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Front Cover===============1 Copyright Page============2 About Author==============3 Table of Content==========4 Introduction==============5 Basics about AMR==========6 Media Players for AMR=====8 Using AMR Player==========9 Technical aspects of AMR=10 Glossary=================12 Notes====================15 Back Cover===============16...

This volume contains a collection of traditional classic Hawaiian music.

This book contains songs from the prohibition period in 1884.

El Godfrey: The Canta Barcariola of Dr. Thomas Mondini and the Arguments on Every Song of an unknown author.

Popular songs with their original music.

These 101 songs are all postmissionary and owe their musical origin to missionary hymns. None of them are technically chants but some, such as " 'Alika," "Hole Wai-mea," and "Maika'i Kaua'i," are chants that have been edited and set to music. The songs date from the mid-1850's to 1968—the date of Mary Kawena Pukui's Christmas song translations. The majority are from the time of the monarchy and so are already somewhat venerable. Nearly all are sung often today and are well known to Hawaiian singers. The texts have never before been written consistently with the glottal stops and macrons that make them nearly pronounceable by one not knowing Hawaiian. Many of them have not been translated before, or have been freely adapted rather than translated. Rarely have so many been assembled under one cover....

This is the collection of traditional Sunday School songs in Hawaiian for the enjoyment of everyone.

Ua hoomakaukau mua ia keia buke i buke lawe lima no na haumana o Kaumakapili. Ua komo no na lilo a pau no ka pai a me ka humuhumu ma ke kumukuai; oia hoi. ...

This book is a collection of Hawaiian songs for the children of Temperance Union.

A nui auanei oia imua o ka Haku; aole ia e inu i ka waina, aole hoi i ka mea awawa.

A collection of easy listening Hawaiian songs that can be enjoyed in the comfort everyone's home.

Previous to the year 1906 the researches of the Bureau were restricted to the American Indians, but by act of Congress approved June 30 of that year the scope of its operations was extended to include the natives of the Hawaiian islands. Funds were not specifically provided, however, for prosecuting investigations among these people, and in the absence of an appropriation for this purpose it was considered inadvisable to restrict the systematic investigations among the Indian tribes in order that the new field might be entered. Fortunately the publication of valuable data pertaining to Hawaii is already provided for, and the present memoir by Doctor Emerson is the first of the Bureau's Hawaiian series. It is expected that this Bulletin will be followed shortly by one comprising an extended list of works relating to Hawaii, compiled by Prof. H. M. Ballou and Dr. Cyrus Thomas....

The hula. 11 -- The halau; the kuahu—their decoration and consecration. 14 -- The gods of the hula. 23 -- Support and organization of the hula. 26 -- Ceremonies of graduation; debut of a hula dancer. 31 -- The password—the song of admission. 38 -- Worship at the altar of the halau. 42 -- Costume of the hula dancer. 49 -- The hula ala&?a-papa. 57 -- The hula pa-ipu, or kuolo. 73 -- The hula ki?i. 91 -- The hula pahu. 103 -- The hula uliui. 107 -- The hula puili. 113 -- The hula ka-laau. 116 -- The hula ili—ili. 120 -- The hula kaekeeke. 122 -- An intermission. 126 -- The hula niau-kani. 132 -- The hula ohe. 135 -- The music and musical instruments of the Hawaiians. 138 -- Gesture. 176 -- The hula pa-hua. 183 -- The hula Pele. 186 -- The hula pa?i-umauma. 202 -- The hula ku i Molokai. 207 -- The hula kielei. 210 -- The hula mu?u-mu?u. 212 -- The hula kolani. 216 -- The hula kolea. 219 -- The hula mano. 221 -- The hula ilio. 223 -- The hula pua?a. 228 -- The hula ohelo. 233 -- The hula kilu. 235 -- The hula hoonana. 244 -- The hula ulili. 246 -- The hula o-niu. 248 -- The hula ku?i. 250 -- The oli. 254 -- The water of Kane. 257 -- Gene...

It is the purpose of this series of articles to attempt a resolution on these questions by reviewing the ethnological history of the Hawaiian peoples as contained in their ancient traditions, rituals and epic poetry. It is the purpose of these articles to present the Hawaiian royal traditions unconfounded by the elements and theology of Christianity or the insidious influence of other cultural philosophies. It is our purpose to relate what will substantially be the same history, prayers, and chants that for innumerable centuries were recited by the Hawaiian priesthood of the Order of Io and the worship of Kane. If, as inevitably it must, there shall rise a conflict of thought between these articles and the preponderant opinion of modern anthropological research, we shall only be able to resolve or at least to mitigate these differences by restating our purpose of presenting the history of the Hawaiian from his own viewpoint. To accomplish this, we shall adhere strictly to our primary source of material, the Song of Eternity (He Koi Honua No Ke Aha Alii, Ka Halau Kapu O Keawe) of the Royal and Sacred House of Keawe, traditional ru...

