Arab Folklore

Arab culture refers to the culture in the countries in which the official language is Arabic (although the Arabic language in some of them is the language of minority), and the west officials and scholars used to call them "Arab countries" of Western Asia and North Africa, from Morocco to the Arabian Sea. Language, literature, gastronomy, art, architecture, music, spirituality, philosophy, mysticism (etc.) are all part of the cultural heritage of the pan-Arab world.

The Arab world is sometimes divided into separate regions including Nile Valley (consisting of Egypt and Sudan), Al-Maghrib Al-Arabi (consisting of Libya, Tunisia, Algeria, Morocco, and Mauritania), Fertile Crescent (consisting of Iraq, Kuwait, Lebanon, Syria, Palestine and Jordan) and the Arabian Peninsula (consisting of Iraq, Jordan, Kuwait, Bahrain, Qatar, Saudi Arabia, Oman and the UAE) and the Arabian Peninsula's Al-Janoub Al-Arabi (consisting of Yemen and Oman).

The Arab Culture is divided into three main parts, the Urban Culture (Al-Hadar), the Rural Culture (Al-Reef), and the Nomad Culture (Al-Badow). Typically, countries like Egypt, Iraq, Syria, Yemen, Sudan, and Morocco are considered Rural Cultures, while Saudi Arabia, Libya, Mauritania and Jordan are considered Badow (Bedouins), while finally the Lebanon, Palestine, Tunisia, Algeria are considered Urban, yet most of the Arab Major Cities are recognized with Urban Cultures, like Cairo, Rabat, Baghdad, Alexandria, Damascus, Marrakech, etc.


Main article: Arabic literature

Arabic literature is the writing produced, both prose and poetry, by speakers of the Arabic language. It does not include works written using the Arabic alphabet but not in the Arabic language such as Persian and Urdu literature. The Arabic word used for literature is adab which is derived from a word meaning "to invite someone for a meal" and implies politeness, culture and enrichment. Arabic literature emerged in the 6th century, with only fragments of the written language appearing before then. The Qur'an, from the 7th century, had the greatest and longest-lasting lasting effect on Arabic culture and literature. Al-Khansa, a female contemporary of Muhammad, was an acclaimed Arab poet.


Main article: Muallaqat

The Mu'allaqat (Arabic: المعلقات, [al-muʕallaqaːt]) is the name given to a series of seven Arabic poems or qasida that originated before the time of Islam. Each poem in the set has a different author, and is considered to be their best work. Mu'allaqat means "The Suspended Odes" or "The Hanging Poems," and comes from the poems being hung on the wall in the Kaaba at Mecca.

The seven authors, who span a period of around 100 years, are Imru' al-Qais, Tarafa, Zuhayr, Labīd, 'Antara Ibn Shaddad, 'Amr ibn Kulthum, and Harith ibn Hilliza. All of the Mu’allaqats contain stories from the authors’ lives and tribe politics. This is because poetry was used in pre-Islamic time to advertise the strength of a tribe’s king, wealth and people.

One Thousand and One Nights (Persian: هزار و یک شب) is a medieval folk tale collection which tells the story of Scheherazade (in Persian: Šahrzād شهرزاد), a Sassanid queen who must relate a series of stories to her malevolent husband, King Shahryar (Šahryār), to delay her execution. The stories are told over a period of one thousand and one nights, and every night she ends the story with a suspenseful situation, forcing the King to keep her alive for another day. The individual stories were created over several centuries, by many people from a number of different lands.

The nucleus of the collection is formed by a Pahlavi Sassanid Persian book called Hazār Afsānah[9] (Thousand Myths, in Persian: هزار افسانه), a collection of ancient Indian and Persian folk tales.

During the reign of the Abbasid Caliph Harun al-Rashid in the 8th century, Baghdad had become an important cosmopolitan city. Merchants from Persia, China, India, Africa, and Europe were all found in Baghdad. During this time, many of the stories that were originally folk stories are thought to have been collected orally over many years and later compiled into a single book. The compiler and ninth-century translator into Arabic is reputedly the storyteller Abu Abd-Allah Muhammad el-Gahshigar. The frame story of Shahrzad seems to have been added in the 14th century.


