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A collection of poems organized over a period of thirteen days.

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Fac jocul femeii „De - ţi vine ţie pe chelie Să mă trimiţi pe mine-n vie”, Să sap, să leg, să copilesc … Nu vezi cum fug ca să iubesc?! I play women "De - and comes to you on baldness Send me on my live-in " To dig to tie to child ... I do not see how they run to love!...

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Cuvânt înainte........................... 3 Biografie (F.S.).......................... 4 Biografie (M.P.).......................... 7 Cobiliţa şi oltenii (Prefaţă).................9 Ziua zero Fac jocul femeii.......................... 12 Coborâtul e mai uşor...................... 12 Drama cuplurilor de azi.................... 12 Împrumutul prietenilor..................... 12 Droguri la înaintare....................... 13 Cina din carne de lebădă!................... 13 Cei şapte ani de acasă...................... 13 Ziua întâi şi ......................... 15 Coada ursului păcălit...................... 15 Unei cucoane cu perucă.................... 15 Unei cucoane cu fund...................... 15 (după) prăzi.................... 16 Cine se-aseamănă se-adună................. 16 Un petic de hârtie......................... 16 Cotidiană................................ 16 Pipa păcii la olteni......................... 17 Vânzătorul de ziare........................ 17 Îmbrăţişare solară.......................... 17 Unui absolvent de facultate.................. 19 Unui ins al Dracului!....................... 19 Une...

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This anticreation is a 1990-2006 experimental poetry collection. It intends to be the worst book and in the same time the best trash published in the United States and maybe in the world....

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Good Morning This is GOD. I will be handling all your problems today. I will not need your help. So, have a nice day!

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A collection of paradoxist poetry.

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DIAGNOSI Un sano ha afferrato Pazienza ASSISTENZA MEDICA Un ferito e morto. . . Dio lo perdona MORTE AVVISI Il vecchio Traska è morto ieri Buon compleanno ,e viva PULITAZIONE Depurazione Con la sporcizia DIAGNOSIS A healthy grabbed forbearance MEDICAL ASSISTANCE A wounded and dead. . . God forgives him DEATH NOTICES The old man died yesterday Traska Happy birthday, and alive PULITAZIONE Treatment With the dirt...

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PARADOSSI DISTICI…………………….……….PAGINE: 4 - 86 PARADOSSISMO – l’avanguardia della letteratura, arte e filosofia del secondo millennio....................................................PAGINE: 87 - 92 LA BIOGRAFIA DI FLORENTIN SMARANDACHE.........................................................PAGINE: 93 - 99...

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The Florentin's Cliché should be constructed as follows: - Change the figurative language [figure of speech] of a cliché to a literal language; - Or distort the clichés, make them abnormal, deviate their common sense by simple substitutions of words; - Or eliminate some words from a cliché, or switch the verbs between assertion and negation, in order to give the cliché a surprising new significance: - Or consider a chain of (more or less) contradictory clichés and put together with a unitary semantics; - Or juxtapose a cliché with a … (partial or total) contradictory syntagma! And as a whole the Florentin’s Cliché should be bended with humor. ...

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51. To be in the right place at the left time! 52. The German language you learn it’s Greek to me 53. This dirty and shaded homeless saved me like a knight in shinning armor 54. In cold blood but hot under the collar he throws cold water on her to getting hot 55. Do not step on his toes, but on his shoes. 56. I don’t like you. Nice to see you! 57. The director jumped to conclusion from the third floor through the window… ...

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Preface: Changing the Figurative Language to a Literal Language: 4 Florentin’s Clichés: 12

