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A silent play.

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SCENE 6 A plate is lowered: "THE PARADE" Scenery: Many mirrors on the stage multiply the number of participants, but they are supposed to distort and exaggerate the reality -- which is already gloomy enough. An official sheltered review stand on which there are many Instructors looking at the parading people. The procession is following the direction indicated on a plate: "Towards the Twang-oism" The people are parading! The stage may have the shape of a stadium. The Instructor General is continuously fluttering his hands, waving to the participants....

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The "naive" chart below, executed in straight lines only, trying to make texts in space (space poems). It writing with images in a vision clean, architectural feelings. (It belongs to the author). La graphique "naive" qui suit, execéutée en lignes droites seulement, essaie de rendre les textes en espace(poèmes spatiaux).C'est une écriture avec des images dans une vision propre, de l'architecture des sentiments. (Elle appartient à l'auteur)....

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Nathalie demeure bouche bée quand on plombe sa molaire. Elle a une dent contre une autre dent cariée. Le médecin stérilise ses instruments qui deviennent la proie des flammes. La radiographie lui parle en termes voilés. Il fait bouillir le sang de la gencive souffrante dans l'éprouvette. Puis le toubib extrait de la gorge de sa patiente des gros mots. Nathalie remains speechless when on his leaden molar. She has a grudge against a another decayed tooth. The doctor sterilizes its instruments which become engulfed in flames. Radiography talks to him in veiled terms. It makes the blood boil the suffering gum in the specimen. Then the doctor extracts from his patient's throat bad words....

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This small book, which is rather a draft, comprises a collection of ideas, viewpoints and methods in various aspects of theater, performance arts, non-novel1 etc. If for no other reason, the ideas listed here at least can stimulate further thoughts and research – for instance, young writers may use these ideas to make his/her drama or novel more enthralling....

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• The best functions of the theatre are none! (but the theatre itself); • Fatal attraction theatre; • A personage has a man’s mask taped on his bottom which faces the spectators and “talks” like this; • On a cross is crucified a book, or a lamb, or a pork, other object (crucified with the legs up) [which should symbolize something]; • On stage, place some cosmic objects (for example make visible a part of the Earth, or a Lunar Base, …); • Theatre for deaf and mute people (with their International Sign Language); • Theatre for blind people (only sounds); • The difference between the place where the play is performed and the place where, in fact, it should be played. (Specify in the play: winter instead of summer, in the mountains instead of at the Sea, for example – as in paradoxism) ...

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PREFACE ................................................ 3 CONTENTS................................................ 5 STRATEGIES 1. Theatrical Strategies ................................................. 6 2. Literary Strategies ................................................... 25 3. Non Roman................................................ 59 3.1. Total Anti-Roman................................................ 59 3.2. Experimental Literature...................................... 76 3.3. The Supreme, Total Roman............................... 79 4. More Literary Strategies .......................................... 97 ...

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This play does not represent time in suspension or a snapshot cartoon, but rather a living entity in never ending motion. As with two people reading the same book but not imagining the same things, the actors and producers will be the true creators of new models and ideas due to the existing framework. Consider the theater as a painting with ideas made out of a malleable material. Time stamps its features upon it and producers remodel its structure. Actors, as factors from the literary system, influence the "personality" of the characters through their own personalities. ...

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In some places, some speeches may be adapted or the actors may improvise for a better connection between the moduli and the integrity of the play. In order to test the reaction of the audience, to measure the flair of the critics for the illogicality of the play, and to determine the force of electricity in the thinking and power of adaptability to the environment to the unpropitious conditions of living (Darwin's theory) of the spectators in a hostile and constraining world, the producer may create other variants to break the above conditions to realize totally illogical plays. I hope there will be an exact distinction between "the absurd" and "the illogical." The "absurd" has its absurd logical while the "illogical" has none. We can afford this illogicality because the world depicted in this play is an illogical one. It is an upside-down DRAMA. So the variants: IBAF H CG ED HGB DIF ACE GCE B AHI DF, are distinct illogical plays, even with the permutations done into the moduli G or G. Let's be serious even in... the unreliableness. ...