Arabic music is the music of Arabic-speaking people or countries, especially those centered around the Arabian Peninsula. The world of Arab music has long been dominated by Cairo, a cultural center, though musical innovation and regional styles abound from Morocco to Saudi Arabia. Beirut has, in recent years, also become a major center of Arabic music. Classical Arab music is extremely popular across the population, especially a small number of superstars known throughout the Arab world. Regional styles of popular music include Iraqian el Maqaam, Algerian raï, Moroccan gnawa, Kuwaiti sawt and Egyptian el gil.

"The common style that developed is usually called 'Islamic' or 'Arab', though in fact it transcends religious, ethnic, geographical, and linguistic boundaries" and it is suggested that it be called the Near East (from Morocco to India) style (van der Merwe 1989, p. 9).

Habib Hassan Touma (1996, p.xix-xx) lists "five components" which "characterize the music of the Arabs:

  1. The Arab tone system (a musical tuning system) with specific interval structures, invented by al-Farabi in the 10th century (p. 170).
  2. Rhythmic-temporal structures that produce a rich variety of rhythmic patterns, awzan, used to accompany the metered vocal and instrumental genres and give them form.
  3. Musical instruments that are found throughout the Arabian world and that represent a standardized tone system, are played with standardized performance techniques, and exhibit similar details in construction and design.
  4. Specific social contexts for the making of music, whereby musical genres can be classified as urban (music of the city inhabitants), rural (music of the country inhabitants), or Bedouin (music of the desert inhabitants)....
  5. A musical mentality that is responsible for the aesthetic homogeneity of the tonal-spatial and rhythmic-temporal structures in Arabian music, whether composed or improvised, instrumental or vocal, secular or sacred. The Arab's musical mentality is defined by:
    1. The maqām phenomenon....
    2. The predominance of vocal music...
    3. The predilection for small instrumental ensembles...
    4. The mosaiclike stringing together of musical form elements, that is, the arrangement in a sequence of small and smallest melodic elements, and their repetition, combination, and permutation within the framework of the tonal-spatial model.
    5. The absence of polyphony, polyrhythm, and motivic development. Arabian music is, however, very familiar with the ostinato, as well as with a more instinctive heterophonic way of making music.
    6. The alternation between a free rhythmic-temporal and fixed tonal-spatial organization on the one hand and a fixed rhythmic-temporal and free tonal-spatial structure on the other. This alternation...results in exciting contrasts."

Much Arab music is characterized by an emphasis on melody and rhythm rather than harmony. Thus much Arabic music is homophonic in nature. Some genres of Arab music are polyphonic—as the instrument Kanoun is based upon the idea of playing two-note chords—but quintessentially, Arabic music is melodic.

It would be incorrect though to call it modal, for the Arabic system is more complex than that of the Greek modes. The basis of the Arabic music is the maqam (pl. maqamat), which looks like the mode, but is not quite the same. The maqam has a "tonal" note on which the piece must end (unless modulation occurs).

The maqam consists of at least two jins, or scale segments. "Jins" in Arabic comes from the ancient Greek word "genus," meaning type. In practice, a jins (pl. ajnas) is either a trichord, a tetrachord, or a pentachord. The trichord is three notes, the tetrachord four, and the pentachord five. The maqam usually covers only one octave (two jins), but sometimes it covers more than one octave. Like the melodic minor scale and Indian ragas, some maqamat have different ajnas, and thus notes, while descending or ascending. Because of the continuous innovation of jins and because most music scholars don't agree on the existing number anyway, it's hard to give an accurate number of the jins. Nonetheless, in practice most musicians would agree on the 8 most frequently used ajnas: Rast, Bayat, Sikah, Hijaz, Saba, Kurd, Nahawand, and Ajam—and a few of the most commonly used variants of those: Nakriz, Athar Kurd, Sikah Beladi, Saba Zamzama. Mukhalif is a rare jins used exclusively in Iraq, and it does not occur in combination with other ajnas.

The main difference between the western chromatic scale and the Arabic scales is the existence of many in-between notes, which are sometimes referred to as quarter tones for the sake of practicality. However, while in some treatments of theory the quarter tone scale or all twenty four tones should exist, according to Yūsuf Shawqī (1969) in practice there are many fewer tones (Touma 1996, p. 170).