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ACTUALITATEA PARADOXISMULUI Prefață Polemici privind paradoxismul și diverse interviuri vă prezentăm ȋn prima parte a acestei cărți. Ȋn cea de-a doua parte, veți constata actualitatea paradoxismului ȋn FOLCLORUL contemporan. Și anume: - Devieri derizorii de proverbe, făcȃnd astăzi hazul de necaz al omului de rȃnd: Fie pȃinea cât de rea, tot ți-o fură cineva. Ai carte, ai cu ce să te ştergi la fund. Lasă pe mâine ce poţi face azi, că poate mâine nu mai este nevoie. - Reinterpretări de aforisme. - Limbaj ȋn răspăr. - De asemenea, paradoxuri semantice: Totu-i infinit, chiar și finitul [de pildă, un segment de dreaptă este limitat ȋn ambele părți, ȋnsă conține o infinitate de puncte]. Nimic nu-i perfect, nici chiar perfectul! sau: Nimic nu-i absolut, nici chiar absolutul! - Calambururi bazate pe omonimii, dar și pe contrarieri ale clișeelor lingvistice… - Celebrele CULMI sau poante populare sunt ȋn esență paradoxiste… - Dar și paradoxismul ȋn imagini cotidiene preluate din folclorul Internetului, cu parabole și ironii politice, cu această modernizare… primitivă a țării! O lume reală care este… cu fundul ȋn sus! Iată cȃ...

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Desigur, m-aștept acum la noi invective din partea clanului mafiot al său și al acoliților săi (călăii de serviciu). Cu cȃt ȋnjură mai tare, cu atȃt ȋi plȃtesc noii lor stăpȃni mai bine. Dar ȋmi va face o deosebită plăcere să le răspund! Provocȃndu-mă, ei ȋmi mențin verva creatoare. Doar că aceste publicații sunt plătite din bugetul poporului pentru acești șarlatani. Romȃnii ar trebui să se revolte ȋn toată țara contra acestei umilințe naționale la care sunt supuși. Of course, I now look at us invective of the mob clan and his acolytes (executioners service). With cȃt ȋnjură louder with their new stăpȃni pharma ȋi plȃtesc better. But ȋmi will be pleased to answer them! Provocȃndu me they ȋmi maintain creative verve. Only those publications that are paid from the budget of the people for these charlatans. Romȃnii should bet on around the country to rebel against this national humiliation they are subjected....

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Prefață: Actualitatea paradoxismului: 3 Din nou despre paradoxism: 5 Alex Ștefănescu și Totalitarismul care se instalează ȋn Romȃnia: 31 Democrația celui mai puternic: 43 Neutrosofia și Paradoxismul (Dialog cu M. N. Rusu): 47 SCRIEREA PE DOS! (Interviu cu Maria Diana Popescu): 50 „Emigrant la infinit” (Interviu cu Mihaela Muscă): 54 PRO și CONTRA (Dialog cu Mircea Monu): 57 Chat paradoxist ȋn calambururi (Cu Janet Nică): 66 Chestionar despre paradoxism: 69 Preface: News paradoxism: 3 Again paradoxism 5 Alex Stefanescu and totalitarianism that installs ȋn Romȃnia: 31 Democracy fittest: 43 Neutrosophy and Paradoxism (Dialog with Rusu MN): 47 Writing on DOS! (Interview with Maria Diana Popescu): 50 "Emigrant to infinity" (Interview with Mihaela Musca): 54 Pros and Cons (Dialogue with Mircea Monu): 57 Chat paradoxist bet on puns (With Janet Nică): 66 Quiz paradox: 69...

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This small book, which is rather a draft, comprises a collection of ideas, viewpoints and methods in various aspects of theater, performance arts, non-novel1 etc. If for no other reason, the ideas listed here at least can stimulate further thoughts and research – for instance, young writers may use these ideas to make his/her drama or novel more enthralling....

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• The best functions of the theatre are none! (but the theatre itself); • Fatal attraction theatre; • A personage has a man’s mask taped on his bottom which faces the spectators and “talks” like this; • On a cross is crucified a book, or a lamb, or a pork, other object (crucified with the legs up) [which should symbolize something]; • On stage, place some cosmic objects (for example make visible a part of the Earth, or a Lunar Base, …); • Theatre for deaf and mute people (with their International Sign Language); • Theatre for blind people (only sounds); • The difference between the place where the play is performed and the place where, in fact, it should be played. (Specify in the play: winter instead of summer, in the mountains instead of at the Sea, for example – as in paradoxism) ...

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PREFACE ................................................ 3 CONTENTS................................................ 5 STRATEGIES 1. Theatrical Strategies ................................................. 6 2. Literary Strategies ................................................... 25 3. Non Roman................................................ 59 3.1. Total Anti-Roman................................................ 59 3.2. Experimental Literature...................................... 76 3.3. The Supreme, Total Roman............................... 79 4. More Literary Strategies .......................................... 97 ...

