...er cannot be located. I am pleased to present our "Report on Orphan Works" in response to your request. The response from the public to this study was... ...t the use of orphan works. As you know, the roundtable discussions we held in Washington, D.C. and California were well-attended, and the participants... ...nnot be located. I write to support such an undertaking by your office. As established by Section 104 of the Sonny Bono Copyright Term Extension Act o... ...s, such as photographs. Some commenters proposed that user registries be established in which a user would file a notice that he intends to use a wo... ...nters also proposed that the use of orphan works be limited to non-profit educational or cultural institutions. Once a work has been designated as a... ...t the use of orphan works be limited to non-profit educational or cultural institutions. Once a work has been designated as an orphan work, several c... ...tion. In addition, to make absolutely sure that the concerns of nonprofit institutions like libraries, museums and universities about monetary relie... ...ion in 1999, in which the Office reported that when attempting to license educational materials, “it can be time-consuming, difficult or even imposs... ...ne Convention for the Protection of Literary and Artistic Works (Paris Act 1971) (hereinafter “Berne Convention” or “Berne”). The U.S. formally acce...

...m used to describe the situation where the owner of a copyrighted work cannot be identified and located by someone who wishes to make use of the work in a manner that requires permission of the copyright owner. Even where the user has made a reasonably diligent effort to find the owner, if the owner is not found, the user faces uncertainty – she cannot determine whether or...

...Many commenters were in favor of determining whether a search was reasonable on an “ad hoc” or case-by-case basis, whereby each search is evaluated according to its circumstances. This approach was offered as having the advantage of flexibility t...

...er cannot be located. I am pleased to present our "Report on Orphan Works" in response to your request. The response from the public to this study was... ...t the use of orphan works. As you know, the roundtable discussions we held in Washington, D.C. and California were well-attended, and the participants... ...nnot be located. I write to support such an undertaking by your office. As established by Section 104 of the Sonny Bono Copyright Term Extension Act o... ...s, such as photographs. Some commenters proposed that user registries be established in which a user would file a notice that he intends to use a wo... ...nters also proposed that the use of orphan works be limited to non-profit educational or cultural institutions. Once a work has been designated as a... ...t the use of orphan works be limited to non-profit educational or cultural institutions. Once a work has been designated as an orphan work, several c... ...tion. In addition, to make absolutely sure that the concerns of nonprofit institutions like libraries, museums and universities about monetary relie... ...ion in 1999, in which the Office reported that when attempting to license educational materials, “it can be time-consuming, difficult or even imposs... ...ne Convention for the Protection of Literary and Artistic Works (Paris Act 1971) (hereinafter “Berne Convention” or “Berne”). The U.S. formally acce...

...m used to describe the situation where the owner of a copyrighted work cannot be identified and located by someone who wishes to make use of the work in a manner that requires permission of the copyright owner. Even where the user has made a reasonably diligent effort to find the owner, if the owner is not found, the user faces uncertainty – she cannot determine whether or...

... and copyright owner of the work if such attribution is possible and as is reasonably appropriate under the circumstances. The idea is that the user, in the course of using a work for which he has not received explicit permission, should make it as clear as possible to the public that the work is the product of another author, and that the copyright in the work is owned by...

...er cannot be located. I am pleased to present our "Report on Orphan Works" in response to your request. The response from the public to this study was... ...t the use of orphan works. As you know, the roundtable discussions we held in Washington, D.C. and California were well-attended, and the participants... ...nnot be located. I write to support such an undertaking by your office. As established by Section 104 of the Sonny Bono Copyright Term Extension Act o... ...s, such as photographs. Some commenters proposed that user registries be established in which a user would file a notice that he intends to use a wo... ...nters also proposed that the use of orphan works be limited to non-profit educational or cultural institutions. Once a work has been designated as a... ...t the use of orphan works be limited to non-profit educational or cultural institutions. Once a work has been designated as an orphan work, several c... ...tion. In addition, to make absolutely sure that the concerns of nonprofit institutions like libraries, museums and universities about monetary relie... ...ion in 1999, in which the Office reported that when attempting to license educational materials, “it can be time-consuming, difficult or even imposs... ...ne Convention for the Protection of Literary and Artistic Works (Paris Act 1971) (hereinafter “Berne Convention” or “Berne”). The U.S. formally acce...

...used to describe the situation where the owner of a copyrighted work cannot be identified and located by someone who wishes to make use of the work in a manner that requires permission of the copyright owner. Even where the user has made a reasonably diligent effort to find the owner, if the owner is not found, the user faces uncertainty – she cannot determine whether...