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...m used to describe the situation where the owner of a copyrighted work cannot be identified and located by someone who wishes to make use of the work in a manner that requires permission of the copyright owner. Even where the user has made a reasonably diligent effort to find the owner, if the owner is not found, the user faces uncertainty – she cannot determine whether or...

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...Many commenters were in favor of determining whether a search was reasonable on an “ad hoc” or case-by-case basis, whereby each search is evaluated according to its circumstances. This approach was offered as having the advantage of flexibility t...

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...er cannot be located. I am pleased to present our "Report on Orphan Works" in response to your request. The response from the public to this study was... ...t the use of orphan works. As you know, the roundtable discussions we held in Washington, D.C. and California were well-attended, and the participants... ...gton, D.C. and California were well-attended, and the participants engaged in thoughtful and productive discussion of the many complex issues involved... ...iety of American Archivists, Stanford University Libraries, UCLA Film and Television Archive); • museums (e.g., The J. Paul Getty Trust, The Metropo... ...s (e.g., American Federation of Musicians (“AFM”), American Federation of Television and Radio Artists (“AFTRA”), Recording Artists Coalition); • r... ...Trust); • recording artists and musicians (e.g., American Federation of Television and Radio Artists (“AFTRA”), Recording Artists Coalition); • r... ... satellite carriers to retransmit local over-the-air television broadcast stations to their subscribers. See 17 U.S.C. 122. but also raised other co... ... for satellite carriers retransmitting over–the–air television broadcast stations to their subscribers, as well as making a number of amendments t... ...g: (1) The extent to which the unserved household limitation for network stations contained in section 119 of title 17, United States Code, has ope...

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...m used to describe the situation where the owner of a copyrighted work cannot be identified and located by someone who wishes to make use of the work in a manner that requires permission of the copyright owner. Even where the user has made a reasonably diligent effort to find the owner, if the owner is not found, the user faces uncertainty – she cannot determine whether or...

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... and copyright owner of the work if such attribution is possible and as is reasonably appropriate under the circumstances. The idea is that the user, in the course of using a work for which he has not received explicit permission, should make it as clear as possible to the public that the work is the product of another author, and that the copyright in the work is owned by...

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...er cannot be located. I am pleased to present our "Report on Orphan Works" in response to your request. The response from the public to this study was... ...t the use of orphan works. As you know, the roundtable discussions we held in Washington, D.C. and California were well-attended, and the participants... ...gton, D.C. and California were well-attended, and the participants engaged in thoughtful and productive discussion of the many complex issues involved... ...iety of American Archivists, Stanford University Libraries, UCLA Film and Television Archive); • museums (e.g., The J. Paul Getty Trust, The Metropo... ...s (e.g., American Federation of Musicians (“AFM”), American Federation of Television and Radio Artists (“AFTRA”), Recording Artists Coalition); • r... ...Trust); • recording artists and musicians (e.g., American Federation of Television and Radio Artists (“AFTRA”), Recording Artists Coalition); • r... ... satellite carriers to retransmit local over-the-air television broadcast stations to their subscribers. See 17 U.S.C. 122. but also raised other co... ... for satellite carriers retransmitting over–the–air television broadcast stations to their subscribers, as well as making a number of amendments t... ...g: (1) The extent to which the unserved household limitation for network stations contained in section 119 of title 17, United States Code, has ope...

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...worldviews of peoples of Thailand and Finland, the past and future of local cultures. Matti Sarmela started collecting material on Northern Thailand in 1972. Based on a longitudinal field study, he wrote his description of three villages in Lampang Province, and the changes in villagers' lives over three decades. The book also speaks through the voices of villagers themse...

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...Matti Sarmela LAWS OF DESTINY NEVER DISAPPEAR Culture of Thailand in the postlocal world Helsinki 2005 ... ...R DISAPPEAR Culture of Thailand in the Postlocal World ... ... A VILLAGE IN NORTHERN THAILAND ... ...es and they are like summer cottages, holiday homes of the rich. We have a television set and the young people watch it, but I don't care to watch. So... ...do you like most? watch it. I stopped watching TV many years ago. I think television is a good thing. You can see the news from our home country and ... ...s a good thing to buy and you have something to boast about when you own a television. I think that TV programmes are mostly good. It's our human natu... ...trial life: an excavator business, two large car showrooms and two service stations. And at the start of the village road, where just a small brick fa... ...sinesses, schools, banks, and a concentration of motor dealers and service stations. Since 1997, the heart of the area has been occupied by a huge sup... ...In the 1980s, the road was surfaced and began to sprout workshops, service stations, stores and warehouses along its sides; in the 1990s, both sides o...