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If for nothing else, the (random) sentences listed here at least can stimulate further thoughts and ideas – for instance, young writers and artists may find plenty of interesting ideas for their next literary work (or best-selling novels) in ‘Experimental Literature’ section. In a sense, this book itself is an experimental one. Needless to say, the readers may find that some of these ideas are quite absurd or seemingly outlandish ...

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• Literary disorder; • Self abandonment; • Be an action man; • Abstract theatre (Felix Aderca); • The auto-destruction and the death of literature (Adrian Marino); antipoetic, antiauthor, anti-talent, anti-vocation; the surpassing of the literature; anti-literature; ultraliterature; par-literature; a-literature; “On one side, nothing is literature, on the other side everything is or could be literature. The notion of literary genus disappears.” The literature condition = the total elimination of the idea of intention, value, and hierarchy; • How is good to be? The rule of RQC: Read, quoted, commented; • A music score in poetry; • Travel a lot for inspiration...

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PREFACE …………………………………………3 CONTENTS.....................................................................4 LIFE STRATEGIES 1. Life Strategies in Literature ...................................5 2. Life Strategies in Internet literature......................17 3. Life Strategies in Experimental Literature ........20 3.1. Junk Book .............................................................32 3.2. A-Poems, A-Literature ......................................47 3.3. Encyclopoetry ......................................................56 3.4. Semagraphy .........................................................91 3.5. The Literary Paradoxist Movement ................95 3.6. Tri-Dimensional Poetry .....................................96 3.7. The Assault on Culture ....................................100 3.8. Underground Writing .......................................108 3.9. The Japan Tanka Poet's Club .........................126 4. Life Strategies for Experimental Book .............128...

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Spontaneous notations, old books reprinted from 20 years ago, we started to shy love poem to a woman inaccessible. Phrases, quips, annotations, locuþiuni (nouns, verbs, adjective, etc..) Clichés idiomatic, construction, regional, archaic ideas / thoughts rãzleþe, Thoughts short templates language, zicãturi, afurisenii - mostly taken from folklore, others extracted from various readings. Order: no order!...

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Profund profundã. Legalizarea mãsurilor nelegale. Medile eu le fac ochiometric. Ai împãtrat-o cubic! Nu se potrivesc ele cinci degete la o mânã. Legislaþie antilegislatorialã. Bãtrâneþea e o boalã. Sãptãmâna oarbã. Deeply profound. Legalizing illegal measures. I do ochiometric Media. Do you have a cubic fourfold! Do they fit five fingers on a hand. Legislation antilegislatorialã. Old age is a disease. Week blind....

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The basic thesis of the paradoxism: Every thing/ phenomenon/ idea has a meaning and a non-meaning in a contradictory harmony. The essence of the paradoxism: a) The NonSense has a Sense: (and reciprocally) b) The Sense has a NonSense. The subsequent development of the paradoxism: To generalize the literature in scientific spaces ( Lobacevski, Riemann, Banach etc.), n-dimensional and infinite-dimensional spaces too. Paradoxism’s delimitation from other avant-gardes: ♦ paradoxism has a significance while dadaism, lettrism, the absurd movement do not; ♦ paradoxism especially reveals the contradictions, the antinomies, the anti- theses, antagonism, nonconformism, the paradoxes in other words of anything ( in literature, art, science), while futurism, cubism, abstractism and all other avant-gardes do not. The motto of the paradoxism: All is possible, the impossible too! The symbol of the paradoxism: A spiral - optic illusion or vicious circle. ...

