...ntinued.) Dramatic Unity. X (Plot continued.) Definitions of Simple and Complex Plots. XI (Plot continued.) Reversal of the Situation, Recognitio... ... these principles are necessar- ily the best. X Plots are either Simple or Complex, for the actions in real life, of which the plots are an imitation,... ...takes place without Reversal of the Situation and with- out Recognition. A Complex action is one in which the change is accompa- nied by such Reversal... ...ct has by itself no sound, but joined to a vowel sound becomes audible, as G and D. These are distin- guished according to the form assumed by the mou... ...e or many, as ‘man’ or ‘men ‘; or the modes or tones in actual delivery, e.g. a question or a command. ‘Did he go?’ and ‘go’ are verbal inflexions of ... ...form, like so many Massilian ex- 28 THE POETICS OF ARISTOTLE pressions, e.g. ‘Hermo-caico-xanthus who prayed to Father Zeus.’ Every word is either cu...

...gedy. VII The Plot must be a Whole. VIII The Plot must be a Unity. IX (Plot continued.) Dramatic Unity. X (Plot continued.) Definitions of Simple and Complex Plots. XI (Plot continued.) Reversal of the Situation, Recognition, and Tragic or disastrous Incident defined and explained. XII The ?quantitative parts? of Tragedy defined. XIII (Plot continued.) What constitutes Tra...

...r r r r ranslated fr anslated fr anslated fr anslated fr anslated from the G om the G om the G om the G om the Gr r r r reek of E eek of E eek of E ee... ...are three weeks old, and the population is supplied from the mainland.—Sir G. Mackenzie’s “History of Iceland”. See also “Emile”, chapter 1, pages 53,... ...edition 1876, volume 1 pages 39, 40), Stopford Brooke (“Poems of Shelley”, G. T . S., 1880, page 323), Dobell (“Alastor”, etc., Facsimile Re- print, 2... .... Mr. Locock has some interesting remarks on the metrical features of this complex ode. On the 10th line of Antistrophe 1a (line 86 of the ode)—Aghast...