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Joachim Du Bellay's Les Antiquités de Rome.

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Translator’s note: The Ruins Of Rome Divine spirits, whose powdery ashes lie The Babylonian praises his high wall, Newcomer, who looks for Rome in Rome,She, who with her head the stars surpassed, He who would see the vast power of Nature, As in her chariot the Phrygian goddess rode, You sacred ruins, and you holy shores, With arms and vassals Rome the world subdued, You cruel stars, inhuman deities, Much as brave Jason by the Colchian shore, Mars, now ashamed to have granted power As once we saw the children of the Earth Not the raging fire’s furious reign, As we pass the summer stream without danger You pallid ghost, and you, pale ashen spirit,As we gaze from afar on the waves roar So long as Jove’s great eagle was in flight, These great heaps of stone, these walls you see, All perfection Heaven showers on us, Exactly as the rain-filled cloud is seen She whom both Pyrrhus and Libyan Mars When this brave city, honouring the Latin name, Oh how wise that man was, in his caution,If that blind fury that engenders wars, Would that I might possess the Thracian lyre, Who would demonstrate Rome’s true grandeur, You,...

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It describes the lifestyle of the poet and his friends, as well as, most famously, his love for the woman he calls Lesbia.

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1. The Dedication: to Cornelius 2. Tears for Lesbia’s Sparrow 2b. Atalanta 3. The Death of Lesbia’s Sparrow 4. His Boat 5. Let’s Live and Love: to Lesbia 6. Flavius’s Girl: to Flavius 7. How Many Kisses: to Lesbia 8. Advice: to himself 9. Back from Spain: to Veranius 10. Home Truths for Varus’s girl: to Varus 11. Words against Lesbia: to Furius and Aurelius 12. Stop Stealing the Napkins! : to Asinius Marrucinus 13. Invitation: to Fabullus 14. What a Book! : to Calvus the Poet 15. A Warning: to Aurelius 16. A Rebuke: to Aurelius and Furius 17. The Town of Cologna Veneta 21. Greedy: To Aurelius. 22. People Who Live in Glass Houses: to Varus 23. Poverty: to Furius 24. Furius’s Poverty: to Iuventius 25. My Things Back Please: to Thallus 26. The Mortgage: to Furius 27. Falernian Wine 28. Patronage: to Veranus and Fabullus 29. Catamite 30. Faithlessness: to Alfenus 31. Sirmio 32. Siesta: to Ipsíthilla 33. A Suggestion: to Vibennius 34. Song: to Diana 35. Cybele: to Caecilius 36. Burnt-Offering: to Volusius’s Droppings 37. Free for All: to the Regulars and Egnatius 38. A Word Please: to Cornificius 39. ...

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An original essay on Poetic translation.

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1. A New and Present Life 2. The Sacred Marriage 3. The Retrieval of Meaning 4. The Ghost in the Machine 5. The Disease of Translation 6. Another Voice...

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The Satires. Incisive social analysis from the age of Hadrian.

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Satire I A Justification for Satire Satire II Effeminate Rome Satire III Fleeing Rome Satire IV Mock-Epic Satire V Patron and Client Satire VI Don’t Marry Satire VII Patronage Satire VIII Rely On Your Own Worth Satire IX Patrons Again: A Dialogue Satire X The Vanity of Human Wishes Satire XI An Invitation to Dinner Satire XII Friendship Satire XIII Mock Consolation Satire XIV Bad Parenting Satire XV Compassion, Not Hatred Satire XVI The Military life (Incomplete Text)...

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Twenty-six sonnets by Luis de Góngora y Argote.