In fact, the situation is much more complicated than that. In 1932, at International Convention on Arabic music held in Cairo, Egypt (attended by such Western luminaries as Béla Bartók and Henry George Farmer), experiments were done which determined conclusively that the notes in actual use differ substantially from an even-tempered 24-tone scale, and furthermore that the intonation of many of those notes differ slightly from region to region (Egypt, Turkey, Syria, Iraq). The commission's recommendation is as follows: "The tempered scale and the natural scale should be rejected. In Egypt, the Egyptian scale is to be kept with the values, which were measured with all possible precision. The Turkish, Syrian, and Iraqi scales should remain what they are..." (translated in Maalouf 2002, p. 220). Both in modern practice, and based on the evidence from recorded music over the course of the last century, there are several differently tuned "E"s in between the E-flat and E-natural of the Western Chromatic scale, depending on the maqam or jins in use, and depending on the region.

Musicians and teachers refer to these in-between notes as "quarter-tones" ("half-flat" or "half-sharp") for ease of nomenclature, but perform and teach the exact values of intonation in each jins or maqam by ear. It should also be added, in reference to Touma's comment above, that these "quarter-tones" are not used everywhere in the maqamat: in practice, Arabic music does not modulate to 12 different tonic areas like the Well-Tempered Klavier, and so the most commonly used "quarter tones" are on E (between E-flat and E-natural), A, B, D, F (between F-natural and F-sharp) and C.

The prototypical Arab ensemble in Egypt and Syria is known as the takht, which includes, (or included at different time periods) instruments such as the 'oud, qanún, rabab, nay, violin (which was introduced in the 1840s or 50s), riq and dumbek. In Iraq, the traditional ensemble, known as the chalghi, includes only two melodic instruments—the jowza (similar to the rabab but with four strings) and santur—with riq and dumbek.


Prior to the Islamic Era, poetry was regarded as the main means of communication on the Arabian Peninsula. It related the achievements of tribes and defeats of enemies and also served as a tool for propaganda. After the arrival of Islam other forms of communication replaced poetry as the primary form of communication. Imams (preachers) played a role in disseminating information and relating news from the authorities to the people. The suq or marketplace gossip and interpersonal relationships played an important role in the spreading of news, and this form of communication among Arabs continues today. Before the introduction of the printing press Muslims obtained most of their news from the Imams at the Mosque, friends or in the marketplace. Colonial powers and Christian Missionaries in Lebanon were responsible for the introduction of the printing press. It was not until the 19th century that the first newspapers began to appear, mainly in Egypt and Lebanon, which had the most newspapers per capita.

During French rule in Egypt in the time of Napoleon Bonaparte the first newspaper was published, in French. There is debate over when the first Arabic language newspaper was published; according to Arab scholar Abu Bakr, Al Tanbeeh (1800) published in Egypt and Junral Al Iraq (1816) in Iraq according to other researchers. In the mid-19th century the Turkish Empire dominated the first newspapers. In the Northern African countries of Morocco, Tunisia and Algeria the French colonial power built a press link between mainland countries. The first newspapers were limited to official content and included accounts of relations with other countries and civil trials. In the following decades Arab media blossomed due to journalists mainly from Syria and Lebanon, who were intellectuals and published their newspapers without the intention of making a profit. Because of the restrictions by most governments, these intellectuals were forced to flee their respective countries but had gained a following and because of their popularity in this field of work other intellectuals began to take interest in the field. The first émigré Arab newspaper, Mar’at al Ahwal, was published in Turkey in 1855 by Rizqallah Hassoun Al Halabi. It was criticized by the Ottoman Empire and shut down after only one year. Intellectuals in the Arab World soon realized the power of the press. Some countries' newspapers were government-run and had political agendas in mind. Independent newspapers began to spring up which expressed opinions and were a place for the public to out their views on the state. Illiteracy rates in the Arab world played a role in the formation of media, and due to the low reader rates newspapers were forced to get political parties to subsidize their publications, giving them input to editorial policy.

