for Bush is that Hitler was elected."[57][58]
In a 2003 interview Vonnegut said, "I myself feel that our country, for whose Constitution I fought in a just war, might as well have been invaded by Martians and body snatchers. Sometimes I wish it had been. What has happened, though, is that it has been taken over by means of the sleaziest, low-comedy, Keystone Cops-style coup d'état imaginable. And those now in charge of the federal government are upper-crust C-students who know no history or geography, plus not-so-closeted white supremacists, aka 'Christians,' and plus, most frighteningly, psychopathic personalities, or 'PPs.'"[59] When asked how he was doing at the start of a 2003 interview, he replied: "I'm mad about being old and I'm mad about being American. Apart from that, OK."[60]
He did not regard the 2004 election with much optimism. Speaking of Bush and John Kerry, he said that, "no matter which one wins, we will have a Skull and Bones President at a time when entire vertebrate species, because of how we have poisoned the topsoil, the waters and the atmosphere, are becoming, hey presto, nothing but skulls and bones."[61]
In 2005, Vonnegut was interviewed by David Nason for The Australian. During the course of the interview Vonnegut was asked his opinion of modern terrorists, to which he replied, "I regard them as very brave people." When pressed further Vonnegut also said that "They suicide bombers are dying for their own self-respect. It's a terrible thing to deprive someone of their self-respect. It's [like] your culture is nothing, your Race is nothing, you're nothing ... It is sweet and noble—sweet and honourable I guess it is—to die for what you believe in." (This last statement is a reference to the line, "Dulce et decorum est pro patria mori" ["it is sweet and fitting to die for one's country"], from Horace's Odes, or possibly to Wilfred Owen's ironic use of the line in his Dulce Et Decorum Est.)
Nason took offense at Vonnegut's comments and characterized him as an old man who "doesn't want to live any more ... and because he can't find anything worthwhile to keep him alive, he finds defending terrorists somehow amusing." Vonnegut's son, Mark, responded to the article by writing an editorial to the Boston Globe in which he explained the reasons behind his father's "provocative posturing" and stated that "If these commentators can so badly misunderstand and underestimate an utterly unguarded English-speaking 83-year-old man with an extensive public record of saying exactly what he thinks, maybe we should worry about how well they understand an enemy they can't figure out what to call."[62]
A 2006 interview with Rolling Stone stated, " ... it's not surprising that he disdains everything about the Iraq War. The very notion that more than 2,500 U.S. soldiers have been killed in what he sees as an unnecessary conflict makes him groan. 'Honestly, I wish Nixon were president,' Vonnegut laments. 'Bush is so ignorant.'"[16]
Although he was a dissident to the end, Vonnegut held a bleak view on the power of artists to affect change. "During the Vietnam War", he told an interviewer in 2003, "every respectable artist in this country was against the war. It was like a laser beam. We were all aimed in the same direction. The power of this weapon turns out to be that of a custard pie dropped from a stepladder six feet high".[60]
Vonnegut was descended from a family of German freethinkers, who were skeptical of "conventional religious beliefs."[63] His great-grandfather, Clemens Vonnegut, had authored a freethought book entitled, Instruction in Morals, as well as an address for his own funeral in which he denied the existence of God, an afterlife, and Christian doctrines about sin and salvation. Kurt Vonnegut reproduced his great-grandfather's funeral address in his book Palm Sunday, and identified these freethought views as his "ancestral religion", declaring it a mystery as to how it was passed on to him.[64]
Vonnegut described himself variously as a skeptic,[64] freethinker,[65] humanist,[65] Unitarian Universalist,[66] agnostic,[64] and atheist.[67] He disbelieved in the supernatural,[64] considered religious doctrine to be "so much arbitrary, clearly invented balderdash", and he believed people were motivated to join religions out of loneliness.[68] He rejected the divinity of Jesus,[67] but was nevertheless an admirer of the Sermon on the Mount.[69]
In 2003, he was one of the signatories of the Council for Secular Humanism's International Academy of Humanism.[72] In 1992, the American Humanist Association named him the Humanist of the Year. Vonnegut went on to serve as honorary president of the American Humanist Association (AHA), having taken over the position from his late colleague Isaac Asimov, and serving until his own death in 2007.[73] In a letter to AHA members, Vonnegut wrote: "I am a humanist, which means, in part, that I have tried to behave decently without expectations of rewards or punishments after I am dead."[74]
Vonnegut was, at one time, a member of a Unitarian congregation.[64][75] Palm Sunday reproduces a sermon he delivered to the First Parish Unitarian Church in Cambridge, Massachusetts, concerning William Ellery Channing, who was a principal founder of Unitarianism in the United States. In 1986, Vonnegut spoke to a gathering of Unitarian Universalists in Rochester, New York, and the text of his speech is reprinted in his book Fates Worse Than Death. Also reprinted in that book was a "mass" by Vonnegut, which was performed by a Unitarian Universalist choir in Buffalo, New York.[76] Vonnegut identified Unitarianism as the religion that many in his freethinking family turned to, when freethought and other German "enthusiasms" became unpopular in the United States during the World Wars.[65] Vonnegut's parents were married by a Unitarian minister, and his son had, at one time, aspired to become a Unitarian minister.[64]
In his book Bagombo Snuff Box: Uncollected Short Fiction, Vonnegut listed eight rules for writing a short story:
Vonnegut qualifies the list by adding that Flannery O'Connor broke all these rules except the first, and that great writers tend to do that. He wrote an earlier version of writing tips that was even more straightforward and contained only seven rules (although it advised using Elements of Style for more in-depth advice).[77]
In "The Sexual Revolution", Chapter 18 of his book Palm Sunday, Vonnegut grades his own works. He states that the grades "do not place me in literary history" and that he is comparing "myself with myself." The grades are as follows:
Culture, List of string figures, Russia, Knitting, String figure
Indianapolis, Ohio, Evansville, Indiana, Michigan, Fort Wayne, Indiana
Kurt Vonnegut, Battle of the Bulge, World War II, Beowulf, Censorship
Cold War, Battle of Stalingrad, Nazi Germany, Battle of the Atlantic, Second Sino-Japanese War
Indiana, Marion County, Indiana, Indianapolis 500, Fort Wayne, Indiana, Butler University
Kurt Vonnegut, Prose, World War I, World War II, New York City
Kurt Vonnegut, Tom Wolfe, Nascar, Sociology, Las Vegas Strip
Kurt Vonnegut, Paris, We (novel), Russia, Soviet Union
Mark Twain, Henry James, Philip Roth, John Steinbeck, William Faulkner
Kurt Vonnegut, John Cale, Jonathan Demme, Pbs, Romeo and Juliet