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1930S Science Fiction Films (X) James Boyle (X) Non Fiction (X)

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The Public Domain : Enclosing the Commons of the Mind

By: James Boyle

...McPherson, August 13, 1813, p. 6. 37278_u00.qxd 8/28/08 11:04 AM Page ii James Boyle The Public Domain Enclosing the Commons of the Mind Yale Uni... ...son, August 13, 1813, p. 6. 37278_u00.qxd 8/28/08 11:04 AM Page ii James Boyle The Public Domain Enclosing the Commons of the Mind Yale Universit... ... book. For more information, visit www.caravanbooks.org. Copyright © 2008 by James Boyle. All rights reserved. The author has made an online version o... ... For more information, visit www.caravanbooks.org. Copyright © 2008 by James Boyle. All rights reserved. The author has made an online version of this... ... The Farmers’ Tale: An Allegory, 83 6 I Got a Mashup, 122 7 The Enclosure of Science and Technology: T wo Case Studies, 160 8 A Creative Commons, 179... ...thics, Law and Policy Center, provided cru- cial support to my work with the sciences in general and synthetic biology in particular. I was also inspi... ... the people who would work on Buster Keaton, or the literary classics of the 1930s, or the ﬁlms of the Second World War, or footage on the daily lives... ...x the law in this area. When the case of Bridgeport Music, Inc. v. Dimension Films came up, they thought they had what they wanted. The band NWA had u... ... at http:// www.law.duke.edu/cspd/pdf/cspdproposal.pdf, and Access to Orphan Films: Submission to the Copyright Ofﬁce—March 2005, available at http://...

...Our music, our culture, our science, and our economic welfare all depend on a delicate balance between those ideas that are controlled and those that are free, between intellectual property and the public domain. In The Public Domain: Enclosing the Comm...

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