Freedoms that have branched through the introduction of the Internet in Middle East are creating a stir politically, culturally, and socially. There is an increasing divide between the generations. The Arab World is in conflict internally. The internet has brought economic prosperity and development, but Bloggers have been incarcerated all around in the Middle East for their opinions and views on their regimes, the same consequence which was once given to those who publicly expressed themselves without anonymity. But the power of the internet has provided also a public shield for these bloggers since they have the ability to engage public sympathy on such a large scale.This is creating a dilemma that shakes the foundation of Arab culture, government, religious interpretation, economic prosperity, and personal integrity.

Each country or region in the Arab world has varying colloquial languages which are used for everyday speech, yet its presence in the media world is discouraged. Prior to the establishment of Modern Standard Arabic (MSA), during the 19th century, the language of the media was stylized and resembled literary language of the time, proving to be ineffective in relaying information. Currently MSA is used by Arab media, including newspapers, books and some television stations, in addition to all formal writing. Vernaculars are however present in certain forms of media including satires, dramas, music videos and other local programs.

Media Values

The Arab World holds the same principles with their news generation as does the Western world, slight variations do exist between the two. Arab news values strictly revolve around political news putting the human interest stories to the side; the reverse is true for the American news values. The other value Arab media embraces as important is their global perspective with regard to presentation and production. The global orientation of Arab media integrated with the need to educate their populations, establishes social responsibility as one of the cornerstones of its media values.[1]

Historically news in the Arab World was used to inform and guide political practitioners with their performance rather than being just a consumer product. The power of news as political tool was discovered in the early 19th century, with the purchase of shares from Le Temps a French newspaper by Ismail the grandson of Mohamed Ali. Doing so allowed Ismail to publicize his policies.[2] Arab Media coming to modernity flourished and with it its responsibilities to the political figures that have governed its role.

Media researchers stress that the moral and social responsibility of newspeople dictates that they should not agitate public opinion, but rather should keep the status quo. It is also important to preserve national unity by not stirring up ethnic or religious conflict.[3]

Saudi journalists stress the importance of enhancing Islam through the media. The developmental role was acknowledged by an overwhelming majority of Saudi journalists, while giving the readers what they want was not regarded as a priority.[4] This view is further endorsed in Kirat’s survey where 65 percent of Algerian journalists agreed that the task for the press is to "help achieve the goals and objectives of development plans.[5][3]"

Investigative journalism is frowned upon in the Arab World. Family reputation and personal reputation is a fundamental principle in Arab civilization; exposes of corruption and examples of weak moral fiber in governors and policy makers holds massive consequences especially in the presence of a limited freedom of speech. From a historical perspective, news in the Arab world was not a mass product; rather, its main aim was to provide instruction to the officials and governors, guiding them to improve their performance. However, by the middle of the nineteenth century, rulers seem to spot the powerful role of media.[6]

In most Arab countries, newspapers cannot be published without a government-issued license. Most Arab countries also have press laws, which impose boundaries on what can and cannot be said in print. "There is an old Arab saying, ‘Truth should be known, but not declared.’ Today, cover-ups remain a fact of life in the Middle East... the media continue to serve as ‘tools’ of political structures in which ‘control is the name of the game’."[7] Censorship plays a significant role in journalism in the Arab World. Censorship comes in a variety of forms: Self-censorship, Government Censorship (governments struggle to control through technological advances in ex. the internet), Ideology/Religious Censorship, and Tribal/Family/Alliances Censorship.

Generally, Arab governments seek to conceal political discourse and activity. In addition to censorship, a number of administrative and legal devices are put it place to restrict freedom of expression in journalism. Newspapers in the Arab World can be divided into three categories: government owned, partisan owned, and independently owned. "Now, newspaper ownership has been consolidated in the hands of powerful chains and groups. Yet, profit is not the driving force behind the launching of newspapers; publishers may establish a newspaper to ensure a platform for their political opinions, although it is claimed that this doesn’t necessarily influence the news content".[6] In the Arab world, as far as content is concerned, news is politics. Arab states are intimately involved in the economic well-being of many Arab news organizations so they apply pressure in several ways, most notably through ownership or advertising.[8]

