A selection of his poetry including early poems, Les Illuminations and Une Saison En Enfer both complete, and an extract from the 'Voyant' Letter.

First Evening.........................6 Sensation..........................8 The Blacksmith........................9 Sun and Flesh........................17 Ophelia..........................23 Ballad of the Hanged .....................26 Romance ..........................28 Eighteen Seventy ......................30 Rage of The Caesars .....................31 The Famous Victory of Saarbrucken...............32 A Winter Dream.......................33 Evil............................34 My Bohemia: A Fantasy....................35 At The Green Inn ......................36 The Sly Girl.........................37 The Sleeper in the Valley...................38 Evening Prayer.......................39 My Little Lovers .......................40 Poets at Seven Years.....................42 The Stolen Heart .......................45 The Parisian Orgy, or Paris Repeopled ..............46 Jeanne-Marie’s Hands.....................49 The Sisters of Charity .....................52 First Communions......................54 What One Says to the Poet on the Subject of Flowers ........60 The Seekers of Lice .....................66 ...

A complete collection of the poems of William Blake. Blake (1757-1827) was an English poet, engraver, and painter. Early in his life, his unique and deceptively simple poems marked the beginning of Romanticism, particularly those from his volumes Songs of Innocence (1789) and Songs of Experience (1794). Later work evolved into long mythological pieces informed by visions Blake claimed to have throughout his life. This volume collects all his poetic output, including those unfinished fragments in manuscript form....

The Tyger Tyger Tyger, burning bright, In the forests of the night: What immortal hand or eye, Could frame thy fearful symmetry?   In what distant deeps or skies Burnt the fire of thine eyes! On what wings dare he aspire? What the hand, dare seize the fire?   And what shoulder, & what art, Could twist the sinews of thy heart? And when thy heart began to beat, What dread hand? & what dread feet?   What the hammer? what the chain, In what furnace was thy brain? What the anvil? what dread grasp, Dare its deadly terrors clasp?   When the stars threw down their spears And water’d heaven with their tears: Did he smile his work to see? Did he who made the Lamb make thee?   Tyger, Tyger burning bright, In the forests of the night: What immortal hand or eye, Dare frame thy fearful symmetry?...

Introduction POETICAL SKETCHES To Spring To Summer To Autumn To Winter To the Evening Star To Morning Fair Elenor Song (How sweet I roam'd...) Song (My silks and fine array...) Song (Love and harmony combine...) Song (I love the jocund dance...) Song (Memory, hither come...) Mad Song Song (Fresh from the dewy hill...) Song (When early morn walks forth...) To the Muses Gwin, King of Norway An Imitation of Spenser Blind Man’s Buff King Edward the Third Prologue, Intended for a Dramatic Piece of King Edward the Fourth Prologue to King John A War Song to Englishmen The Couch of Death Contemplation Samson Song 1st by a Young Shepherd Song 2nd by a Young Shepherd Song by an Old Shepherd AN ISLAND IN THE MOON SONG OF INNOCENCE AND EXPERIENCE Songs of Innocence: Introduction The Shepherd The Ecchoing Green The Lamb The Little Black Boy The Blossom The Chimney Sweeper The Little Boy Lost The Little Boy Found Laughing Song A Cradle Song The Divine Image Holy Thursday Night Spring Nurse’s Song Infant Joy A Dream On Anothers Sorrow Songs of Experience: Introduction Earth’s Answer The Clod & ...

The poems of the Canti below are complete but not in their originally published order. I have taken the liberty of re-arranging them into four groups, Personal (Poems 1-11), Philosophical (12-24), ‘Romantic’ (25-34), and Political (35-41). These categories are not exact, as Leopardi frequently blends elements together in the one poem, but they may help the reader, as they helped me, to adjust to his variations in style. The original published position of each poem is given in Roman numerals in the brackets following the poem’s title....