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‘When, at the rising of the sun, my nymph’ To A Rose To A Very Pale Lady Dressed in Green ‘With such distinction, such grace’ ‘What, out of ivory from the Ganges,’ A Lady’s Tears and Sighs ‘Sacred temple of pure honesty,’ ‘From the crystal of your divine hand’ Inscription for El Greco’s Tomb To A White Poplar Grove To The Court Ladies asking Favour for Andalusian Gallants ‘Lovely and illustrious Maria,’ ‘The sweet mouth that invites you to taste’ ‘The white lilies, children of the Sun,’ Of Human Ambition On the Deceptive Brevity of Life ‘While yet in competing with your hair,’ ‘No ship, wrecked on some harsh reef,’ ‘Oh, bright honour of the liquid element,’ To Cordoba To The Quadalquivir Of a Lady Pricked by a Ring To A Girl, Now Become a Beautiful Lady To Memory: Of Death and Hell To A Grove of White Poplars ‘Green rushes of the kindly Douro wove’ Index of First Lines...

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A complete collection of the poems of William Blake. Blake (1757-1827) was an English poet, engraver, and painter. Early in his life, his unique and deceptively simple poems marked the beginning of Romanticism, particularly those from his volumes Songs of Innocence (1789) and Songs of Experience (1794). Later work evolved into long mythological pieces informed by visions Blake claimed to have throughout his life. This volume collects all his poetic output, including those unfinished fragments in manuscript form....

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The Tyger Tyger Tyger, burning bright, In the forests of the night: What immortal hand or eye, Could frame thy fearful symmetry?   In what distant deeps or skies Burnt the fire of thine eyes! On what wings dare he aspire? What the hand, dare seize the fire?   And what shoulder, & what art, Could twist the sinews of thy heart? And when thy heart began to beat, What dread hand? & what dread feet?   What the hammer? what the chain, In what furnace was thy brain? What the anvil? what dread grasp, Dare its deadly terrors clasp?   When the stars threw down their spears And water’d heaven with their tears: Did he smile his work to see? Did he who made the Lamb make thee?   Tyger, Tyger burning bright, In the forests of the night: What immortal hand or eye, Dare frame thy fearful symmetry?...

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Introduction POETICAL SKETCHES To Spring To Summer To Autumn To Winter To the Evening Star To Morning Fair Elenor Song (How sweet I roam'd...) Song (My silks and fine array...) Song (Love and harmony combine...) Song (I love the jocund dance...) Song (Memory, hither come...) Mad Song Song (Fresh from the dewy hill...) Song (When early morn walks forth...) To the Muses Gwin, King of Norway An Imitation of Spenser Blind Man’s Buff King Edward the Third Prologue, Intended for a Dramatic Piece of King Edward the Fourth Prologue to King John A War Song to Englishmen The Couch of Death Contemplation Samson Song 1st by a Young Shepherd Song 2nd by a Young Shepherd Song by an Old Shepherd AN ISLAND IN THE MOON SONG OF INNOCENCE AND EXPERIENCE Songs of Innocence: Introduction The Shepherd The Ecchoing Green The Lamb The Little Black Boy The Blossom The Chimney Sweeper The Little Boy Lost The Little Boy Found Laughing Song A Cradle Song The Divine Image Holy Thursday Night Spring Nurse’s Song Infant Joy A Dream On Anothers Sorrow Songs of Experience: Introduction Earth’s Answer The Clod & ...

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The poems of the Canti below are complete but not in their originally published order. I have taken the liberty of re-arranging them into four groups, Personal (Poems 1-11), Philosophical (12-24), ‘Romantic’ (25-34), and Political (35-41). These categories are not exact, as Leopardi frequently blends elements together in the one poem, but they may help the reader, as they helped me, to adjust to his variations in style. The original published position of each poem is given in Roman numerals in the brackets following the poem’s title....