Journalism in the Arab world comes with a range of dangers. Journalists throughout the Arab world can be imprisoned, tortured, and even killed in their line of work. Thus, self-censorship is extremely important for many Arab journalists. International Journalism Codes[9]


In most Arab countries, magazines cannot be published without a government-issued license. Magazines in the Arab World, like many of the magazines in the Western world, are geared towards women. However, the number of magazines in the Arab World is significantly smaller than that of the Western world. The Arab World is not as advertisement driven the way the western world is. Advertisers fuel the funding for most Western magazines to exist. Thus, a lesser emphasis on advertisement in the Arab World plays into the low number of magazines.


There are 90 private radio stations throughout list of private radio stations in the Arab World)

Arab radio broadcasting began in the 1920s, but only a few Arab countries had their own broadcasting stations before World War II. After 1945, most Arab states began to create their own radio broadcasting systems, although it was not until 1970, when Oman opened its radio transmissions, that every one of them had its own radio station.

Among Arab countries, Egypt has been a leader in radio broadcasting from the beginning. Broadcasting began in Egypt in the 1920s with private commercial radio. In 1947, however, the Egyptian government declared radio a government monopoly and began investing in its expansion.

By the 1970s, Egyptian radio had fourteen different broadcast services with a total air time of 1,200 hours per week. Egypt is ranked third in the world among radio broadcasters. The programs were all government controlled, and much of the motivation for the government's investment in radio was due to the aspirations of President Gamal Abdel Nasser to be the recognized leader of the Arab world.

Egypt's "Voice of the Arabs" station, which targeted other Arab countries with a constant stream of news and political features and commentaries, became the most widely heard station in the region. Only after the June 1967 war, when it was revealed that this station had misinformed the public about what was happening, did it lose some credibility; nevertheless it retained a large listenership.

On the Arabian Peninsula, radio was slower to develop. In Saudi Arabia, radio broadcasts started in the Jidda-Mecca area in 1948, but they did not start in the central or eastern provinces until the 1960s. Neighboring Bahrain had radio by 1955, but Qatar, Abu Dhabi, and Oman did not start indigenous radio broadcasting until nearly a quarter century later.


Almost all television channels in the Arab world were government owned and strictly controlled prior to the 1990s. In the 1990s the spread of satellite television began changing television in Arab countries. Often noted as a pioneer, al-Jazeera represents a shift towards a more professional approach to news and current affairs.[10] Financed by the Qatar government and established in 1996, al-Jazeera was the first Arabic channel to deliver extensive live news coverage, going so far as to send reporters to "unthinkable" places like Israel. Breaking the mold in more ways than one, al-Jazeera’s discussion programs raised subjects that had long been prohibited. However, in 2008, Egypt and Saudi Arabia called for a meeting to approve a charter to regulate satellite broadcasting. The Arab League Satellite Broadcasting Charter (2008) lays out principles for regulating satellite broadcasting in the Arab world.[11][12]

Other Satellite Channels:
Al-Arabiya: established in 2003; based in Dubai; offshoot of MBC
Al-Hurra ("The Free One"): established in 2004 by the United States; counter perceives "biases" in Arab news media
Al-Manar: Owned by Hizbullah; Lebanese-based; highly controversial

"Across the Middle East, new television stations, radio stations and websites are sprouting like incongruous electronic mushrooms in what was once a media desert. Meanwhile newspapers are aggressively probing the red lines that have long contained them".[13] Technology is playing a significant role in the changing Arab media. Pintak furthers, "Now, there are 263 free-to-air (FTA) satellite television stations in the region, according to Arab Advisors Group. That’s double the figure as of just two years ago".[13] Freedom of speech and money have little to do with why satellite television is sprouting up everywhere. Instead, "A desire for political influence is probably the biggest factor driving channel growth. But ego is a close second".[13] The influence of the West is very apparent in Arab Media especially in television. Arab soap operas and the emerging popularity of reality TV are evidence of this notion.
"In the wake of controversy triggered by Super Star and Star Academy, some observers have hailed reality television as a harbinger of democracy in the Arab world."[14] Star Academy in Lebanon is strikingly similar to American Idol mixed with the Real World. Star Academy began in 2003 in the Arab world. "Reality television entered Arab public discourse in the last five years at a time of significant turmoil in the region: escalating violence in Iraq, contested elections in Egypt, the struggle for women’s political rights in Kuwait, political assassinations in Lebanon, and the protracted Arab-Israeli Conflict. This geo-political crisis environment that currently frames Arab politics and Arab-Western relations is the backdrop to the controversy surrounding the social and political impact of Arab reality television, which assumes religious, cultural or moral manifestations."[15]