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A collection of short stories, children's stories, short theatre, and verses.

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“Come on, Craiova; come on, students!” “Come on and score!” (They had failed to score.) The score was still close. The blue flags waved in the grandstands. The spectators made caps out of the newspapers – which they hadn’t bothered to read. (The papers, after all, had been specially printed for the match.) “Get your roasted sunflower seeds!” “Get your peanuts!” At the central stadium the places were occupied three to four hours before the beginning of the game. The chief of the gallery, Ostrovski, set the tone: “Go, go, Ştiin-ţa [Science]!” (To a spectator next to him): “Cheeky boy. Why don’t you yell? If you’re not going to show your support, then get out of here!” Some spectators wore blue- and white-striped caps with “University” emblazoned on the peaks. The students screamed at an ear-splitting volume. The stand was like an erupting volcano. “Go, Dynamo!” one screamed, as a bottle smashed over his head. It was an unequal duel between the galleries. On the turf, the crowd boiled over with excitement. “Huuuuu!”...

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SHORT STORIES - 4 1-0 (?) - 5 Gioni - 10 The Green Suite Case - 16 When I lived in my Country - 31 CHILDREN’S BEDTIME STORIES - 35 The Smallest Youngest Pig - 36 License -- 38 The Lady Neighbours - 40 Gitch the Little Bitch, Cig the Little Pig, and Dat the Cat - 42 SHORT THEATRE - 44 No Exit! - 45 Destiny - 46 Conversation - 47 Love Adventures - 51 Antique Tragedy - 57 The Blood of Country Earth - 64 Unknown Cause - 70 VERSES - 75 Experimental Poetry - 76 Paradoxist Distiches - 77 Tautological Distiches - 79 Pit of Words - 81 Fate Irony - 81 Defeated Tree - 81 The History of the Romanian Language - 82 Ewe Lamb - 82 Poem - 83 The Figures Began to Vibrate - 83 The Poetry Died! Hurrah! Hurrah! - 84 Going On - 84 Spirit Saving - 85 Eminescian Lindens in Pale Cascade - 85 The Latin Mother and the Dacian Father - 86 The Great Romanian Wall - 86 Unknowns - 86 Epitaph for a Poet - 87 Because - 87 The Proposed Problem - 87 I Was Crushed by the Sky - 88...

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Vă mulţumesc că m-aţi dispreţuit, umilit, că m-aţi împins spre emigrare unde nu mai sunt dispreţuit, nu mai sunt umilit, mi se respectă creaţiile şi persoana. Şi pentru toate acestea, mă simt mai patriot ca niciodată....

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Bere cu cântec În restaurant, bând bere cu prietenii de clasă, și fredonând toți cântece pentru… copii de grădiniță: Înfloresc grădinile, Ceru-i ca oglinda, Fluturii cu miile Au pornit colinda!... Și consumatorii de la mesele din jur — uitându-se surprinși la noi, neștiind ce să creadă! Beer song The restaurant, drinking beer with friends and class humming all songs ... kindergarten children: Blooming gardens, He asked her the mirror, Butterflies by the thousands They started wandering! ... And consumers from surrounding tables - looking surprised us, not knowing what to believe!...

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...ancolii ............................................................... 16 Îmi strălucea scăfârlia ............................................. 16 Smarandache, Smărăndoiu .................................... 16 Şah pe ascunselea .................................................. 17 Fireştenia matematicii ............................................ 17 Se închide cant...

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...ted States, in a French translation of a compilation of essays from the original Romanian made jointly by Paul Georgelin and the man it is all about: Smarandache....

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POEMATIO LUDENS A1. En bas d’en haut Rien n’est plus beau En haut d’en bas… Quel bla bla bla : Règnent Ne et Pas !

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...C.M.Popa – Le mouvement littéraire paradoxiste -------- 7 F.Smarandache – Neutrosophic degree of a paradoxicity 9 L.Kuciuk, M.Antholy – Paradoxism in geometry -------- 13 Un paradox aritmetic ----------------------------------------- 18 Lediana Paja – Paradoksizmi – rryma më e fund...

