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Ruin is a tale that is not a tale. It is a microscopic peering into the unpleasant fabric of human sustainability. It is a real person wrought by sabotaging the very nature of storytelling. It is a description of love, that is, the deliberate perversion of it in order to fulfill one's needs, which is to say it is the banal record of everyday life. It is a collection of details that follow the details that preceded it in A Book of Nightmares. It is not a happy book. It is full of elegiac contemplation on suffering, helplessness, holiness and unrelenting sexual isolation. It is blunt and graphic and painfully beautiful. It has little plot, and no punctuation, and might, just might, be the poetry for which America has been unconsciously waiting....

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there is only love in its various forms and manifestations and by it we either see or we do not see it has been eight years since my last report I am home again if this house can be said to have been a home to me or rather if it can still so be called many years have scampered in and eaten away at what I remember was a modest structure with a mild economical luster ......

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Epigraph Ruin About the Author About William Ralph Press

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Excerpt: WHEN I wrote the following pages, or rather the bulk of them, I lived alone, in the woods, a mile from any neighbor, in a house which I had built myself, on the shore of Walden Pond, in Concord, Massachusetts, and earned my living by the labor of my hands only. I lived there two years and two months. At present I am a sojourner in civilized life again. I should not obtrude my affairs so much on the notice of my readers if very particular inquiries had not been made by my townsmen concerning my mode of life, which some would call impertinent, though they do not appear to me at all impertinent, but, considering the circumstances, very natural and pertinent. Some have asked what I got to eat; if I did not feel lonesome; if I was not afraid; and the like. Others have been curious to learn what portion of my income I devoted to charitable purposes; and some, who have large families, how many poor children I maintained. I will therefore ask those of my readers who feel no particular interest in me to pardon me if I undertake to answer some of these questions in this book. In most books, the I, or first person, is omitted; in this...

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Table of Contents: Economy, 1 -- Where I Lived, and What I Lived For, 50 -- Reading, 62 -- Sounds, 69 -- Solitude, 80 -- Visitors, 87 -- The Bean-Field, 97 -- The Village, 105 -- The Ponds, 109 -- Baker Farm, 126 -- Higher Laws, 132 -- Brute Neighbors, 140 -- House-Warming, 149 -- Former Inhabitants; and Winter Visitors, 160 -- Winter Animals, 169 -- The Pond in Winter, 176 -- Spring, 186 -- Conclusion, 199...

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In this modern rendition, the beauty of the Sanskrit slokas is reflected in the rythmic flow of the english verse of poetic proportions. Besides, the attendant philosophy of that is Bhagvad-Gita is captured in contemporary idiom for easy comprehension....

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The spiritual ethos and the philosophical outlook that the Bhagvad - Gita postulates paves the way for the liberation of man, who, as Rousseau said, ‘being born free, is everywhere in chains’. But equally it is a mirror of human psychology, which enables man to discern his debilities for appropriate redressal. All the same, the boon of an oral tradition that kept it alive for over two millennia became its bane with the proliferation of interpolations therein. Besides muddying its pristine philosophy, these insertions affect the sequential conformity and structural economy of the grand discourse. What is worse, to the chagrin of the majority of the Hindus, some of these legitimize the inimical caste system while upholding the priestly perks and prejudices....

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Charlotte Perkins Gilman opens a window of history through which we can see a small part of the determined efforts made by women to elevate the circumstances of women in the early 20th century.Diantha Bell is a normal young woman desiring marriage and a home, but also a challenging career in a new territory which raises many eyebrows and sets malicious tongues wagging. Her effort to elevate housework and cooking to a regulated and even scientific business, for the relief of homemakers, is a depiction of the late 19th century movement to promote Domestic Science, or Home Economics, as a means of providing more healthful home life, as well as career paths for women.Diantha's business prospers as she shows her excellent gifts of administration, organization and homemaking. She grows an empire, and brings happiness and wholesomeness to every area of endeavor which she carefully attempts.The improvements in women's opportunities have not been available very long, indeed.This is a good reminder....

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Literature, Fiction, Cookery

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The Turmoil is the first novel in the 'Growth' trilogy, which also includes The Magnificent Ambersons (1918) and The Midlander (1923, retitled National Avenue in 1927). In 1942 Orson Welles directed a film version based on volume 2, also titled The Magnificent Ambersons. The trilogy traces the growth of the United States through the declining fortunes of three generations of the aristocratic Amberson family in a fictional Mid-Western town, between the end of the Civil War and the early part of the 20th century, a period of rapid industrialization and socio-economic change in America. The decline of the Ambersons is contrasted with the rising fortunes of industrial tycoons and other new-money families, which did not derive power from family names but by doing things. As George Amberson's friend says, don't you think being things is 'rahthuh bettuh' than doing things? (Summary adapted from Wikipedia by Gesine)...

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Fiction, Literature