Main article: Arab cinema

Most Arab countries did not produce films before nation independence. In Sudan, Libya, Saudi Arabia, and the United Arab Emirates, production is even now confined to short films or television. Bahrain witnessed the production of its first and only full-length feature film in 1989. In Jordan national production has barely exceeded half a dozen feature films. Algeria and Iraq have produced approximately 100 films each, Morocco around seventy, Tunisia around 1130, and Syria some 150. Lebanon, owing to an increased production during the 1950s and 1960s, has made some 180 feature films. Only Egypt has far exceeded these countries, with a production of more than 2,500 feature films (all meant for cinema, not television).[16] As with most aspects of Arab Media, censorship plays a large art of creating and distributing films. "In most Arab countries, film projects must first pass a state committee, which grants or denies permission to shoot. Once this permission is obtained, another official license, a so-called visa, is necessary in order to exploit the film commercially. This is normally approved by a committee of the Ministry of Information or a special censorship authority".[16] The most significant taboo topics under state supervision are consistent with those of other forms of media: religion, sex, and politics.


The Internet in the Arab world is powerful source of expression and information as it is in other places in the world. While some believe that it is the harbinger of freedom in media to the Middle East, others think that it is a new medium for censorship. Both are true. The Internet has created a new arena for discussion and the dissemination of information for the Arab world just as it has in the rest of the world. The youth in particular are accessing and utilizing the tools. People are encouraged and enabled to join in political discussion and critique in a manner that was not previously possible. Those same people are also discouraged and blocked from those debates as the differing regimes try to restrict access based on religious and state objections to certain material.

This was posted on a website operated by the Muslim Brotherhood.

The internet in the Arab world has a snowball effect; now that the snowball is rolling, it can no longer be stopped. Getting bigger and stronger, it is bound to crush down all obstacles. In addition, to the stress caused by the Arab bloggers, a new forum was opened for Arab activists; Facebook. Arab activists have been using Facebook in the utmost creative way to support the democracy movement in the region, a region that has one of the highest rates of repression in the world. Unlike other regions where oppressive countries (like China, Iran and Burma) represent the exception, oppression can be found everywhere in the Arab world. The number of Arab internet users interested in political affairs does not exceed a few thousands, mainly represented by internet activists and bloggers, out of 58 million internet users in the Arab world. As few as they are, they have succeeded in shedding some light on the corruption and repression of the Arab governments and dictatorships.[17]

The public Internet use began in the US in the 1980s. Internet access began in the early 1990s in the Arab world with Tunisia being first in 1991 according to Dr. Deborah L. Wheeler. The years of the introduction of the Internet the various Arab countries are reported differently. Wheeler reports that Kuwait joined in 1992 and in 1993 Turkey, Iraq and the UAE came online. In 1994 Jordan joined the Internet and Saudi Arabia and Syria followed in the late 1990s. In reality the Arab world is not so far behind the rest of the globe with the introduction of the Internet. The US White House did not have until 1993. Financial considerations and the lack of widespread availability of services are factors in the slower growth in the Arab world, but taking into consideration the popularity of internet cafes, the numbers online are much larger than the subscription numbers would reveal.[18]

