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This book will help reader to know about the file format.

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Front Cover===============1 Copyright Page============2 About Author==============3 Table of Content==========4 Introduction==============5 Basics about AMR==========6 Media Players for AMR=====8 Using AMR Player==========9 Technical aspects of AMR=10 Glossary=================12 Notes====================15 Back Cover===============16...

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This is the collection of traditional Sunday School songs in Hawaiian for the enjoyment of everyone.

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Ua hoomakaukau mua ia keia buke i buke lawe lima no na haumana o Kaumakapili. Ua komo no na lilo a pau no ka pai a me ka humuhumu ma ke kumukuai; oia hoi. ...

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This version of the Songs and Sonnets follows the 1635 edition, excluding only a single poem ‘Deare love, continue nice and chaste’.

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The Flea The Good-Morrow Song Woman’s Constancy The Undertaking The Sun Rising The Indifferent Love’s Usury The Canonization The Triple Fool Lover’s Infiniteness Song The Legacy A Fever Air and Angels Break of Day Another of the Same The Anniversary A Valediction of My Name, in the Window Twickenham Garden Valediction to his Book Community Love’s Growth Love’s Exchange Confined Love The Dream A Valediction of Weeping Love’s Alchemy The Curse The Message A Nocturnal upon St Lucy’s Day, Being the Shortest Day Witchcraft by a Picture The Bait The Apparition The Broken Heart A Valediction Forbidding Mourning The Ecstasy Love’s Deity Love’s Diet The Will The Funeral The Blossom The Primrose The Relic The Damp The Dissolution A Jet Ring Sent Negative Love The Prohibition The Expiration The Computation The Paradox Song Farewell to Love A Lecture upon the Shadow...

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Learning the Code, Book 1, is a traditional primer piano method written and edited by James L. King III.

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A primer level piano tutorial. Students begin learning basic rudiments and technique. Transitions easily to any traditional middle-c method book.

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Previous to the year 1906 the researches of the Bureau were restricted to the American Indians, but by act of Congress approved June 30 of that year the scope of its operations was extended to include the natives of the Hawaiian islands. Funds were not specifically provided, however, for prosecuting investigations among these people, and in the absence of an appropriation for this purpose it was considered inadvisable to restrict the systematic investigations among the Indian tribes in order that the new field might be entered. Fortunately the publication of valuable data pertaining to Hawaii is already provided for, and the present memoir by Doctor Emerson is the first of the Bureau's Hawaiian series. It is expected that this Bulletin will be followed shortly by one comprising an extended list of works relating to Hawaii, compiled by Prof. H. M. Ballou and Dr. Cyrus Thomas....

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The hula. 11 -- The halau; the kuahu—their decoration and consecration. 14 -- The gods of the hula. 23 -- Support and organization of the hula. 26 -- Ceremonies of graduation; debut of a hula dancer. 31 -- The password—the song of admission. 38 -- Worship at the altar of the halau. 42 -- Costume of the hula dancer. 49 -- The hula ala&?a-papa. 57 -- The hula pa-ipu, or kuolo. 73 -- The hula ki?i. 91 -- The hula pahu. 103 -- The hula uliui. 107 -- The hula puili. 113 -- The hula ka-laau. 116 -- The hula ili—ili. 120 -- The hula kaekeeke. 122 -- An intermission. 126 -- The hula niau-kani. 132 -- The hula ohe. 135 -- The music and musical instruments of the Hawaiians. 138 -- Gesture. 176 -- The hula pa-hua. 183 -- The hula Pele. 186 -- The hula pa?i-umauma. 202 -- The hula ku i Molokai. 207 -- The hula kielei. 210 -- The hula mu?u-mu?u. 212 -- The hula kolani. 216 -- The hula kolea. 219 -- The hula mano. 221 -- The hula ilio. 223 -- The hula pua?a. 228 -- The hula ohelo. 233 -- The hula kilu. 235 -- The hula hoonana. 244 -- The hula ulili. 246 -- The hula o-niu. 248 -- The hula ku?i. 250 -- The oli. 254 -- The water of Kane. 257 -- Gene...