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88 writers (in addition of folklore collections) from 23 countries with texts in 17 languages (English, Romanian, Bulgarian, Czech, Arabic, French, German, Hungarian, Tamil, Hindi, Indonesian, Hebrew, Italian, Urdu, Russian, Serbo-Croatian, Spanish) contributed poetry, essays, letters to the editor, arts, science, philosophy, short drama, short story, distichs, epigrams, aphorisms, translations, paradoxes, and folklore or found literature to the “Fifth international Anthology on Paradoxism”....

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An Ode to Fuzzy & Neutrosophic Logic and their Creators When everything seems a murky mess And you are forced to second guess The way you are headed when you’re going straight And whether you’re there on time ’cause early may be late! When your eyes start playing tricks – it’s neither night nor day But the magic hour; when you just can’t for sure say The white from the black as mostly all is grey Take a moment to close your eyes and thank Zadeh! For inventing a way to tell black from white and the big from the small When none knows for sure how black is black or how tall is tall! ’Cause when chance becomes a possibility, you know you sure can bet That you’re in one group or the other, ’cause you’re in a fuzzy set! ...

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... JUDGE 206 Jeanette KARHI 207 Wolf LARSEN 209 Dinu LEONTE 212 Wm. MEYER Jr. 215 Melanie MONTEREY 218 Robert (from Paradoxism Yahoo! Group) 219 Florentin SMARANDACHE 220 Dana STAMPS II 224 Ray SUCCRE 225 Mel WALDMAN 235 William G. WARD 245 David ZILIAK 248 CONTENTS 249 ...

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These ideas were either collected or inspired from author's various lectures of books, journals, newspapers, tv and radio shows, personal conversations. I started to write down such ideas since I was a high school student and continue even today - I always bear with me a small pen and small notebook where I write in the plane, or driving my car, or even in class room. Despite three decades of postponement, I hope this booklet will keep on inspiring the reader, as good ideas will always be worth to ponder....

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• Be competitive; • Don’t be panic, when under pressure; • Use probabilities (how much % you’re expected to produce); • Infiltrate in certain organizations; • To have power of influence; • Charm those who interact with you; • Be firm and fast in decisions; • To make a plan for a long period of time and subdivide it in smaller sub-plans for short periods of time...

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PREFACE ........................................ 3 CONTENTS......................................... 5 LIFE STRATEGIES 1. Best Tips for Life ...................................................... 6 2. Life Strategies in General Science..........................8 3. Life Strategies in Mathematics..............................11 4. Life Strategies in Medical Science .......................23 5. Life Strategies in Workplace & Social Life........28 6. Life Strategies in Personal Life .............................34 7. Life Strategies in General Arts .............................41 Appendix: Miscellaneous App.1. FS........................................ 54 App.2.American writing..............................................55 App3.The International Phonetic Alphabet.............67...

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A book of poems written by Florentin Smarandache whilst he was experiencing a dark time in life.

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EPILOGUE I leave you with my poems. Feel through me! I have achieves this volume in three years, but read it in T E N! It is a hut from the outside, and maybe a castle inside. (this volume holds connections with the earth!) The book has me between its covers - but now it is in its agony: ...

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...F THINGS - 71 SAD JOYS - 72 PRAYER - 73 A LIFE - 74 FROM THE SUN PLOWS, WE TEAR / ONLY THE SNOW - 75 AN EXTENSION OF ARCHIMEDES PRINCIPLE / OR / FLORENTIN'S PRINCIPLE- 76 THE TEACHINGS OF FLORENTIN SMARANDACHE TO HIS SON MIHAI - 77 EPILOGUE - 78 Short Comment by Gheorghe Tomozei – back cover...