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Intelligent creator, Florentin Smarandache has accumulated in the while enough self conviction in matters of paradoxism and enough (non)life ( literary and publishing inclusive) experience in order to create a coherent volume, where nothing ( or almost) is put/let at random. After Introduction in the empire of error ( a manifesto of the paradoxism too, but covered with another... linguistic packing), the volume continues with a “short resume” about the ... terror/theory’s features of Smarandache’s (non)existence/existentialism. Then in the shape of prose texts or verses (it is risky to name them prose or poetry!) we learn essential data and information about the “becoming” of this (almost) exile in his own country...Palillula. As another Villon, in full postmodernism he lets his testament of a man who lives, confessing his ideological and literary “crimes”, but, especially giving nonliterary declarations about his murderers, which ground their existence on his nonexistence! Also among his memories we met -true nightmares of the author- the caricatural portraits of the previous leaders, lampoons worthy of an Arghezi....

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A collection of poetry relating to the author himself based on personal experiences.

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FATE IRONY before may I have been ”me” the fate was done from geometric signs Lobacevsky’s ones after my face but not looking like me in dropping of time...

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Meeting of minds: Florentin Smarandache, preface by Cezar Ivãnescu: 5 1) IN THE VICINITY OF VICINITY – cycle: 6 PIT OF WORDS: 7 FATE IRONY: 8 DEFEATED TREE: 9 THE YELLOW ROSE: 10 WHEN I LOOK AT YOU: 11 BROKEN MIRROR: 12 LEFT FLOWER AND GREEN: 13 GOOD MORNING: 14 NIGHT SPIRIT: 15 SOUL WITHOUT SOUL: 16 2) TOO LONG ROUTE AMONG THE FOREIGNERS (and I cannot turn back my sight anymore) – cycle: 17 PASSING THOUGHTS: 18 THE DEAF AND THE DUMB: 19 HEALING: 20 THE MIRROR: 21 A YOKE: 22 WHAT DO WE WANT?: 23 THE GREAT ARMY: 24 TEST AT GEOGRAPHY: 25 MYSELF LIKE A CONTRADICTION: 26 FIRST CLASS PLANE TICKET: 28 NOBODY: 33 HUNTING: 34 HOSPITALITY: 35 DESIRE: 36 WITHOUT CEREMONIES: 37 YES AND NO: 39 STRIP-TEASE: 40 OH, YES: 41 COURAGE: 42 RECIPROCITY: 43 PRAYER: 44 CONTENTMENT: 48 WISH: 49 ALONE IN THE CHRISTMAS NIGHT: 51 THE MATCHMAKERS: 57 THE END: 65 ADIEU: 66 3) POEMS FROM MY SOUL’S EXILE – cycle: 68 THE SHADOW OF AUROCHS: 69 EMIGRANT TO INFINITY: 70 THE COUNTRY AND ME: 71 THE SAP OF THE LIFE: 72 THORNY ROSE OF LOVE: 73 YOU ARE SO SINGLE ON THE EARTH…: 74 SYMPHONY IN WALNUT WOOD: 75 DON’T SET YOUR ...

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Etymologically, aphorism + floral = aph(L)orism, which is a short reflection written on a floral design, or a short poetry accompanied by an artistic background. They are colorful contemplations. Maximus in minimis (Lat.) means very much in very little [max in min], or condensed thought, or ideating essence. They are actually maxims, adages, sayings mostly in one line (uni-stich) with a title, as a metaphoric statement, a breathing momentum that oils our soul....

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Nonchalantly : The wind with its mantle steps lightly. Skin Condition : The Sun has spots too. At what time? When it rains, God cries. Atmosphere : Blue, as the sky dirtied by clouds. Bright : A balcony full of Sun. Natural disaster : The swans look drunk on the fetid lake. Surprisingly : The crow is a beautiful black. Elegant woman : A bird high on her legs. Most powerful chess piece : You are a queen but only in the dark. Medicinal plant : You’re a flower but amongst weeds. Force that attracts food : The stomach’s gravitation pulls me to food....

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Passion.......................................................................23 Worthless.....................................................................23 Tired of you....................................................................23 Tittle-tattle....................................................................23 Talk is cheep...................................................................24 Give the man what he doesn’t have.................................................24 Novel for (non) writers...........................................................24 Desolate......................................................................24 Did I have the pleasure...........................................................24 Sloppy work....................................................................25 Despicable.....................................................................25 Wanted.......................................................................25 Talking in vain..................................................................25 Use caplets.....................................................