The people most commonly utilizing the Internet in the Arab world are the youth. The café users in particular tend to be under 30, single and have a variety of levels of education and language proficiency. Despite reports that use of the internet was curtailed by lack of English skills, Dr. Wheeler found that people were able to search with Arabic. Searching for jobs, the unemployed frequently fill cafes in Egypt and Jordan. They are men and women equally. Most of them chat and they have email. In a survey conducted by Dr. Deborah Wheeler, she found them to almost all to have been taught to use the Internet by a friend or family member. They all felt their lives to have been significantly changed by the use of the Internet. The use of the Internet in the Arab world is very political in the nature of the posts and of the sites read and visited. The Internet has brought a medium to Arabs that allows for a freedom of expression not allowed or accepted before. For those who can get online, there are blogs to read and write and access to worldwide outlets of information once unobtainable. With this access, regimes have attempted to curtail what people are able to read, but the Internet is a medium not as easily manipulated as telling a newspaper what it can or cannot publish. The Internet can be reached via proxy server, mirror, and other means. Those who are thwarted with one method will find 12 more methods around the blocked site. As journalists suffer and are imprisoned in traditional media, the Internet is no different with bloggers regularly being imprisoned for expressing their views for the world to read. The difference is that there is a worldwide audience witnessing this crackdown and watching as laws are created and recreated to attempt to control the vastness of the Internet.[19]

Jihadists are using the Internet to reach a greater audience. Just as a simple citizen can now have a worldwide voice, so can a movement. Regardless of your view of any movement, they are using the Internet to speak and be heard. Groups are using the Internet to share video, photos, programs and any kind of information imaginable. Standard media may not report what the Muslim Brotherhood would say on their site. However, for the interested, the Internet is a tool that is utilized with great skill by those who wish to be heard. A file uploaded to 100 sites and placed in multiple forums will reach millions instantly. Information on the Internet can be thwarted, slowed, even redirected, but it cannot be stopped if someone wants it out there on the Internet.

The efforts by the various regimes to control the information are all falling apart gradually. The methods utilized are those same methods that protect American children in schools. Like previously stated the methods are easily manipulated such that access to what is blocked can be seen. Those fighting crime online have devised methods of tracking and catching criminals. Unfortunately those same tools are being used to arrest bloggers and those who would just wish to be heard. The Internet is a vast and seemingly endless source of information. Arabs are using it more than perhaps the world is aware and it is changing the media.


Social loyalty is of great importance in Arab culture. Family is one of the most important aspects of the Arab society. While self-reliance, individuality, and responsibility are taught by Arabic parents to their children, family loyalty is the greatest lesson taught in Arab families. "Unlike the extreme individualism we see in North America (every person for him or herself, individual rights, families living on their own away from relatives, and so on), Arab society emphasizes the importance of the group. Arab culture teaches that the needs of the group are more important than the needs of one person."[20] In the Bedouin tribes of Saudi Arabia, "intense feelings of loyalty and dependence are fostered and preserved"[21] by the family.[22] Margaret Nydell, in her book Understanding Arabs: A Guide for Modern Times, writes "family loyalty and obligations take precedence over loyalty to friends or demands of a job."[23] She goes on to state that "members of a family are expected to support each other in disputes with outsiders. Regardless of personal antipathy among relatives, they must defend each other’s honor, counter criticism, and display group cohesion..."[23] Of all members of the family, however, the most revered member is the mother.


Pan Arab Games

Main article: Pan Arab Games

The Pan Arab Games are a regional multi-sport event held between nations from the Arab World. The first Games were held in 1953 in Alexandria, Egypt. Intended to be held every four years since, political turmoil as well as financial difficulties has made the event an unstable one. Women were first allowed to compete in 1985. By the 11th Pan Arab Games, the number of countries participating reached all 22 members of the Arab League, with roughly over 8,000 Arab athletes participating, it was considered the largest in the Games History, with the Doha Games in 2011 expected to exceed that number.