The Song of Eternity, never before disclosed to the public, is a series of heroic epics and liturgies. The last time that it was recited in its entirety was at the necrological ceremonies attending the funeral of the beloved Prince William Charles Lunalilo, King of Hawaii and sixth of the Dynasty of Kamehameha. Lenthy portions of it, however, have been chanted at other similar ceremonies, the most prominent of these being the coronation of David Kalakaua, and the furierals of the Queens, Emma and Liliuokalani; of the Princes William Leleiohoku, David Kawananakoa, and Albert Kunuiakea, and of the High-Chiefesses Kehauluohi II, Ruth Keelikolani, Peleuli Crowningburg-Amalu, Elizabeth Kekaaniau Pratt, and others. It may also be of interest to know that various of its liturgies were chanted at the ceremonies which elevated Archibald Cleghorn and John Owen Dominis as Princes of the Realm and which created the late Henry Gaylord Dillingham as a High-Chief of Hawaii in the Order of Kaleiwohi....

This volume brings together expressions of abiding devotion to Hawai i—the land, the ruling monarchs, the independent and sovereign kingdom. Many of these expressions are direct responses to the turmoil of the late 19th century, in particular the 1887 promulgation of the Bayonet Constitution that disenfranchised so many subjects of the Hawaiian kingdom, the 1889 revolt that attempted to reverse the erosion of those civil rights, the 1893 overthrow of Queen Lili uokalani, and the counterrevolution in 1895 by loyalists trying to restore the Queen to the throne. In late 1895, Francisco Jose Testa, editor of Ka Makaainana, collected 105 mele together in one volume to be published as Buke Mele Lahui. Testa, known as “Hoke” in Hawaiian, refers to these compositions as “mele aloha aina,” patriotic songs or songs of loyalty. Outpourings of such loyalty to the kingdom and monarchy were cast poetically and published regularly in pro-royalist Hawaiian-language newspapers of the time, especially Hawaii Holomua, Ka Lei Momi, Ka Leo o ka Lahui, Ka Makaainana, and Nupepa Ka Oiaio. Although Testa's introduction states that these texts we...

This book contains a selection of compiled national songs of Hawaii.

Mnemonics for music. Intended as entertainment.

If your memory of the bass clef conflicts with your memory of the treble clef (and vise versa), then perhaps associating the notes above Middle C (treble clef) with famous women, while associating the notes below Middle C (bass clef) with famous men, would possibly help to reduce this problem for you??...

This method is a way of knowing the young artist with his musical instrument and his growing confidence in playing it. You can also use it for students who write cursory notes and are desperate.In this method I created had to be as simple as possible in order to get the student playing the piano immediately.This book is method of playing the piano that does not require music theory. You only need to know the color of each key on the piano. This step by step course is designed for quickly teaches the student to play songs they will know and love.Song arrangements were carefully selected to provide an easy transition from learning the basics to covering more interesting rhythms, techniques, and musical ideas. Rainbowtonic is the style for coloring the music notes. This is describes a method to raise a young child’s interest in piano learning.I will explore many popular songs with colors and symbols.Everyone can play these songs on any piano and keyboard with the color piano chart.This method for playing the piano will spark interest in learning at any age and you will enjoy playing the piano by colors....

Piano For Kids

Originally on PDF (suitable for mobile devices but equally can to be enjoyed on desktops &TC): in its entirety, a deluxe publication with 3410 pages (three thousand four hundred and ten); 15 with inedited photos. Encompassing 201 (two hundred and one) O.M. albums, through an interdisciplinary and exuberant exegetical vision. In addition to in-depth notes by the duo of curators, there is an introductory essay by the Iranian philosopher and musician OMAR MEHREGAN, especially engendered for this monumental Work. Authors: PABLO SUAREZ PAZ & CAIO CAMPBELL More information about the artist: https://melgacootacilio.bandcamp.com/...

Released - on November 9, 2018 - by Mel-Em-Branca Pub Co., the digital (Maga)Zine, produced by O.M.Team, Θevrumineś. Annual, bilingual (Portuguese-English), originally on PDF with 493 pages (suitable for mobile devices but equally can to be enjoyed on desktops &TC): a compiling of essays, articles, reviews, quotes, iconography ... focused on the exuberantly plentiful Work of the Brazilian experimental musician Otacílio Melgaço. MELGAÇO, Otacílio: Composer, arranger, conductor, multi-instrumentalist (besides synergistically creator in universes - borderless, interpenetrating - of dance, visual arts, photography, dramaturgy / literature ...) originating from Minas Gerais, Brazil. More information about the artist: https://melgacootacilio.bandcamp.com/ A 9 de Novembro de 2018, lançada Θevrumineś, Revista digital produzida pela "Confraria Melgaciana". Anual, bilíngue (Português/Inglês). Em 493 páginas: uma compilação de ensaios, artigos, resenhas, iconografia, depoimentos...voltados à profusa Obra de O.M. ...

Children and new begginers can play easily

A collection of songs, many of them having been remixed online.

Like the time in summer, I wanna be the air blowing from the sea Cooling you, making you come near me, or atleast want you to be with me So i’m singing this song, the breeze I will be for you in the summer you find every time I must not be dreaming, but i feel like the spirit flowing about, surrounding you, making everthing the way it should be....