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A complete collection of the poetry of Edgar Allan Poe. Poe was born on January 19th in Boston, Massachusetts in 1809, and died in his adopted home of Baltimore, Maryland on October 7th, 1849, making him the first American writer in this series. The critical estimation of Poe’s work has increased dramatically over the course of my lifetime, which has been satisfying to observe, as he was for me—as I believe for so many lovers of literature—an early favorite, particularly because of his verse, which is rich with sonic texture and gothic subject matter: insanity, darkness, ghosts, death, etc. It is also quite manageable to read in its entirety at 75 poems depending on how many of those of questionable authorship or in various stages of completion one is willing to include in the official oeuvre. (In fact, it has been some time since I’ve heard the old familiar slight that his popularity in France during the 19th century was perhaps due to his writing gaining something of substance from Charles Baudelaire’s translations.) While perhaps not quite as dramatically prescient in new utterance, form or philosophical depth as Walt Whitman ...

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Annabel Lee It was many and many a year ago,     In a kingdom by the sea, That a maiden there lived whom you may know     By the name of Annabel Lee;— And this maiden she lived with no other thought     Than to love and be loved by me. She was a child and I was a child,     In this kingdom by the sea, But we loved with a love that was more than love—     I and my Annabel Lee— With a love that the wingéd seraphs of Heaven     Coveted her and me. And this was the reason that, long ago,     In this kingdom by the sea, A wind blew out of a cloud by night     Chilling my Annabel Lee; So that her highborn kinsmen came     And bore her away from me, To shut her up in a sepulchre     In this kingdom by the sea. The angels, not half so happy in Heaven,     Went envying her and me:— Yes!—that was the reason (as all men know,     In this kingdom by the sea) That the wind came out of the cloud, chilling     And killing my Annabel Lee. But our love it was stronger by far than the love     Of those who were older than we—     Of many far wiser than we— And neither the angels in Heaven above,     Nor the de...

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Contents Introduction Poetry Oh, Tempora! Oh, Mores! To Margaret To Octavia Tamerlane Song (I Saw Thee on Thy Bridal Day...) Dreams Spirits of the Dead Evening Star Imitation Stanzas (In Youth I Have Known One...) A Dream "The Happiest Day—The Happiest Hour" The Lake: To——— To——— (I Heed Not That My Earthly Lot...) Hymn to Aristogeiton and Harmodius Sonnet: To Science Al Aaraaf Romance To——— (Should My Early Life Seem...) To——— (The Bowers Whereat, in Dreams, I See...) To the River——— Fairy Land Alone To Isaac Lea Elizabeth Acrostic Lines on Joe Locke Introduction Fairy Land II To Helen (Helen, Thy Beauty Is to Me...) Israfel The Sleeper The Valley of Unrest The City in the Sea A Pæn To One in Paradise Hymn An Enigma Serenade To——— (Sleep On, Sleep On, Another Hour...) The Coliseum Fanny To Frances S. Osgood To F——— To Mary May Queen Ode Bridal Ballad Sonnet: To Zante The Haunted Palace Sonnet: Silence The Conqueror Worm Lenore Dream-Land Impromptu: To Kate Carol Eulalie Epigram for Wall Street The Raven To——— (I Would Not Lord It O’er Thy Heart...) The Divine Right ...

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88 writers (in addition of folklore collections) from 23 countries with texts in 17 languages (English, Romanian, Bulgarian, Czech, Arabic, French, German, Hungarian, Tamil, Hindi, Indonesian, Hebrew, Italian, Urdu, Russian, Serbo-Croatian, Spanish) contributed poetry, essays, letters to the editor, arts, science, philosophy, short drama, short story, distichs, epigrams, aphorisms, translations, paradoxes, and folklore or found literature to the “Fifth international Anthology on Paradoxism”....

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An Ode to Fuzzy & Neutrosophic Logic and their Creators When everything seems a murky mess And you are forced to second guess The way you are headed when you’re going straight And whether you’re there on time ’cause early may be late! When your eyes start playing tricks – it’s neither night nor day But the magic hour; when you just can’t for sure say The white from the black as mostly all is grey Take a moment to close your eyes and thank Zadeh! For inventing a way to tell black from white and the big from the small When none knows for sure how black is black or how tall is tall! ’Cause when chance becomes a possibility, you know you sure can bet That you’re in one group or the other, ’cause you’re in a fuzzy set! ...

