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The drama and tragedy of King Oedipus.

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A new translation of this little-known play.

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A fine new translation of this fascinating play.

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A complete verse translation of Faust Parts I & II with stage instructions and line numbers.

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Part I: Preliminaries (Dedication, Prelude, Prologue) Scenes I-III (Night, City-Gate, Study) Scenes IV-VI (Study, Auerbach's Cellar, Witches' Kitchen) Scenes VII-XV (Street, Evening, Promenade, Neighbour's House, Street, Garden, Arbour, Forest, Gretchen's Room) Scenes XVI-XXV (Martha's Garden, Fountain, Tower, Night, Cathedral, Walpurgis Night, Oberon and Titania, Dreary Day, Night, Dungeon) Part II: Act I Scenes I-VII (Landscape, Castle, Hall, Pleasure-Garden, Gallery, Brightly-Lit Halls, Hall of the Knights) Act II Scenes I-IV (Chamber, Laboratory, Classical Walpurgis Night, Upper Peneus River) Act II Scenes V-VI (Aegean Coves, Telchines of Rhodes) Act III Scenes I-II (Menelaus' Palace, Castle Court) Act IV Scenes I-III (Mountains, Headland:Battle, Emperor's Tent) Act V Scenes I-VII (Country, Garden, Palace, Night, Midnight, Outer Court, Mountain:Forest:Rock:Desert)...

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The master at his most vulgar.

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Don Juan Tenorio, in English verse, with parallel Spanish text and line numbers (translated in collaboration with Nancy Mayberry).

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Orestes is an Ancient Greek play by Euripides that follows the events of Orestes after he had murdered his mother.

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The third play of the Oresteian Trilogy.

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Danaus and his fifty daughters.

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The master at his funniest and most brilliant.

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A masterpiece of Greek Tragedy, concerning the conflict between public and private morality.

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A new, complete, downloadable, English translation, with hyper-linked in-depth name index, and comprehensive notes.

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Inferno: Cantos I-VII (Virgil, Circles I-IV, Paolo & Francesca, Ciacco) Cantos VIII-XIV (Circles V-VII, Farinata, Pier delle Vigne, Capaneus) Cantos XV-XXI (Brunetto Latini, Geryon, Circle VIII, Manto) Cantos XXII-XXVIII (Vanni Fucci, Ulysses, G. da Montefeltro, B. de Born) Cantos XXIX-XXXIV (Griffolino, The Giants, Circle IX, Ugolino, Satan) Purgatorio: Cantos I-VII (Casella, Manfred, La Pia, Buonconte, Sordello ) Cantos VIII-XIV (The Gate, Nino, Oderisi, Salvani, Sapia, G.del Duca) Cantos XV-XXI (Free Will, Nature of Love, Adrian, Hugh Capet,Statius) Cantos XXII-XXVIII (Forese, Bonagiunta, Souls, Guinicelli, Arnaut, Matilda) Cantos XXIX-XXXIII (The Divine Pageant, Beatrice, Lethe, Eunoë) Paradiso: Cantos I-VII (The Moon, Piccarda, Mercury, Justinian, Romeo) Cantos VIII-XIV (Venus, Cunizza, Folco, The Sun, Thomas Aquinas, Bonaventura, Dominic, Francis, Solomon, Mars) Cantos XV-XXI (Cacciaguida, Florence, Jupiter, The Eagle, Saturn, Peter Damian ) Cantos XXII-XXVIII (Benedict, Gabriel, Peter, Paul, James, John, Angels) Cantos XXIX-XXXIII (The Empyrean, The River, The Rose, Bernard, The Virgin, The Final Vision)...

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Alcestis is an Athenian tragedy by the ancient Greek playwright Euripides.

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The Cyclops is an Ancient Greek satyr play by Euripides, the only complete satyr play that has survived antiquity. It is a comical burlesque-like play on the same story depicted in book nine of Homer's Odyssey....

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A Satyr Play.

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The final drama of King Oedipus.

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A story of Helen of Troy and the return of her husband, Menelaus, who was thought to be dead and their escape together.

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It is unclear whether it was first produced before or after Sophocles' version of the Electra story.

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Rhesus takes place during the Trojan War, on the night when Odysseus and Diomedes sneak into the Trojan camp and kill Rhesus, instead of Hector, by orders of Athena....

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The Phoenician Women is a tragedy by Euripides. The title refers to the Greek chorus, which is composed of Phoenician women on their way to Delphi who are trapped in Thebes by the war. The chorus represents the innocent and neutral people that very often are found in the middle of war situations. Patriotism is a significant theme in the story, as Polynices talks a great deal about his love for the city of Thebes but has brought an army to destroy it; Creon is also forced to make a choice between saving the city and saving the life of his son. Euripides wrote the play around 408 BC, under the influence of a big defeat of his homeland, Athens, which then faced a military disaster....