1. To Silvia (XXI) 2. The Infinite (XII) 3. The Evening Of The Holiday (XIII) 4. To the Moon (XIV) 5. Saturday Night In The Village (XXV) 6. To Himself (XXVIII) 7. Night-Song Of A Wandering Shepherd of Asia (XXIII) 8. First Love (X) 9. The Solitary Bird (XI) 10. Imitation (XXXV) 11. Scherzo (XXXVI) 12. Moon-Set (XXXII) 13. Wild Broom (XXXIV) 14. The Calm After The Storm (XXIV) 15. Masterful Thought (XXVI) 16. Love And Death (XXVII) 17. Bas-Relief On An Ancient Tomb (XXX) 18. On A Lovely Lady’s Image (XXX1) 19. To Spring (or Of The Ancient Myths) (VII) 20. Hymn To The Patriarchs (VIII) 21. Sappho’s Last Song (IX) 22. To Count Carlo Pepoli (XIX) 23. Fragment (From Simonides I: XL) 24. Fragment (From Simonides II:XLI) 25. The Dream (XV) 26. The Solitary Life (XVI) 27. To His Lady (XVIII) 28. Memories (XXII) 29. The Re-awakening (Il Risorgimento: XX) 30. Consalvo (XVII) 31. Aspasia (XXIX) 32. Fragment (Alcetas and Melissus: XXXVII) 33. Fragment (Separation: XXXVIII) 34. Fragment (Turned to Stone: XXXIX) 35. To Italy (I) 36. On the Proposed Dante Monument in Florence (II) 37. To Angelo Mai (III) 38. F...

Robert Louis Stevenson (1850-1894) was worn in Edinburgh, Scotland, and suffered from frail health all through childhood, an affliction that would follow him into adulthood and manifest itself ultimately as tuberculosis. He initially set out to be a lawyer and was admitted to the bar in 1875, though he never practiced. He is best known for his tales Treasure Island and The Strange Case of Doctor Jekyll and Mr. Hyde, though he wrote a number of other stories, excellent essays, and of course poems. Constantly searching for a climate that would ease his suffering, he died quite young at the age of 44 and was buried high on Mt. Vaea in his final home of Samoa, the site of which is immortalized in the poem “Requiem” contained within these pages. I was first introduced to his timeless A Child’s Garden of Verses by my mother as a child myself, and the simple, extremely perceptive moments beautifully rendered in Stevenson’s effortless cadences and perfect rhymes went a long way, I imagine, to making me believe from an early age that poetry was the best way to explain and discover everything, and subsequently made me want to be a poet mys...

The Land of Nod From breakfast on through all the day At home among my friends I stay, But every night I go abroad Afar into the land of Nod.   All by myself I have to go, With none to tell me what to do— All alone beside the streams And up the mountain-sides of dreams.   The strangest things are there for me, Both things to eat and things to see, And many frightening sights abroad Till morning in the land of Nod.   Try as I like to find the way, I never can get back by day, Nor can remember plain and clear The curious music that I hear....

“Introduction A CHILD'S GARDEN OF VERSES To Alison Cunningham Bed in Summer A Thought At the Seaside Young Night Thought Whole Duty of Children Rain Pirate Story Foreign Lands Windy Nights Travel Singing Looking Forward A Good Play Where Go the Boats? Auntie’s Skirts The Land of Counterpane The Land of Nod My Shadow System A Good Boy Escape at Bedtime Marching Song The Cow Happy Thought The Wind Keepsake Mill Good and Bad Children Foreign Children The Sun’s Travels The Lamplighter My Bed Is a Boat The Moon The Swing Time to Rise Looking-Glass River Fairy Bread From a Railway Carriage Winter-Time The Hayloft Farewell to the Farm Northwest Passage I. Good Night II. Shadow March III. In Port The Child Alone 1. The Unseen Playmate 2. My Ship and I 3. My Kingdom 4. Picture-Books in Winter 5. My Treasures 6. Block City 7. The Land of Story-Books 8. Armies in the Fire 9. The Little Land Garden Days 1. Night and Day 2. Nest Eggs 3. The Flowers 4. Summer Sun 5. The Dumb Soldier 6. Autumn Fires 7. The Gardener 8. Historical Associations Envoys 1. To Willie and Henrietta 2. To...