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INTERNATIONAL DIMENSION OF PARADOXISM 5 AUSTRALIA Sukanto BATTACHARYA 6 George ROCA 8 BULGARIA Albena TCHAMOVA & Maria NIKOLOVNA 11 CANADA Kane X. FAUCHER 18 Jason HALL 19 CZECH REPUBLIK [Internet] 21 EGYPT Salah OSMAN 22 FRANCE Iulia COJOCARU 29 Didier FLEURDIER 30 Nicole POTTIER 223 GERMANY Rüdiger HEINZE 38 Bernd HUTSCHENREUTER 39 HUNGARY [Internet] 42 INDIA Khrishna JAHAN 43 A. PRASAD 47 B. Venkateswara RAO 48 Hemant VINZE 50 INDONESIA Christianto VIC 51 ISRAEL Morel ABRAMOVICI & Zoltan TERNER 52 Muneer Jebreel KARAMA 53 ITALY Pino BORESTA 56 KAZAKHSTAN Vadim BYSTRITSKI 57 R. MOLDOVA Svetlana GARABAJI 58 NIGERIA Tolu OGUNLESI 62 PAKISTAN Abdul KHAN 63 ROMANIA Valeriu BUTULESCU 65 Valentin DASCĂ LU 75 Ina DELEAN 79 Dominic DIAMANT 81 Eugen EVU 82 Folclor 85 Constantin FROSIN 101 Andrei Dorian GHEORGHE 102 Mugur GROSU 103 Peter GRUCK 104 Gică HAGI 105 Eugen ILIŞ IU 106 Liviu Florian JIANU 107 Elisabeta KOCSIK 108 Adrian LESENCIUC 115 Victor MARTIN 122 Nicolae M. MAZILU 129 Constantin MĂ RCUŞ AN 131 Ionel MĂ RGINEANU 134 Cristian MIALA 135 Marian MIRESC...

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A book on Smarandache's achievements throughout his life time with a short history on his personal life.

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In the beginning, this international avant-garde was a mutism: to make literature by not writing literature at all!! (any mathematical/chemical/physical etc. abstract sign, any drawing, draft, picture, graffito (having no words, no letters) could mean a poem; the non-literature created became, paradoxically, a new kind of literature; later the paradoxism has generalized the old term of for the n-dimensional and other scientific (Lobacevsky, Riemann, Banach, etc.) spaces, thus a poem can be; an object, a being, a phenomenon, a status ... understandable in a universal language. And further, using mathematics and literature, he got to the Paradoxist Philosophy with the thesis that "Nothing is noncontradictorial" ....

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Abstract................................... 3 Biography Smarandache's wrong life........................ 4 As a mathematician............................ 6 Political reason to leave his native country............. 10 Smarandache Function......................... 20 Mathematical poems........................... 22 What is the paradoxism?........................ 23 Funny stories.............................. 25 Scientific activity Affiliations............................... 27 Mathematical books published.................... 27 Mathematical articles published................... 28 Contributions to many journals................... 32 Collective collections of mathematical problems books..... 33 Manuscripts............................... 33 International congresses of mathematics.............. 34 National seminars/colloquiums................... 34 Student mathematical competitions................. 35 Paintings................................... 37 Literary activity Affiliations............................... 38 The Paradoxist Literary Movement................. 39 Books written in English language................. 39...

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A book of poems written by Florentin Smarandache whilst he was experiencing a dark time in life.

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EPILOGUE I leave you with my poems. Feel through me! I have achieves this volume in three years, but read it in T E N! It is a hut from the outside, and maybe a castle inside. (this volume holds connections with the earth!) The book has me between its covers - but now it is in its agony: ...