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1. To Silvia (XXI) 2. The Infinite (XII) 3. The Evening Of The Holiday (XIII) 4. To the Moon (XIV) 5. Saturday Night In The Village (XXV) 6. To Himself (XXVIII) 7. Night-Song Of A Wandering Shepherd of Asia (XXIII) 8. First Love (X) 9. The Solitary Bird (XI) 10. Imitation (XXXV) 11. Scherzo (XXXVI) 12. Moon-Set (XXXII) 13. Wild Broom (XXXIV) 14. The Calm After The Storm (XXIV) 15. Masterful Thought (XXVI) 16. Love And Death (XXVII) 17. Bas-Relief On An Ancient Tomb (XXX) 18. On A Lovely Lady’s Image (XXX1) 19. To Spring (or Of The Ancient Myths) (VII) 20. Hymn To The Patriarchs (VIII) 21. Sappho’s Last Song (IX) 22. To Count Carlo Pepoli (XIX) 23. Fragment (From Simonides I: XL) 24. Fragment (From Simonides II:XLI) 25. The Dream (XV) 26. The Solitary Life (XVI) 27. To His Lady (XVIII) 28. Memories (XXII) 29. The Re-awakening (Il Risorgimento: XX) 30. Consalvo (XVII) 31. Aspasia (XXIX) 32. Fragment (Alcetas and Melissus: XXXVII) 33. Fragment (Separation: XXXVIII) 34. Fragment (Turned to Stone: XXXIX) 35. To Italy (I) 36. On the Proposed Dante Monument in Florence (II) 37. To Angelo Mai (III) 38. F...

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A collection of short prose essays.

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CULTURAL NEWS1 (short prose poem) I queue up at the entry of art. queue for meat, queue for bread (Hurraaah Hurrah How fine is our life!) And I watch how someone builds their tomb in eternity. We beseech you to sit down each as far as possible in literature, we are announced by the hoarse interphone. -No, thanks. I prefer standing up, I find myself answering unquestioned. -But do come, please, come. the poetry is waiting for you - says the interphone, then to me: -Enough, there is no place left, get out....

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About Florentin Smarandache again, by Ion Rotaru 5 Introduction to the Kingdom of Error 9 A few features of the NonExistentialism 10 A common 13 Cultural actuality (short prose - poem) 14 How not to ascend to the High NonSociety 15 News 19 Portrait 20 1st letter of Uncle Vasile the political refugee 21 2nd letter of Uncle Vasile the political refugee 23 3rd letter 25 The letter of Mircea the King-size 26 Leitmotif (short prose without action, without conflict, without subject) 27 Hopes 30 Recollections of which I don’t wish to remember 33 Defect writings (short prose - essay) 35 Introduction in Gibberish 38 Curriculum Vitae 49 The typewriter 50 Landscape with dreams 51 The heroic day of an ordinary man 53 Savu of Lentza 56 Gallant affairs 58 Little history of love (critique short prose) 60 Divorce 62 Uncle Gheorghe’s amazing deeds 64 Genealogy 67 At the swimming place 69 Characterize the character Vitoria Lipan in the novel “The hatchet” 70 RRS 73 Cupboard-which-can-hold-many-people-and-runs-alone-on-railways 74 Shakespeare Alexandru and Beethoven Nicolae 75 Diploma (juridical short prose) 77 Ahmed...

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Alexander Pope (1688-1744) is widely considered to be the best poet of the Augustan age, and perhaps English verse’s best satirist ever. Pope was mostly self-taught having been denied a formal protestant education because of his family’s Roman Catholic beliefs; he also suffered from the effects of Pott’s disease his entire life, which left him deformed and of small stature never growing past the height of four feet six inches. Despite these challenges, Pope flourished in English society and was likely its first professional literary writer having garnered significant income from the sales of books to the public as opposed to traditional patronages, capitalizing mostly on his excellent translations of Homer and an edited edition of Shakespeare. A close friend of Jonathan Swift in their famous Scriblerus Club, he was quite famous in his time, and while his reputation declined in the 19th century, he is now considered the most canonical poet of his era and the true master of the heroic couplet (followed closely by his predecessor, John Dryden) and English poetic satire. This edition of his poems collects all of his major work, and most...