A selection of Samuel Taylor Coleridge's essential poems. Samuel Taylor Coleridge (1772–1834) was an English poet, critic, and philosopher. His Lyrical Ballads, published in 1798 with co-author William Wordsworth, marked the beginning for all intents and purposes of English Romanticism and included “The Rime of the Ancient Mariner.” Other notable poems include "This Lime-Tree Bower My Prison," “Christabel” and “Kubla Khan.” Volume 2 in The Reader's Library Series, ISBN: 978-1-932023-44-2. https://www.facebook.com/williamralpheditions...

Kubla Khan Or, a vision in a dream. A Fragment.   In Xanadu did Kubla Khan A stately pleasure-dome decree: Where Alph, the sacred river, ran Through caverns measureless to man Down to a sunless sea. So twice five miles of fertile ground With walls and towers were girdled round; And there were gardens bright with sinuous rills, Where blossomed many an incense-bearing tree; And here were forests ancient as the hills, Enfolding sunny spots of greenery. But oh! that deep romantic chasm which slanted Down the green hill athwart a cedarn cover! A savage place! as holy and enchanted As e’er beneath a waning moon was haunted By woman wailing for her demon-lover! And from this chasm, with ceaseless turmoil seething, As if this earth in fast thick pants were breathing, A mighty fountain momently was forced: Amid whose swift half-intermitted burst Huge fragments vaulted like rebounding hail, Or chaffy grain beneath the thresher’s flail: And mid these dancing rocks at once and ever It flung up momently the sacred river. Five miles meandering with a mazy motion Through wood and dale the sacred river ran, Then rea...

Contents Introduction Sonnet: To the Autumnal Moon A Mathematical Problem To the Rev. George Coleridge I II III IV Sonnet: On Quitting School for College Sonnet: To the River Otter On a Discovery Made Too Late The Eolian Harp Lines in the Manner of Spenser Reflections on Having Left a Place of Retirement Sonnet: Composed on a Journey Homeward; the Author Having Received Intelligence of the Birth of a Son, Sept. 20, 1796 Sonnet: On Receiving a Letter Informing Me of the Birth of a Son Sonnet: To A Friend Who Asked How I Felt When the Nurse First Presented My Infant to Me This Lime-Tree Bower My Prison The Rime of the Ancient Mariner Argument Part I Part II Part III Part IV Part V Part VI Part VII Fire, Famine, and Slaughter A War Eclogue Frost at Midnight Kubla Khan Fears in Solitude The Nightingale The Wanderings of Cain Prefatory Note The Wanderings of Cain The Devil's Thoughts I II III IV V VI VII VIII IX X XI XII XIII XIV XV XVI XVII Christabel Preface Part I Part II Dejection: An Ode [Written April 4, 1802] I II III IV V VI VII VIII The Language of Birds T...

A collection of short prose essays.

CULTURAL NEWS1 (short prose poem) I queue up at the entry of art. queue for meat, queue for bread (Hurraaah Hurrah How fine is our life!) And I watch how someone builds their tomb in eternity. We beseech you to sit down each as far as possible in literature, we are announced by the hoarse interphone. -No, thanks. I prefer standing up, I find myself answering unquestioned. -But do come, please, come. the poetry is waiting for you - says the interphone, then to me: -Enough, there is no place left, get out....

About Florentin Smarandache again, by Ion Rotaru 5 Introduction to the Kingdom of Error 9 A few features of the NonExistentialism 10 A common 13 Cultural actuality (short prose - poem) 14 How not to ascend to the High NonSociety 15 News 19 Portrait 20 1st letter of Uncle Vasile the political refugee 21 2nd letter of Uncle Vasile the political refugee 23 3rd letter 25 The letter of Mircea the King-size 26 Leitmotif (short prose without action, without conflict, without subject) 27 Hopes 30 Recollections of which I don’t wish to remember 33 Defect writings (short prose - essay) 35 Introduction in Gibberish 38 Curriculum Vitae 49 The typewriter 50 Landscape with dreams 51 The heroic day of an ordinary man 53 Savu of Lentza 56 Gallant affairs 58 Little history of love (critique short prose) 60 Divorce 62 Uncle Gheorghe’s amazing deeds 64 Genealogy 67 At the swimming place 69 Characterize the character Vitoria Lipan in the novel “The hatchet” 70 RRS 73 Cupboard-which-can-hold-many-people-and-runs-alone-on-railways 74 Shakespeare Alexandru and Beethoven Nicolae 75 Diploma (juridical short prose) 77 Ahmed...

