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自由撰稿人填詞集 : 自由撰稿人填詞集: 自由撰稿人填詞集

By: xiaoming xiaoming yu

目錄《一線懸》《遊子吟》《無情過客》《騙》《想散就散》《情面》《終於愛上你》《寂寞呼叫轉移》《五月的雨露》《海神》《譚嗣同之歌》《夜飄萍》

何謂古典自由詩派？就新詩於歌詞的內容與形式關係的看法，談談作者的一些看法： 1)儘管古今中外，文學革命都從「文的形式」解放做起。新文學也是從語言、文字、文體的解放做起，然而自五四新文化運動以來，舊有的古典文學精華逐漸不被世人所注重，文的形式雖然得到解放，然而經不起歷史長河的考驗，劣質的文學語言和網路文學一度衝擊傳統文學，一度使得糟粕文學佔據文學世界的主流，古典自由詩派既兼顧新文學的形式解放，又汲取古典文學中的精華，使二者有機的融合在一起，誕生出了獨特的文體，既所謂的「古典自由派」。 2)古典自由詩派一直沿襲「詩體的大解放」。須「不拘格律，不拘平仄，不拘長短，有甚麼題目，做甚麼詩；詩該怎樣做，就怎樣做。」以語言的「自然的音節」為原則。 3)形式上的束縛使精神不能自由發展，內容不能充份表現。古典自由詩派解除了形式的束縛，將細密的觀察、曲折的理想、細膩的感情用微妙的文字表達出來，同時引經據典吸納古典文學元素、結合網路上流行文化，進行新的創作，包括歌曲的重新填詞，詩歌的創作等等。古典自由詩派不追求押韻、平仄、對偶等作法;但講求「詩情」、「哲理」、「幻象」,更加注重詩的情節，使得詩歌更具有故事性和機構性，融合進了「玄幻」、「言情」、「懸疑」等短篇網路小說的情節架構，使得詩歌既有抽象部分亦有情節寫實作為鋪墊，在文字使用方面，更加強調字字珠璣，長話短說。...

目錄《一線懸》《遊子吟》《無情過客》《騙》《想散就散》《情面》《終於愛上你》《寂寞呼叫轉移》《五月的雨露》《海神》《譚嗣同之歌》《夜飄萍》

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