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Motto - 6 SHORT (AUTO)BIOGRAPHY - 7 THE MANIFESTO – PROGRAM - 9 =INAPPROPRIATE WORDS MADE APPROPRIATE= - 17 PEOPLE ARE FLYING THROUGH PEOPLE - 18 THE PHILOSOPHY OF PSYCHOLOGY - 19 OLD AGE WITHOUT YOUTH - 20 SCIENCE AND ART - 21 THIS OTHER WORLD - 22 VIVE LA PAIX! - 23 A NEEDED DRUG - 24 WESTERN POETRY - 25 PAZVANTE THE BLIND - 26 PHYSICAL EDUCATION / OF THE NERVES - 27 GEORGE DEVIL - 28 AT WORK: / WOMEN WITHOUT WORK - 29 ANTI-POEM OF LOVE - 30 ON WIMBLEY, IN BĂNIE - 31 COURSE OF GERMAN LANGUAGE - 33 FUSS WITH FISH – 34 PORTRAIT OF A GIRL - 35 SHE AND HE - 36 VIBRATIONS ON A SENSITIVE STRING - 37 A POSITIVE MINUS - 38 FRAGMENT OF FRAGMENT - 39 THE UNREAL IS REALITY - 40 BUREAUCRACY - 41 I LIVED MY LIFE / THE DYING WAY - 42 THE FIGHT OF OPPOSITES - 43 GO AHEAD, PLEASE! - 44 THEATER IN ABSURD - 45 HEARING AT GOD - 46 CITIZEN EDUCATION - 47 SCENE OF SCENERY - 48 DIALOGUE AT LONG DISTANCE - 49 THEATER ACTING - 50 DEMETER HAS DIED - 51 I EXIST AGAINST MYSELF - 52 ALLOW ME TO BE MYSELF - 53 CRIME WITHOUT PUNISHMENT - 54 LESSON OF PHILOSOPHY - 55 FLYING MANUAL - 56 PEACE TO YOU, LOVE - 57 LONG COUR...

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Walt Whitman (1819-1892) is widely considered to be the greatest and most influential of all American poets. LEAVES OF GRASS, Whitman's sole book published at his own expense, represents almost the entirety of his poetical output. The first edition of LEAVES OF GRASS, which he would continue to revise over the course of his life expanding and rewriting it until the year of his death, appeared in 1855. This volume represents the final edition, commonly referred to as the “deathbed” edition, and comes with a prefatory note from Whitman asserting that this is the version he most considered full and complete. While it was a commercial and critical failure during Whitman’s lifetime, LEAVES OF GRASS has gone on to become one of the most canonical books of poetry ever written, influencing and inspiring countless artists in the last two centuries. Written in a groundbreaking prosodic style Whitman referred to as “free verse” LEAVES OF GRASS takes the individual and a young American democracy as its themes and illustrates them with a long-lined cadence Whitman coined his “barbaric yawp” along with all the details that constitute them, a few ...

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O Captain! My Captain! O Captain! my Captain! our fearful trip is done, The ship has weather’d every rack, the prize we sought is won, The port is near, the bells I hear, the people all exulting, While follow eyes the steady keel, the vessel grim and daring;                     But O heart! heart! heart!                          O the bleeding drops of red,                               Where on the deck my Captain lies,                                    Fallen cold and dead. O Captain! my Captain! rise up and hear the bells; Rise up—for you the flag is flung—for you the bugle trills, For you bouquets and ribbon’d wreaths—for you the shores a-crowding, For you they call, the swaying mass, their eager faces turning;                     Here Captain! dear father!                          This arm beneath your head!                               It is some dream that on the deck,                                    You’ve fallen cold and dead.   My Captain does not answer, his lips are pale and still, My father does not feel my arm, he has no pulse nor will, The ship is anchor’d safe and sound, its voyage closed...

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Contents Introduction LEAVES OF GRASS INSCRIPTIONS One's-Self I Sing As I Ponder'd in Silence In Cabin'd Ships at Sea To Foriegn Lands To a Historian To Thee Old Cause Eidólons For Him I Sing When I Read the Book Beginning My Studies Beginners To the States On Journeys through the States To a Certain Cantatrice Me Imperturbe Savantism The Ship Starting I Hear America Singing What Place Is Besieged Still though the One I Sing Shut Not Your Doors Poets to Come To You Thou Reader STARTING FROM PAUMANOK SONG OF MYSELF CHILDREN OF ADAM To the Garden the World From Pent-Up Aching Rivers I Sing the Body Electric A Woman Waits for Me Spontaneous Me One Hour to Madness and Joy Out of the Rolling Ocean the Crowd Ages and Ages Returning at Intervals We Two, How Long We Were Fool'd O Hymen! O Hymenee! I Am He that Aches with Love Native Moments Once I Pass'd through a Populous City I Heard You Solemn-Sweet Pipes of the Organ Facing West from California's Shores As Adam Early in the Morning CALAMUS In Paths Untrodden Scented Herbage of My Breast Whoever You Are Holding Me Now in Hand For Y...

