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In the Woods

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In the Woods

For the defunct avant-garde metal band from Kristiansand, Norway, see In the Woods...
In the Woods
Cover of In The Woods
Author Tana French
Country Ireland
Language English
Series Dublin Murder Squad
Genre Mystery
Publisher Viking Adult
Publication date
30 January 2007
Media type Print (hardcover)
Pages 496
ISBN
OCLC 191864570
823/.92 22
LC Class PR6106.R457 I52 2007
Followed by The Likeness

In the Woods is a 2007 mystery novel by Tana French about a pair of Irish detectives and their investigation of the murder of a twelve-year-old girl. The novel won several awards such as the 2008 Edgar Award for Best First Novel by an American Author,[1] the 2008 Barry Award for Best First Novel,[2] the 2008 Macavity Award for Best First Mystery Novel,[3] and the 2008 Anthony Award for Best First Novel.[4]

Contents

  • Plot 1
  • Reception 2
  • Awards and nominations 3
  • References 4

Plot

Twenty two years prior to the novel's events, twelve year-old Adam and his two best friends failed to come home after playing in the familiar woods bordering their Irish Garda Síochána's Murder Squad.

The plot of the novel circles around the murder of a twelve-year-old girl, Katy Devlin, whose case Rob and his partner Cassie Maddox are assigned to investigate. The body is found in the same woods where Rob's friends disappeared, at an archaeological dig site, and the coincidence is enough to make Rob nervous, though he insists to his partner that he is fine.

Cassie and Rob have been partners for a few years and get along famously, teasing one another and completing one another's thoughts. Cassie is one of the few people who knows the truth about Rob's past. There are many rumours that they are romantically involved, though both of them scoff at the idea, despite the fact that they live almost like a married couple, spending a lot of time at Cassie's cooking dinner for one another, drinking wine, and having Rob crash on Cassie's couch across the room.

Katy's murder takes the pair along many lines of investigation. Her death might be related to her father's protests against the new motorway meant to go straight through the dig site, or one of the students on the dig might have attacked her. She might have been abused by her father or someone else (her mother, twin sister, or older sister) in the family. She might have been previously poisoned over time. Or it might be related to the disappearance of Rob's friends, as a hair clip that one of his friends was wearing that day appeared near the crime scene.

These possibilities are investigated, but the detectives come up frustratingly empty-handed at every turn. The case messes with Rob's psyche as he tries to remember details about the two previous disappearances in case it would help. He tries spending the night in the woods, but freaks out and calls Cassie to pick him up. He's afraid to sleep again, thinking that he'll just have nightmares, so Cassie allows him into her bed. Things escalate from there and they end up having sex.

Rob feels immensely awkward after and can't go back to their normal jokey-insult ways, but also feels that he can't start a relationship with her. Their partnership deteriorates just as they start to uncover new leads in the case and they are unable to discuss the case and get along the way they used to.

Rob goes back to the dig site alone, where all the students are frantically digging before the site is shut down for the construction of the motorway. He comes to a realisation and calls in the forensics team again, who discover the location of the murder in a shed to which only three people have the key. After some heavy interrogation, one of the suspects confesses, though his motive is far from clear.

It becomes clearer when the suspect contends that he had been dating Katy's older sister, Rosalind. When questioned by Cassie, she denies it and any involvement in Katy's death, but also makes a comment that Cassie is obviously sleeping with Rob. Cassie takes it in stride, but after the interrogation, she has an idea of how to get a confession out of Rosalind: Go to her and admit sleeping with Rob and promise to keep her updated on the case if she promises not to tell.

Rosalind’s psychopathic tendencies get the better of her, and once she knows that she has Cassie in her debt, she brags about the whole thing and how she got the murderer to come up with the idea by telling him that all three girls were being sexually abused by their father, but that Katy liked it and was therefore their father’s favourite. Rosalind also told him that Katy told their father lies to make him beat them and would watch and laugh, that if Katy was gone, then they would be happy. She also admitted to Cassie that Katy was strong-willed and wouldn’t always do as Rosalind told her, so she had poisoned her to make her sick. After this confession, recorded on a wire, Cassie arrests her and takes her in, but because Rosalind was a few months from turning 18 (though she had told Rob previously that she was already 18), the confession is invalid. She is released with a smug smile.

The Murder Squad Superintendent has learned that Rob is actually Adam Ryan and transfers him to menial desk work in the General Unit. He never returns to the Murder Squad. Cassie starts dating another member of the squad and eventually gets engaged. Rob is heartbroken and calls her, but it's too late. He goes to the dig site to see the motorway construction has begun, and thinks that he'll never regain his lost memories of that night.

Reception

Thomas Gaughan of Booklist gave In the Woods a starred review and hailed it as “…a superior novel about cops, murder, memory, relationships, and modern Ireland. The characters of Ryan and Maddox, as well as a handful of others, are vividly developed… Equally striking is the picture of contemporary Ireland, booming economically and fixated on the shabbiest aspects of American popular culture. An outstanding debut and a series to watch for procedural fans."[5] Publishers Weekly praised author French, saying she “… expertly walks the line between police procedural and psychological thriller in her debut" and that "Ryan and Maddox are empathetic and flawed heroes, whose partnership and friendship elevate the narrative beyond a gory tale of murdered children and repressed childhood trauma."[5] Kirkus Reviews said of the novel, "When not lengthily bogged down in angst, a readable, non-formulaic police procedural with a twist. It's ultimately the confession of a damaged man."[6]

Awards and nominations

References

  1. ^ a b "Mystery Writers of America Announces the 2008 Edgar Award Winners". 1 May 2008. Retrieved 2 May 2009. 
  2. ^ a b "Barry Awards".  
  3. ^ a b "Macavity Awards".  
  4. ^ a b "History and Anthony Awards".  
  5. ^ a b "In the Woods".  
  6. ^ "In the Woods".  
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