Walt Whitman (1819-1892) is widely considered to be the greatest and most influential of all American poets. The first edition of LEAVES OF GRASS, his sole book which he would continue to revise over the course of his life expanding and rewriting it until the year of his death, appeared in 1855. This volume endeavors to recreate that debut edition as much as an e-book’s virtual typesetting will allow....

I celebrate myself, And what I assume you shall assume, For every atom belonging to me as good belongs to you.   I loafe and invite my soul, I lean and loafe at my ease . . . . observing a spear of summer grass.   Houses and rooms are full of perfumes . . . . the shelves are crowded with perfumes, I breathe the fragrance myself, and know it and like it, The distillation would intoxicate me also, but I shall not let it.   The atmosphere is not a perfume . . . . it has no taste of the distillation . . . . it is odorless, It is for my mouth forever . . . . I am in love with it, I will go to the bank by the wood and become undisguised and naked, I am mad for it to be in contact with me.   The smoke of my own breath, Echos, ripples, and buzzed whispers . . . . loveroot, silkthread, crotch and vine, My respiration and inspiration . . . . the beating of my heart . . . . the passing of blood and air through my lungs, “The sniff of green leaves and dry leaves, and of the shore and darkcolored sea-rocks, and of hay in the barn, The sound of the belched words of my voice . . . . words loosed to the eddies of the wind, A fe...

Contents Introduction "Frontispiece" "Letter from Ralph Waldo Emerson" "Original Title Page" "Entered according to Act of Congress..." "Preface" "Song of Myself" "A Song for Occupations" "To Think of Time" "The Sleepers" "I Sing the Body Electric" "Faces" "Song of the Answerer" "Europe the 72d and 73d Years of These States" "A Boston Ballad" "There Was a Child Went Forth" "Who Learns My Lesson Complete" "Great Are the Myths" About the Editor Also by William Ralph Press...

The Song of Songs [of Solomon] (שִׁיר הַשִּׁירִים Šîr haŠîrîm, ᾎσμα ᾎσμάτων Aisma Aismatōn, Cantĭcum Canticōrum) is a poetic courtship that moves from enchantment to consummation. Devoid of religiosity, it has traditionally been understood as metaphor for the relationship of the soul with the Divine – of God with Israel – of Christ with the Church – of Christ with the human soul – or humanistically, as a metaphor for psychological integrity....

The young man: He replied: “Where I go you know, our love will lead my queen’s feet, to where paradise overflows – in plenty we’ll be replete. For you my mistress are to men as mare to noble stallion, hair bejewels your neck as a mane, bridled by golden garland.” The young woman: And thus sparked, the lady replied: “From scent you sense my presence and at the couch where you recline it moulds your manly essence. Nesting all night my breasts between like bunchéd blooms of henna ’midst verdant vines kissed by sea’s sheen you’re more to me than all men are.” ...

n.a.

A meticulously edited edition of John Keats’ verse collecting all of his poems sans his two long verse plays. Keats was born in London, England, on October 31, 1795. He dedicated his short life to the creation of poetry characterized by its sensuous and vivid imagery, classical themes, technical mastery and sincere and authentic emotional tenor. He died tragically young in 1821 of tuberculosis, a disease that had plagued his life since he took a walking tour of the Lake District in 1818. Volume 5 in The Reader's Library Series. ISBN: 978-1-932023-47-3 https://www.facebook.com/williamralpheditions...