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Creaţia este un risc Prefaţă Cei care construiesc şi cei care se căsătoresc nu sunt niciodată în siguranţă, sună un proverb suedez. Deci creaţia, care este o c-o-n-s-t-r-u-c-ţ-i-e, presupune un risc, atrăgând prieteni dar şi duşmani, şi lăsând o a treia categorie de oameni indiferenţi (ca-n logica neutrosofică). În a doua jumătate a vieţii producţia-mi literară s-a redus în cantitate, eu fiind absorbit în (şi sponsorizat pentru) creaţia ştiinţifică aplicată (matematică folosită în inginerie, robotică, medicină, aeronautică, sau încercări sporadice de fizică teoretică). În afara unor autotraduceri, şi-acelea înaintând greu din lipsă de timp, iar în domeniul plastic al ‘artei electronice’ (pe computer), mai scriu ca “literatură” doar memoriile despre diversele conferinţe ştiinţifice internaţionale la care sunt invitat să prezint lucrări de cercetare ori seminarii. Memorii care, de fapt, sunt nişte reportaje, îmbinate cu expunerea de idei şi teorii ştiinţifice, documentarii istorice, geografice, filozofice, antropologice, religioase, artistice, etc. de la diversele muzee, galerii de artă, monumente şi locuri culturale ...

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Cifrele au început să vibreze mi-am încărcat buzunarele cu cifre şi pătrate şi am vâslit hoinar pe drumuri la fiecare colţ al liniei curbe a vieţii aruncam cu cercuri şi triunghiuri în mulţime şi ele rezonau cu cifre am pavat şoseaua iar sub paşii mei au început să vibreze când mi-am umplut plămânii de ele s-au convertit în litere şi am descins pe drumul poeziei...

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...Prefaţă: Creaţia este un risc: 5 INTERVIURI: 6 Legătura dintre paradoxism şi Teoria Dezert-Smarandache (Interviu cu Flavia Teoc): 7 Exil sau diasporă? (Interviu cu Silvia Constantinescu): 11 God does play dice! (Interview with Ovidiu Bufnilă): 21 “Totul este posibil, chiar şi imposibilul!” (Interviu cu Tudor Neg...

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A collection of short prose essays.

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CULTURAL NEWS1 (short prose poem) I queue up at the entry of art. queue for meat, queue for bread (Hurraaah Hurrah How fine is our life!) And I watch how someone builds their tomb in eternity. We beseech you to sit down each as far as possible in literature, we are announced by the hoarse interphone. -No, thanks. I prefer standing up, I find myself answering unquestioned. -But do come, please, come. the poetry is waiting for you - says the interphone, then to me: -Enough, there is no place left, get out....

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...About Florentin Smarandache again, by Ion Rotaru 5 Introduction to the Kingdom of Error 9 A few features of the NonExistentialism 10 A common 13 Cultural actuality (short prose - poem) 14 How not to ascend to the High NonSoci...

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This book presents a short panorama of commented art theories, together with experimental digital images using adopted techniques from various fields, in order to inspire the actual artists to choose from, and also to invent or adopt new procedures in producing their artworks. This book presents a short panorama of commented art theories, together with digital art images using adopted techniques from various fields, in order to inspire the actual artists to choose from, and also to invent or adopt new procedures in producing their artworks....

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Earth Art requires huge work on land, sod, grass. It started in 1968 with Robert Morris utilizing a pile of dirt, and Robert Smithson who filled some boxes with rocks. Some projects demand enormous effort, for example carving the American presidential portraits in Mount Rushmore by Gustom Borglum, or wrapping the Australian coastline in 1969 with plastic and rope by Javacheff and Jeanne-Claude Christo (packed objects). Ephemeral patterns (art) in the snow by Dennis Oppenheim. But some earthworks are criticized of disturbing the nature and upsetting the ecology. Earth Outer-Art takes the work done by nature, such as Volcanoes, Storms, Hurricanes, Tsunami, Earthquakes, etc. as Found Earth Outer-Art, but unfortunately destructive art. Let’s say volcano Krakatoa in Indonesia, Hurricane Katrina in New Orleans… see how impressive destructive earth outer-art they did! Or the falling of a meteor on planet Earth, creating big craters as work of natural art. Thomas Cole, in the 19th century, believed that nature was created by God, who is an Artist. Catastrophic Outer-Art at a large scale is that inflicted by atomic bombs, as those at ...