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...used to describe the situation where the owner of a copyrighted work cannot be identified and located by someone who wishes to make use of the work in a manner that requires permission of the copyright owner. Even where the user has made a reasonably diligent effort to find the owner, if the owner is not found, the user faces uncertainty – she cannot determine whether...

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...er cannot be located. I am pleased to present our "Report on Orphan Works" in response to your request. The response from the public to this study was... ...t the use of orphan works. As you know, the roundtable discussions we held in Washington, D.C. and California were well-attended, and the participants... ...gton, D.C. and California were well-attended, and the participants engaged in thoughtful and productive discussion of the many complex issues involved... ...iety of American Archivists, Stanford University Libraries, UCLA Film and Television Archive); • museums (e.g., The J. Paul Getty Trust, The Metropo... ...s (e.g., American Federation of Musicians (“AFM”), American Federation of Television and Radio Artists (“AFTRA”), Recording Artists Coalition); • r... ...Trust); • recording artists and musicians (e.g., American Federation of Television and Radio Artists (“AFTRA”), Recording Artists Coalition); • r... ... satellite carriers to retransmit local over-the-air television broadcast stations to their subscribers. See 17 U.S.C. 122. but also raised other co... ... for satellite carriers retransmitting over–the–air television broadcast stations to their subscribers, as well as making a number of amendments t... ...g: (1) The extent to which the unserved household limitation for network stations contained in section 119 of title 17, United States Code, has ope...

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...ll depend on a delicate balance between those ideas that are controlled and those that are free, between intellectual property and the public domain. In The Public Domain: Enclosing the Commons of the Mind (Yale University Press) James Boyle introduces readers to the idea of the public domain and describes how it is being tragically eroded by our current copyright, patent,...

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... be accessed through the author’s website at http://james-boyle.com. Printed in the United States of America. ISBN: 978-0-300-13740-8 Library of Congr... ...served mockery. “Want that insignia torn off your car, Dad? Then it would be in the public domain, right?” My colleagues at Duke are one of the main i... ... at Duke are one of the main influences on my work. I am lucky enough to work in the only “Center for the Study of the Public Domain” in the academic w... ...ness plans relied upon showing movies in theaters and then licensing them to television stations. VCRs and Betamaxes fit nowhere in this plan; they wer... ...relied upon showing movies in theaters and then licensing them to television stations. VCRs and Betamaxes fit nowhere in this plan; they were seen mere... ...nt that it was a “fair use” under U.S. copyright law for consumers to record television programs for time-shifting purposes. Since fair The Internet T... ...rks. If many of your viewers or listeners are willing to become broadcasting stations as they watch, you can cheaply reach a million people in a short... ...s clearly disapproving, others would point out that book- stores, movies and television channels are filled with material on how to commit mur der...an... ...eful to users that aren’t libraries, and neither movie studios nor broadcast stations have any interest in making the broadcaster’s privilege broad en...

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... a Homeland Defense 14 1.3 National Crisis Management 35 2. THE FOUNDATION OF THE NEW TERRORISM 47 2.1 A Declaration of War 47 2.2 Bin Ladin?s Appeal in the Islamic World 48 2.3 The Rise of Bin Ladin and al Qaeda (1988?1992) 55 2.4 Building an Organization, Declaring War on the United States (1992?1996) 59 2.5 Al Qaeda?s Renewal in Afghanistan (1996?1998) 63 3. COUNTERTERR...

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...HE NEW TERRORISM 47 2.1 A Declaration of War 47 2.2 Bin Ladin’s Appeal in the Islamic World 48 2.3 The Rise of Bin Ladin and al Qaeda (1988–1992... ...Declaring War on the United States (1992–1996) 59 2.5 Al Qaeda’s Renewal in Afghanistan (1996–1998) 63 3. COUNTERTERRORISM EVOLVES 71 3.1 From t... ...First World Trade Center Bombing 71 3.2 Adaptation—and Nonadaptation— ...in the Law Enforcement Community 73 3.3 . . . and in the Federal Aviation... ...he work to Argenbright Security. 13 The checkpoint featured closed-circuit television that recorded all passengers, including the hijackers, as they w... ...right Security. Like the check- points in Boston, it lacked closed-circuit television surveillance so there is no documentary evidence to indicate whe... ...Lee Hanson had heard a woman scream just before it cut off. He turned on a television, and in her home so did Louise Sweeney. Both then saw the second... ... FAA: No, this is not an exercise, not a test. 116 NEADS ordered to battle stations the two F-15 alert aircraft at Otis Air Force Base in Falmouth, Ma... ...e Commander Colonel Robert Marr.After ordering the Otis fighters to battle stations, Colonel Marr phoned Major General Larry Arnold, commanding genera... ...to New Y ork, to provide backup.The Langley fighters were placed on battle stations at 9:09. 137 NORAD had no indication that any other plane had been...