Ode to a Nightingale I My heart aches, and a drowsy numbness pains     My sense, as though of hemlock I had drunk, Or emptied some dull opiate to the drains     One minute past, and Lethe-wards had sunk: ’Tis not through envy of thy happy lot,     But being too happy in thine happiness,—         That thou, light-winged Dryad of the trees,             In some melodious plot     Of beechen green, and shadows numberless,         Singest of summer in full-throated ease.   II O, for a draught of vintage! that hath been     Cool’d a long age in the deep-delved earth, Tasting of Flora and the country green,     Dance, and Provençal song, and sunburnt mirth! O for a beaker full of the warm South,     Full of the true, the blushful Hippocrene,         With beaded bubbles winking at the brim,             And purple-stained mouth;     That I might drink, and leave the world unseen,         And with thee fade away into the forest dim:   III Fade far away, dissolve, and quite forget     What thou among the leaves hast never known, The weariness, the fever, and the fret     Here, where men sit and hear each ...

Contents Introduction Imitation of Spencer On Peace On Death Lines Written on 29 May, the Anniversary of Charles’ Restoration, on Hearing Bells Ringing Song: Stay, Ruby Breasted Warbler, Stay Fill for Me a Brimming Bowl As from the Darkening Gloom a Silver Dove To Lord Byron To Chatterton Written on the Day that Mr. Leigh Hunt Left Prison To Hope Ode to Apollo To Some Ladies On Receiving a Curious Shell, and a Copy of Verses, from the Same Ladies To Emma Woman! When I Behold Thee Flippant, Vain Sonnet to Solitude Epistle to George Felton Mathew To —— (Had I a Man's Fair Form...) To —— (Hadst Thou Liv'd in Days of Old...) I Am As Brisk Women, Wine, and Snuff Specimen of an Induction to a Poem Calidore To One Who Has Been Long in City Pent Oh! How I Love, on a Fair Summer's Eve To a Friend Who Sent Me Some Roses Happy Is England! I Could Be Content To My Brother George Epistle to My Brother George Epistle to Charles Cowden Clarke How Many Bards Gild the Lapses of Time! On First Looking into Chapman’s Homer Keen, Fitful Gusts Are Whisp’ring Here and There On Leaving Some Friends at an Early Hou...

The selection of poems in this anthology may seem a bit unorthodox for Polish literature experts. I have no degree or expertise in any sort of literary research, which may well be the reason for my bizarre taste as presented here. I have tried my very best to include mainly those poems that are obligatory readings in Polish high schools, so that the English Reader can have the chance to get to know a portion of the choicest Polish poetry that an average Pole has willy-nilly come across in his life (one of the poems happens to be a well-known Christmas carol, even). However, Witkacy’s poem about his portrait company might be an exception to the rule. I have (un)fortunately excluded all the longer though important and well-known poems, since I have my deep and well-grounded doubts whether they would ever get read. Sigh. Again, Ode to Youth by Adam Mickiewicz is an exception and hopefully some will read it. I do realize that for the Modern Reader, it may come as a very odd practice to use the thou-thee-thy forms even in translations of classical poetry. I have made use of them, but only in the earlier poems i.e. since the beginnings...

To the Young by Adam Asnyk (1838–1897) The brightening flame of truth pursue, Seek to discover ways no human knows. With every secret now revealed to you, The soul of man expands within the new. And God still bigger grows! Although you may the flowers of myths remove, Although you may the fabulous dark disperse, And tear the mist of fancy from above; There’ll be no shortage of new things to love, Farther in the universe. Each epoch has its special goals in store, And soon forgets the dreams of older days. So, bear the torch of learning in the fore, And join the making of new eras’ lore. The House of the Future raise! But trample not the altars of the past! Although you shall much finer domes erect. The holy flames upon the stones still last, And human love lives there and guards them fast, And them you owe respect! Now with the world that vanishes from view, Dragging down the perfect rainbow of delight, Be gently reconciled in wisdom true. Your stars, oh, youthful conquerors, they, too, Will fade into the night!...