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...103 Multi-label 1 -------- 104 Multi-label 2 -------- 105 Multi-label 3 -------- 106 Multi-label 4 -------- 107 Miscelaneous --- 108 “geronimo” florentin ----------------- 109 outer-poem ----------------------------- 110 miscellaneous 1 ------------------------ 111 miscellaneous 2 ------------------------ 112 miscellaneous 3 ------------------------ 113 outer-sc...

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...enation, guilty obedience and lie, opportunism, cruelty, violence, monstrosity, written in a strong tensioned and lacking bashfulness style, situates Florentin Smarandache closer by Orwell, Konwicki, Koestler, Baconsky, and marks a new dimension of the Paradoxism....

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Mybreathin gstops Mybrea thingstops Myb reath ings tops Mybreathingstops Mybreat hin gsto ps M ybreath ingstops My breathing stops

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...Fonfoists have created their anti-world: 165 The herds of people: 167 ADDENDA: 171 ERRATA: 173 PARADOXIST MANIFESTO: 174 [Back cover] “Dear Mr. Smarandache”, by Alexandru Ciorănescu “NonNOVEL is indeed a novel of drawer”, by Constantin M. Popa ...

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Etymologically, aphorism + floral = aph(L)orism, which is a short reflection written on a floral design, or a short poetry accompanied by an artistic background. They are colorful contemplations. Maximus in minimis (Lat.) means very much in very little [max in min], or condensed thought, or ideating essence. They are actually maxims, adages, sayings mostly in one line (uni-stich) with a title, as a metaphoric statement, a breathing momentum that oils our soul....

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Nonchalantly : The wind with its mantle steps lightly. Skin Condition : The Sun has spots too. At what time? When it rains, God cries. Atmosphere : Blue, as the sky dirtied by clouds. Bright : A balcony full of Sun. Natural disaster : The swans look drunk on the fetid lake. Surprisingly : The crow is a beautiful black. Elegant woman : A bird high on her legs. Most powerful chess piece : You are a queen but only in the dark. Medicinal plant : You’re a flower but amongst weeds. Force that attracts food : The stomach’s gravitation pulls me to food....

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Passion.......................................................................23 Worthless.....................................................................23 Tired of you....................................................................23 Tittle-tattle....................................................................23 Talk is cheep...................................................................24 Give the man what he doesn’t have.................................................24 Novel for (non) writers...........................................................24 Desolate......................................................................24 Did I have the pleasure...........................................................24 Sloppy work....................................................................25 Despicable.....................................................................25 Wanted.......................................................................25 Talking in vain..................................................................25 Use caplets.....................................................

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The whole paradoxist distich should be as a geometric unitary parabola, hyperbola, ellipse at the borders between art, philosophy, rebus, and mathematics – which exist in complementariness. The School of Paradoxist Literature, which evolved around 1980s, continues through these bi-verses closed in a new lyric exact formula, but with an opening to essence. For this kind of procedural poems one can elaborate mathematical algorithms and implement them in a computer: but, it is preferable a machine with … soul!...

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I M M O D E S T With the shame Shamelessness U N D E C I D E D Fighting Himself J A Z Z ( I ) Melodious Anarchy J A Z Z ( I I ) Anarchic Melody...