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It is the purpose of this series of articles to attempt a resolution on these questions by reviewing the ethnological history of the Hawaiian peoples as contained in their ancient traditions, rituals and epic poetry. It is the purpose of these articles to present the Hawaiian royal traditions unconfounded by the elements and theology of Christianity or the insidious influence of other cultural philosophies. It is our purpose to relate what will substantially be the same history, prayers, and chants that for innumerable centuries were recited by the Hawaiian priesthood of the Order of Io and the worship of Kane. If, as inevitably it must, there shall rise a conflict of thought between these articles and the preponderant opinion of modern anthropological research, we shall only be able to resolve or at least to mitigate these differences by restating our purpose of presenting the history of the Hawaiian from his own viewpoint. To accomplish this, we shall adhere strictly to our primary source of material, the Song of Eternity (He Koi Honua No Ke Aha Alii, Ka Halau Kapu O Keawe) of the Royal and Sacred House of Keawe, traditional ru...

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The Song of Eternity, never before disclosed to the public, is a series of heroic epics and liturgies. The last time that it was recited in its entirety was at the necrological ceremonies attending the funeral of the beloved Prince William Charles Lunalilo, King of Hawaii and sixth of the Dynasty of Kamehameha. Lenthy portions of it, however, have been chanted at other similar ceremonies, the most prominent of these being the coronation of David Kalakaua, and the furierals of the Queens, Emma and Liliuokalani; of the Princes William Leleiohoku, David Kawananakoa, and Albert Kunuiakea, and of the High-Chiefesses Kehauluohi II, Ruth Keelikolani, Peleuli Crowningburg-Amalu, Elizabeth Kekaaniau Pratt, and others. It may also be of interest to know that various of its liturgies were chanted at the ceremonies which elevated Archibald Cleghorn and John Owen Dominis as Princes of the Realm and which created the late Henry Gaylord Dillingham as a High-Chief of Hawaii in the Order of Kaleiwohi....

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Mnemonics for music. Intended as entertainment.

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If your memory of the bass clef conflicts with your memory of the treble clef (and vise versa), then perhaps associating the notes above Middle C (treble clef) with famous women, while associating the notes below Middle C (bass clef) with famous men, would possibly help to reduce this problem for you??...

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A collection of songs, many of them having been remixed online.

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Like the time in summer, I wanna be the air blowing from the sea Cooling you, making you come near me, or atleast want you to be with me So i’m singing this song, the breeze I will be for you in the summer you find every time I must not be dreaming, but i feel like the spirit flowing about, surrounding you, making everthing the way it should be....

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It's an old English song which often found its way into many English text books the world over. A primitive prototype rendering of this song was made in a crude tape recorder decades earlier, in 1984. In 2014, a home made video of this song was released. This third version is comparatively better. The next version, we hope, would be fully orchestrated. This song was originally part of the project PROPÈS INDIA or Project For The Popularization of English Songs In India, recorded from an English class by Mr. P S Remesh Chandran. Today it belongs to Bloom Books Channel’s Sing A Song Project for children. It's free for reuse, and anyone interested can develop and build on it, till it becomes a fine musical video production, to help our little learners, and their teachers. YouTube Release Link: https://www.youtube.com/watch?v=GVDhdskuzeY...

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Video of If All The Seas Were One Sea By Unknown Poet. Music, Sung and Recorded By P S Remesh Chandran in 2016. YouTube Release Link: https://www.youtube.com/watch?v=GVDhdskuzeY...

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Video of If All The Seas Were One Sea Unknown Poet by P. S. Remesh Chandran.

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The ten bucolic poems freely imitating Theocritus' Idylls, and creating a pastoral world of love and song.

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A modern translation of some of Lorca's works, including Lament for Ignacio Sánchez Mejías.