Translator’s note Mother of God Song XXV On Health God’s Plaything Man Fickle To a Corpse When God Is Born, No Power Prevails Vanity My Testament [In Sophie’s Diary] In Verona My Little Song (II) The Tempest To*** Upon the Alps in Splügen 1829 Uncertainty To My Cicerone Ode to Youth [Defend Me from Myself] To the Young Oh, Void Complaints No, Nothing Happened There A Sonnet (One Heart) The End of the 19th Century Hymn to Nirvana Welcome My Beloved Mountains A Portrait Company [I Want No Weeping at My Grave] About the translator...

How consciousness can become part of all of life,

nearly every atom in your body is exchanged every month only your bones take longer and are new almost yearly that’s why you eat so much every birthday you have an entirely different body - so, who are you ? - your essence existed before you your affects exist all around you who you are in essence and what you did and what you do are eternal...

Item Title 1 Introduction 2 Index Poem1 Already Damned Poem2 Can You Imagine Poem3 The Joy Of Poem4 Fear Is A Prison Poem5 Truth and Illusions. Poem6 Critical Eyes Poem7 Our Poetry Poem8 The Trouble With Silence Poem9 Empty Room Poem10 Freedom Poem11 What Am I Tomorrow Poem12 The Bottom Of Things Poem13 The Painful Way To Enlightenment Poem14 Ripples and Echoes Poem15 Phase 1 Poem16 God Is Eccentric Poem17 Friends Poem18 Comfort Poem19 Comfort Too Poem20 Today Poem21 The Light Poem22 Working Poem23 Welcome You Poem24 Coffee Poem25 Words Poem26 ...

Collections of original poetry in the mainstream European tradition.

Sweetly in the Silence For – March Wind Cascades Life The Being Part Discipline Barely Respite Out West One Mind Making Small-Scale Communion Covenant Nothing but Love Encounter Poetry, Charity White Mare Too Many People Age of Images Climbing in Spirit on Endless Hills Thoughts of Genji Entanglment Dream Little Words for Tao Ch’ien Sleeping Nowhere Wavering The Only One Viewing Burne-Jones’ Perseus Series No More Keep It Fluid Scale Scrap-Yard Diatribe In the Gallery Dimensionless A High Singing East-West, All Over Earth Murasaki Small Hours Mysterious Minds Of Light But Your Reality Star-Flower Self-Admonition Subterranean Rivers Out Over Strangest Flower Fecit Deep in the Long Grass Lullaby The Joy-Givers How Wholly How Little Time Is Plants and Stone Altitude Simple Fires Coitu True Notes Deer Trails White Bamboo I White Bamboo II Not For Sale Celebrate Considering Tao for Beginners Delta Only One The Task of Art Mountain Sighing Sign for the Human Race A Toast to Monsieur Mallarmé Solitude, My Beauty Dark Main ‘In the interstices of your spirit’ Intimacie...

Alexander Pope (1688-1744) is widely considered to be the best poet of the Augustan age, and perhaps English verse’s best satirist ever. Pope was mostly self-taught having been denied a formal protestant education because of his family’s Roman Catholic beliefs; he also suffered from the effects of Pott’s disease his entire life, which left him deformed and of small stature never growing past the height of four feet six inches. Despite these challenges, Pope flourished in English society and was likely its first professional literary writer having garnered significant income from the sales of books to the public as opposed to traditional patronages, capitalizing mostly on his excellent translations of Homer and an edited edition of Shakespeare. A close friend of Jonathan Swift in their famous Scriblerus Club, he was quite famous in his time, and while his reputation declined in the 19th century, he is now considered the most canonical poet of his era and the true master of the heroic couplet (followed closely by his predecessor, John Dryden) and English poetic satire. This edition of his poems collects all of his major work, and most...