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Fore/word and Back/word _________ 3 The making of the distich : _____ 3 Characteristics: ______________ 3 Historical considerations: _____ 5 Types of Paradoxist distiches ___ 8 1. Clichés paraphrased: ___ 8 2. Parodies: _____________ 8 3. Reversed formulae: ____ 8 4. Double negation _______ 8 5. Double affirmation, ____ 8 6. Turn around on false tracks: _________________ 8 7. Hyperboles (exaggerated): __________________ 8 8. With nuance changeable from the title: ________ 8 9. Epigrammatic: ________ 8 10. Pseudo-paradoxes: ___ 8 11. Tautologies: ________ 9 12. Redundant: _________ 9 13. Based on pleonasms: _ 9 14. or on anti-pleonasms: 9 15. Substitution of the attribute in collocations ___ 9 16. Substitution of the complement in collocations 9 17. Permutation of various parts of the whole: ___ 9 18. The negation of the clichés ______________ 10 19. Antonymization (substantively, adjectively, etc.) ________________ 10 20. Fable against the grain: _________________ 10 21. Change in grammatical category (preserving substitutions’ homonymy): ________________ 10 22. Epistolary or colloquia style: _________...

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"Искусство лая"-это уникальная книга, дающая ряд советов, как наилучшим образом использовать ваше любимое животное или собаку НА СЛУЖБЕ и в других жизненных ситуаци я х . РЯД таких жемчужин выросли из нашего собственного опыта, другие явнлись следствием наблюдения, ЧТО происходит вокруг нас. Наш последний совет, прежде чем вы начнёте читать эту книгу: а) следуйте этим советам на своИ страх и риск. б>управлять вашей внешней собакой гораздо легче, чем той "собакой ll или зверем, который сидит внутри вас, в) не берите с собой собаку на службу , если вы не до конца уверены, что собака на вашей стороне. собакам. “The Art of Wag” is a unique booklet comprised of advices and possible tips you can use on how to make the best out of your pet/dog in workplace and other situations. Some of these gems come from our own experience, and some come from watching these practices surrounding us. As our last advice before you jump through this book, (a) do these advices at your own risks; (b) managing the dog outside is much easier than managing ‘the dog’ inside yourself; (c) don’t take your dog to workplace/office if you are not con...

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-Если вы не ведущая собака ... ТО вам ничего не светит впереди. -Всё возможно, особенно если у вас большой Доберман. -Во время встречи легче отстаивать свою точку зрения, если рядом сидит Доберман. -Гораздо легче убеждать людей с собакой, чем без неё. Есть два способа приучить СОТРУДНИКОВ офиса к присутствию собаки: вначале принеС~lТе маленькую собачку Чао - чао или Далмацию, а уж ПОТОМ при водите боЛЬШОГО Добермана. - Если вы ведёте разговор о продвижении по службе, то делайте это в ПРИСУТСП!iИИ добермана. • If you’re not the lead dog … the view never changes. • All is really possible, especially with a big Doberman. • In a meeting, it’s easier to argue your point with a big Doberman besides you. • It’s more effective to convince people with persuasion and a big dog, rather than with persuasion alone. • There are two types of dog-approach in office: (a) first bring a small and funny dog, like Chihuahua or Dalmatian, (b) then bring a big Doberman. • It’s possible to bring your Doberman when asking for a raise. ...

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Предисловие Искусство лая CONTENTS СОДЕРЖАНИЕ 3 ЛаИ в офисе 4 ЛаИ в политике 6 Лай на улице 8 ЛаИ в школе 9 Обращение ко всем кто может внести свою лепту в искусство лая 10...

Description Details
“The Art of Wag” is a unique booklet comprised of advices and possible tips you can use on how to make the best out of your pet/dog in workplace and other situations. Some of these gems come from our own experience, and some come from watching these practices surrounding us. As our last advice before you jump through this book, (a) do these advices at your own risks; (b) managing the dog outside is much easier than managing ‘the dog’ inside yourself; (c) don’t take your dog to workplace/office if you are not confident enough that your dog is always at your side. ...

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• If you’re not the lead dog … the view never changes. • All is really possible, especially with a big Doberman. • In a meeting, it’s easier to argue your point with a big Doberman besides you. • It’s more effective to convince people with persuasion and a big dog, rather than with persuasion alone. • There are two types of dog-approach in office: (a) first bring a small and funny dog, like Chihuahua or Dalmatian, (b) then bring a big Doberman. • It’s possible to bring your Doberman when asking for a raise. ...

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Preface 4 The Art of Wag 8 Call for Contributions 16