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from "Essay on Criticism" “Tis hard to say if greater want of skill Appear in writing or in judging ill; But of the two less dangerous is th’ offence To tire our patience than mislead our sense: Some few in that, but numbers err in this; Ten censure wrong for one who writes amiss; A fool might once himself alone expose; Now one in verse makes many more in prose.     ’Tis with our judgments as our watches, none Go just alike, yet each believes his own. In Poets as true Genius is but rare, True Taste as seldom is the Critic’s share; Both must alike from Heav’n derive their light, These born to judge, as well as those to write. Let such teach others who themselves excel, And censure freely who have written well; Authors are partial to their wit, ’tis true, But are not Critics to their judgment too? “    Yet if we look more closely, we shall find Most have the seeds of judgment in their mind: Nature affords at least a glimm’ring light; The lines, tho’ touch’d but faintly, are drawn right: But as the slightest sketch, if justly traced, Is by ill col’ring but the more disgraced, So by false learning is good sens...

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Introduction Ode on Solitude A Paraphrase (On Thomas à Kempis) To the Author of a Poem Entitled Successio The First Book of Statius’s Thebais Imitation of Chaucer Imitation of Spenser: The Alley Imitation of Waller: On a Lady Singing to Her Lute Imitation of Waller: On a Fan of the Author’s Design Imitation of Abraham Cowley: The Garden Imitation of Abraham Cowley: Weeping Imitation of Earl of Rochester: On Silence Imitation of Earl of Dorset: Artemisia Imitation of Earl of Dorset: Phryne Imitation of Dr. Swift: The Happy Life of a Country Parson Pastorals I. Spring; or, Damon II. Summer; or, Alexis III. Autumn; or, Hylas and Ægon IV. Winter; or, Daphne Windsor Forest Paraphrases from Chaucer January and May; or, The Merchant’s Tale The Wife of Bath The Temple of Fame Translations from Ovid Sappho to Phaon The Fable of Dryope Vertumnus and Pomona An Essay on Criticism Part I Part II Part III Ode for Music on St. Cecilia’s Day Argus The Balance of Europe The Translator On Mrs. Tofts, a Famous Opera-Singer Epistle to Mrs. Blount, with the Works of Voiture Adriani Morientis Ad Animam Epistle to M...

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The whole paradoxist distich should be as a geometric unitary parabola, hyperbola, ellipse at the borders between art, philosophy, rebus, and mathematics – which exist in complementariness. The School of Paradoxist Literature, which evolved around 1980s, continues through these bi-verses closed in a new lyric exact formula, but with an opening to essence. For this kind of procedural poems one can elaborate mathematical algorithms and implement them in a computer: but, it is preferable a machine with … soul!...

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I M M O D E S T With the shame Shamelessness U N D E C I D E D Fighting Himself J A Z Z ( I ) Melodious Anarchy J A Z Z ( I I ) Anarchic Melody...

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Fore/word and Back/word _________ 3 The making of the distich : _____ 3 Characteristics: ______________ 3 Historical considerations: _____ 5 Types of Paradoxist distiches ___ 8 1. Clichés paraphrased: ___ 8 2. Parodies: _____________ 8 3. Reversed formulae: ____ 8 4. Double negation _______ 8 5. Double affirmation, ____ 8 6. Turn around on false tracks: _________________ 8 7. Hyperboles (exaggerated): __________________ 8 8. With nuance changeable from the title: ________ 8 9. Epigrammatic: ________ 8 10. Pseudo-paradoxes: ___ 8 11. Tautologies: ________ 9 12. Redundant: _________ 9 13. Based on pleonasms: _ 9 14. or on anti-pleonasms: 9 15. Substitution of the attribute in collocations ___ 9 16. Substitution of the complement in collocations 9 17. Permutation of various parts of the whole: ___ 9 18. The negation of the clichés ______________ 10 19. Antonymization (substantively, adjectively, etc.) ________________ 10 20. Fable against the grain: _________________ 10 21. Change in grammatical category (preserving substitutions’ homonymy): ________________ 10 22. Epistolary or colloquia style: _________...