from "Essay on Criticism" “Tis hard to say if greater want of skill Appear in writing or in judging ill; But of the two less dangerous is th’ offence To tire our patience than mislead our sense: Some few in that, but numbers err in this; Ten censure wrong for one who writes amiss; A fool might once himself alone expose; Now one in verse makes many more in prose.     ’Tis with our judgments as our watches, none Go just alike, yet each believes his own. In Poets as true Genius is but rare, True Taste as seldom is the Critic’s share; Both must alike from Heav’n derive their light, These born to judge, as well as those to write. Let such teach others who themselves excel, And censure freely who have written well; Authors are partial to their wit, ’tis true, But are not Critics to their judgment too? “    Yet if we look more closely, we shall find Most have the seeds of judgment in their mind: Nature affords at least a glimm’ring light; The lines, tho’ touch’d but faintly, are drawn right: But as the slightest sketch, if justly traced, Is by ill col’ring but the more disgraced, So by false learning is good sens...

Introduction Ode on Solitude A Paraphrase (On Thomas à Kempis) To the Author of a Poem Entitled Successio The First Book of Statius’s Thebais Imitation of Chaucer Imitation of Spenser: The Alley Imitation of Waller: On a Lady Singing to Her Lute Imitation of Waller: On a Fan of the Author’s Design Imitation of Abraham Cowley: The Garden Imitation of Abraham Cowley: Weeping Imitation of Earl of Rochester: On Silence Imitation of Earl of Dorset: Artemisia Imitation of Earl of Dorset: Phryne Imitation of Dr. Swift: The Happy Life of a Country Parson Pastorals I. Spring; or, Damon II. Summer; or, Alexis III. Autumn; or, Hylas and Ægon IV. Winter; or, Daphne Windsor Forest Paraphrases from Chaucer January and May; or, The Merchant’s Tale The Wife of Bath The Temple of Fame Translations from Ovid Sappho to Phaon The Fable of Dryope Vertumnus and Pomona An Essay on Criticism Part I Part II Part III Ode for Music on St. Cecilia’s Day Argus The Balance of Europe The Translator On Mrs. Tofts, a Famous Opera-Singer Epistle to Mrs. Blount, with the Works of Voiture Adriani Morientis Ad Animam Epistle to M...

Walt Whitman (1819-1892) is widely considered to be the greatest and most influential of all American poets. LEAVES OF GRASS, Whitman's sole book published at his own expense, represents almost the entirety of his poetical output. The first edition of LEAVES OF GRASS, which he would continue to revise over the course of his life expanding and rewriting it until the year of his death, appeared in 1855. This volume represents the final edition, commonly referred to as the “deathbed” edition, and comes with a prefatory note from Whitman asserting that this is the version he most considered full and complete. While it was a commercial and critical failure during Whitman’s lifetime, LEAVES OF GRASS has gone on to become one of the most canonical books of poetry ever written, influencing and inspiring countless artists in the last two centuries. Written in a groundbreaking prosodic style Whitman referred to as “free verse” LEAVES OF GRASS takes the individual and a young American democracy as its themes and illustrates them with a long-lined cadence Whitman coined his “barbaric yawp” along with all the details that constitute them, a few ...

O Captain! My Captain! O Captain! my Captain! our fearful trip is done, The ship has weather’d every rack, the prize we sought is won, The port is near, the bells I hear, the people all exulting, While follow eyes the steady keel, the vessel grim and daring;                     But O heart! heart! heart!                          O the bleeding drops of red,                               Where on the deck my Captain lies,                                    Fallen cold and dead. O Captain! my Captain! rise up and hear the bells; Rise up—for you the flag is flung—for you the bugle trills, For you bouquets and ribbon’d wreaths—for you the shores a-crowding, For you they call, the swaying mass, their eager faces turning;                     Here Captain! dear father!                          This arm beneath your head!                               It is some dream that on the deck,                                    You’ve fallen cold and dead.   My Captain does not answer, his lips are pale and still, My father does not feel my arm, he has no pulse nor will, The ship is anchor’d safe and sound, its voyage closed...