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Singing Cafè The Guitar Journey Lola Malagueña Sonnet Serenata Preciosa and the Breeze The Quarrel The Gypsy Nun Ballad of the Black Sorrow Saint Gabriel Saint Michael Ballad of the Spanish Civil Guard Thamar and Amnon Sound of the Cuban Negroes Madrigal for the City of Santiago Nocturne of the Drowned Youth Dance of the Santiago Moon Lament for Ignacio Sánchez Mejías Sonnet of the Sweet Complaint Wounds of Love The Beloved Sleeps on the Breast of the Poet Two Laws Sonnet Night-Song of the Andalusian Sailors Index of First Lines...

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LOVE LIVE FORGIVE is an exciting collection of exclusive interviews with many of the world’s most visionary musicians, artists, and authors.

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“In this journey of reaching for the sound, the music, the voice, we find the only path is through the onrush of love, and the full rush of forgiveness.” - Naseem Rakha, Author, Speaker & Storyteller...

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Artistry Love & Forgiveness Compassion & Healing Transformation Unity

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Modern translation of some of Lorca's work, including Casida of the Recumbent Woman.

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The Ballad of the Salt-Water Encounter From Moon Songs Dream Wish The Little Ballad of the Three Rivers Paso (The Images of the Passion) The Dawn A Singing Casida of the Recumbent Woman Gacela of the Flight Night of Insomniac Love Gacela of the Terrible Presence Sonnet of the Wreath of Roses The Poet asks his Love to write Song Pueblo Landscape The Prisoner Remanso, Final Song Index of First Lines...

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Modern translations of Lorca's works, including Romance Sonámbulo and The Unfaithful Wife.

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Ballad of the Small Plaza. Song of the Rider It’s True. Song of the Barren Orange Tree. The Moon Wakes. Farewell Romance de la Luna, Luna Romance Sonámbulo The Unfaithful Wife Gacela of Unexpected Love Casida de la Rosa Casida of the Dark Doves ‘Ay voz secreta del amor oscuro!’ Every Song...

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Further Selected Poems by this great Spanish poet, including his elegy for Lorca.

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Dedication (from The Man Watching, 1939) ‘Silence of metal sad and sonorous’ ‘My name is earth though I’m named Miguel’ Elegy for Federico García Lorca The Winds of the People The Olive Harvesters Song of the Soldier Husband Letter Last Song Each Time I Pass Carry Me to the Graveyard Grasses, Nettles Wretched Wars Lullaby of the Onion The Last Corner Casida of the Thirsty Man To Smile with the Sad Joy of the Olive-Tree Index of First Lines...

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His lecture Importancia histórica y artística del primitivo canto Andaluz llamado ‘Cante Jondo’ - 1922.

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Twenty poems of Rafael Alberti.

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Contents Naming The Dawn The Dead Angels What I Left, For You Song 8 Mauve-Moon-Of-Ice My Roe Deer Peñaranda de Duero For Federico García Lorca The Dove ‘If my voice dies on land’ ‘If I was born a farmhand’ Alba Of The Dark Night The Ballad Of What The Wind Said The Collegiate Angels The Angel Of Numbers The Bull Of Death Invitation To The Air The Cry Coming And Going Blue Index of First Lines...

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Seven spiritual poems by San Juan de la Cruz.

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Song of the Soul that Delights in Reaching the Supreme StateVerses on the Ecstasy of Deep Contemplation Song of the Soul in Intimate Communication of Union with God’s Love Spiritual Verses Song of the Soul that Delights in Knowing God through Faith A Gloss with Spiritual Meaning Verses of the Soul that Pines to See God Index of First Lines...

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From collections preceding The Gypsy Ballads.

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Weather Vane New Songs The Footsteps of la Siguiriya Cellar Song Juan Breva Earth Berceuse for a Mirror sleeping Variation (From Remansos) Running Towards River Bend Flash of Light Madrigals The Garden Print of the Garden II Song of the Boy with Seven Hearts The Dune Schematic Nocturne Little Song of Seville Adelina Walking By Lover Venus Two Moons of Evening Lucía Martínez Little Song of First Desire Prelude Index of First Lines...