Arab Women in Sports

Women around the world have struggled in the professional world of sports since it has been something that has been dominated by men. When looking at the Arab world currently there is an emergence of Arab women playing sports, something that for the most part is not much discussed but is of great importance. Muslim Arab women are taking part in playing on futsal, football (soccer), softball, basketball, and various other teams. Some women are participating in boxing, archery, running, swimming, tennis and other individual sports. More Muslim women are playing sports that sportswear is being developed in order for a woman to still be able to participate in sports like swimming without limiting their participation in what they can be a part of due to the way they choose to dress. Although women have received great support from family members in playing sports, there is still much criticism towards female athletes in the Arab world. Many conservative men have criticized that sports and women do not go together and that a woman would not be able to wear her headscarf or wear shorts while playing sports. Some people do not see Islam and women playing sports as being compatible. Despite the various criticisms Arab women around the Arab world face, it has not stopped the popularity of women’s participation in sports. Football is one of the sports that has exploded in popularity with women in the Arab world. With the coming of the Women’s World Cup in 2011, there is a Women’s Football Cup Arabia occurring in Bahrain which is bringing together women’s teams from all over the Arab world to play in competition.[24] There are teams in Palestine, Lebanon, Egypt, Algeria, Morocco, Libya and Jordan and events like this show that, as said by Dr. Sahar al Hawary who is a member of FIFA’s Women’s Committee from Egypt, "women's football can be promoted at the highest level and watched in the Arab world...women's football can be promoted at the highest level and watched in the Arab world".[25] Arab women are also challenging and becoming a part of sports that even outside of the Arab world are considered not for women. There are Arab women who are participating in boxing, even reaching international competition levels.[26] Arab women are not limiting themselves and although they receive criticism from some of society, their families and communities have been very supportive while still considering themselves conservative and faithful to Islam.[27] These women and their families are challenging the very narrow view that society at times has of the capabilities of women and have inspired women all around the Arab world to not limit themselves. Despite this occurring in the Arab world, what these Arab female athletes are doing is an inspiration to women all over the globe.


Main article: Arab cuisine

Originally, the Arabs of the Arabian Peninsula relied heavily on a diet of dates, wheat, barley, rice and meat, with little variety, with a heavy emphasis on yoghurt products, such as leben (لبن) (yoghurt without butterfat). Arabian cuisine today is the result of a combination of richly diverse cuisines, spanning the Arab world from Iraq to Morocco and incorporating Lebanese, Egyptian, and others. It has also been influenced to a degree by the cuisines of India, Turkey, Berber, and others. In an average Arab household in the Persian Gulf area, a visitor might expect a dinner consisting of a very large platter, shared commonly, with a vast mountain of rice, incorporating lamb or chicken, or both, as separate dishes, with various stewed vegetables, heavily spiced, sometimes with a tomato sauce. Most likely, there would be several other items on the side, less hearty. Tea would certainly accompany the meal, as it is almost constantly consumed. Coffee would be included as well.



Arab dress for men ranges from the traditional flowing robes to blue jeans, T-shirts and western business suits. The robes allow for maximum circulation of air around the body to help keep it cool, and the head dress provides protection from the sun. At times, Arabs mix the traditional garb with Western clothes.[28]

Headdress The male headdress is also known as Keffiyeh. Headdress pattern might be an indicator of which tribe, clan, or family the wearer comes from. However, this is not always the case. While in one village, a tribe or clan might have a unique headdress, in the next town over an unrelated tribe or clan might wear the same headdress.

  • Checkered headdresses relate to type and government and participation in the Hajj, or a pilgrimage to Mecca.
  • Red and white checkered headdress – Generally of Jordanian origin. Wearer has made Hajj and comes from a country with a Monarch.
  • Black and white checkered headdress – The pattern is historically of Palestinian origin.
  • Black and grey represent Presidential rule and completion of the Hajj.
  • Shi’a- black turbans associated with Shi’a clergy who are somehow connected to the Prophet Muhammed or Ali Ibn Abi Talib the cousin of the Prophet who was the 4th Khalif of Islam, and whom they claim was the leader of the Shi’a sect.
  • Those who wear white turbans are associated with the lower echelons of the Shi’a hierarchy.


Adherence to traditional dress varies across Arab societies. Saudi Arabia is more traditional, while Egypt is less so. Traditional Arab dress features the full length body cover (abaya, jilbāb, or chador) and veil (hijab). Women are only required to wear abayas in Saudi Arabia. In most countries, like Kuwait, Lebanon, Libya, Jordan, Syria and Egypt, the veil is not prevalent. It is clear that religiously speaking, the mention of the burqa doesn't exist for Muslim women and today represents more of a politic position rather than a religious interpretation. Nowadays, some conservative Muslims believe that hijab is not obligatory while others feel that it is.

See also

Arab world portal
Culture portal


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