Contents Introduction LEAVES OF GRASS INSCRIPTIONS One's-Self I Sing As I Ponder'd in Silence In Cabin'd Ships at Sea To Foriegn Lands To a Historian To Thee Old Cause Eidólons For Him I Sing When I Read the Book Beginning My Studies Beginners To the States On Journeys through the States To a Certain Cantatrice Me Imperturbe Savantism The Ship Starting I Hear America Singing What Place Is Besieged Still though the One I Sing Shut Not Your Doors Poets to Come To You Thou Reader STARTING FROM PAUMANOK SONG OF MYSELF CHILDREN OF ADAM To the Garden the World From Pent-Up Aching Rivers I Sing the Body Electric A Woman Waits for Me Spontaneous Me One Hour to Madness and Joy Out of the Rolling Ocean the Crowd Ages and Ages Returning at Intervals We Two, How Long We Were Fool'd O Hymen! O Hymenee! I Am He that Aches with Love Native Moments Once I Pass'd through a Populous City I Heard You Solemn-Sweet Pipes of the Organ Facing West from California's Shores As Adam Early in the Morning CALAMUS In Paths Untrodden Scented Herbage of My Breast Whoever You Are Holding Me Now in Hand For Y...

A new Anthology of 1400 Quotations from the complete works arranged by theme.

Commands Compassion, Empathy, Mercy and Forgiveness Compliments and their Opposites Conscience and Doubt Constancy, Trust and Faith Courage and Cowardice Crime, Punishment, Justice and the Law Death and Fate Dishonour, Dishonesty, Inconstancy and Betrayal Doctors, Illness, Medicine England and Elsewhere Freedom and Imprisonment Friendship Good Advice and Bad Good Wishes and their Opposites Happiness and Sadness, Humour and Gravity Honour and Honesty Kings and Kingship Journeys and Travel Language and the Arts Learning, Literature, Wit, Wisdom and Foolishness London Love and Jealousy, Hatred and Envy Lust, Desire, Passion, Sexuality Madness and Sanity Magic, Astrology, Superstition, and the Supernatural Men Music, Song and Dance Myths and Fables Nature , Trees, Flowers, Creatures Ownership, Money and Possession Prayers, Pleas, Curses, Threats and Promises Pride and Humility Rank and Status, Power, Order, Custom and Authority Service and Slavery Sleep, Waking, Dreams, Visions and Imagination Sons and Daughters Theatre, Drama and the Stage Time Truths, Truisms, Proverbs and Philosophy War and Co...

The whole paradoxist distich should be as a geometric unitary parabola, hyperbola, ellipse at the borders between art, philosophy, rebus, and mathematics – which exist in complementariness. The School of Paradoxist Literature, which evolved around 1980s, continues through these bi-verses closed in a new lyric exact formula, but with an opening to essence. For this kind of procedural poems one can elaborate mathematical algorithms and implement them in a computer: but, it is preferable a machine with … soul!...

I M M O D E S T With the shame Shamelessness U N D E C I D E D Fighting Himself J A Z Z ( I ) Melodious Anarchy J A Z Z ( I I ) Anarchic Melody...

Fore/word and Back/word _________ 3 The making of the distich : _____ 3 Characteristics: ______________ 3 Historical considerations: _____ 5 Types of Paradoxist distiches ___ 8 1. Clichés paraphrased: ___ 8 2. Parodies: _____________ 8 3. Reversed formulae: ____ 8 4. Double negation _______ 8 5. Double affirmation, ____ 8 6. Turn around on false tracks: _________________ 8 7. Hyperboles (exaggerated): __________________ 8 8. With nuance changeable from the title: ________ 8 9. Epigrammatic: ________ 8 10. Pseudo-paradoxes: ___ 8 11. Tautologies: ________ 9 12. Redundant: _________ 9 13. Based on pleonasms: _ 9 14. or on anti-pleonasms: 9 15. Substitution of the attribute in collocations ___ 9 16. Substitution of the complement in collocations 9 17. Permutation of various parts of the whole: ___ 9 18. The negation of the clichés ______________ 10 19. Antonymization (substantively, adjectively, etc.) ________________ 10 20. Fable against the grain: _________________ 10 21. Change in grammatical category (preserving substitutions’ homonymy): ________________ 10 22. Epistolary or colloquia style: _________...