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NonNovel is indeed a novel of drawer, carried year after year in the bottomless sack of the exile. This fierce parabola about totalitarianism, about alienation, guilty obedience and lie, opportunism, cruelty, violence, monstrosity, written in a strong tensioned and lacking bashfulness style, situates Florentin Smarandache closer by Orwell, Konwicki, Koestler, Baconsky, and marks a new dimension of the Paradoxism....

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Mybreathin gstops Mybrea thingstops Myb reath ings tops Mybreathingstops Mybreat hin gsto ps M ybreath ingstops My breathing stops

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WARNING!: 5 Mister Editor (a letter arrived at the editorial office): 6 I: 7 Dedication: 10 The Adventures of Hon Hyn: 11 Happenings from Wodania: 23 II: 26 About patriotism: 28 The royal feast: 29 The press: 30 Post Office: 31 The State control: 32 Non-values’ Epoch: 36 Pluralism: 43 A leader not like anyone else: 45 Invisible barriers: 46 The graduates’ allocation: 49 The lunatic asylum: 50 The abolishing of the difference between man and animal: 56 III: 59 The Earthquake: 60 Modern gallinacean: 62 The crop of pea: 63 The peasantry: 64 The intellectuality: 66 A little meditation does not hurt: 67 The Fonfoist Party: 69 An unsafe life was provided to us: 70 A certain kind of speech: 72 The Fonfoist Society: 83 “We will live here in abundance”: 87 The multilateral development of personality: 93 The Police and the Revolution: 95 Imposing buildings of prisons: 97 Football: 99 Public genuflection: 100 The contemporary history: 102 Hon Hyn’s visit to Paris: 103 The National Museum: 104 The Management of the Economical Systems: 105 A few notions of psychology: 106 (editor’s note): 109 The wise po...

Description Details
The whole paradoxist distich should be as a geometric unitary parabola, hyperbola, ellipse at the borders between art, philosophy, rebus, and mathematics – which exist in complementariness. The School of Paradoxist Literature, which evolved around 1980s, continues through these bi-verses closed in a new lyric exact formula, but with an opening to essence. For this kind of procedural poems one can elaborate mathematical algorithms and implement them in a computer: but, it is preferable a machine with … soul!...

Excerpt Details
I M M O D E S T With the shame Shamelessness U N D E C I D E D Fighting Himself J A Z Z ( I ) Melodious Anarchy J A Z Z ( I I ) Anarchic Melody...

Table of Contents Details
Fore/word and Back/word _________ 3 The making of the distich : _____ 3 Characteristics: ______________ 3 Historical considerations: _____ 5 Types of Paradoxist distiches ___ 8 1. Clichés paraphrased: ___ 8 2. Parodies: _____________ 8 3. Reversed formulae: ____ 8 4. Double negation _______ 8 5. Double affirmation, ____ 8 6. Turn around on false tracks: _________________ 8 7. Hyperboles (exaggerated): __________________ 8 8. With nuance changeable from the title: ________ 8 9. Epigrammatic: ________ 8 10. Pseudo-paradoxes: ___ 8 11. Tautologies: ________ 9 12. Redundant: _________ 9 13. Based on pleonasms: _ 9 14. or on anti-pleonasms: 9 15. Substitution of the attribute in collocations ___ 9 16. Substitution of the complement in collocations 9 17. Permutation of various parts of the whole: ___ 9 18. The negation of the clichés ______________ 10 19. Antonymization (substantively, adjectively, etc.) ________________ 10 20. Fable against the grain: _________________ 10 21. Change in grammatical category (preserving substitutions’ homonymy): ________________ 10 22. Epistolary or colloquia style: _________...